Francis Bacon (1909‑1992)
Three Studies for Figures at the Base of a Crucifixion
Date c.1944
MediumOil paint on 3 boards
Dimensionssupport, each: 940 x 737 mm frame, each: 1162 x 960 x 80 mm
Acquisition Presented by Eric Hall 1953
Image credit© Tate
On display at Tate Britain
Room: 1940
Francis Bacon, 'Three Studies for Figures at the Base of a Crucifixion, c.1944
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Artwork details
Francis Bacon,
'Three Studies for Figures at the Base of a Crucifixion', c.1944
Richard Dadd,
'The Fairy Feller's Master-Stroke', 1855-64
Francis Bacon,
'Three Figures and Portrait', 1975
Francis Bacon,
'Second Version of Triptych 1944', 1988
George Frederic Watts,
'The Minotaur', 1885
William Hogarth,
'A Scene from 'The Beggar's Opera' VI', 1731
Ithell Colquhoun,
'Scylla', 1938
William Blake,
'Cerberus', 1824-7
George Warner Allen,
'Picnic at Wittenham', 1947-8
Pablo Picasso,
'Faun Revealing a Sleeping Woman (Jupiter and Antiope, after Rembrandt)', 1936
Oskar Kokoschka,
'Loreley', 1941-2
Sir Eduardo Paolozzi,
'Cyclops', 1957
Joseph Mallord William Turner,
'Apollo and Python', exhibited 1811
William Blake,
'The Wood of the Self-Murderers: The Harpies and the Suicides', 1824-7
Aubrey Beardsley,
'Design for the Frontispiece to John Davidson's Plays', 1894
Richard Patterson,
'Painted Minotaur', 1996-7
Sir Edward Coley Burne-Jones, Bt,
'The Finding of Medusa; The Death of Medusa (The Birth of Pegasus and Chrysaor); Perseus Pursued by the Gorgons', 1875-6
Sir Edward Coley Burne-Jones, Bt,
'Atlas Turned to Stone; The Rock of Doom and the Doom Fulfilled; The Court of Phineas; The Baleful Head', 1875-6
Glyn Warren Philpot,
'Repose on the Flight into Egypt', 1922
Sir Eduardo Paolozzi,
'Cyclops', 1957