Artist
Title
Moonlight, a Study at Millbank
Date exhibited 1797
MediumOil paint on mahogany
Dimensionssupport: 314 x 403 mm frame: 507 x 602 x 115 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
N00459
Not on display
Joseph Mallord William Turner, 'Moonlight, a Study at Millbank, exhibited 1797
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  • Joseph Mallord William Turner Moonlight, a Study at Millbank exhibited 1797
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Joseph Mallord William Turner,
'Moonlight, a Study at Millbank', exhibited 1797
John Constable,
'The Opening of Waterloo Bridge ('Whitehall Stairs, June 18th, 1817')', exhibited 1832
Patrick Heron,
'Harbour Window with Two Figures, St Ives: July 1950', 1950
Ben Nicholson OM,
'1943-45 (St Ives, Cornwall)', 1943-5
John Constable,
'Chain Pier, Brighton', 1826-7
Christopher Richard Wynne Nevinson,
'The Arrival', c.1913
Wassily Kandinsky,
'Lake Starnberg', 1908
John Constable,
'Yarmouth Jetty', after 1823
Joseph Mallord William Turner,
'Brighton Beach, with the Chain Pier in the Distance, from the West', c.1827, 1843
Joseph Mallord William Turner,
'The Chain Pier, Brighton', c.1828
Joseph Mallord William Turner,
'Fishing Boats Entering Calais Harbour', c.1803
Joseph Mallord William Turner,
'A Ship Aground, Yarmouth; Sample Study', c.1827-8
Joseph Mallord William Turner,
'The Dark Rigi', 1842
Tacita Dean,
'The Wreck of Worthing Pier', 2001
Charles Conder,
'Swanage Bay', c.1901
Joseph Mallord William Turner,
'Fishermen upon a Lee-Shore, in Squally Weather', exhibited 1802
Joseph Mallord William Turner,
'Brighton from the Sea', c.1829
Ben Nicholson OM,
'St Ives from Trezion', 1967
Paul Maitland,
'The Sun Pier, Chatham', c.1897
Charles Conder,
'Windy Day at Brighton', c.1904-5