John Martin (1789‑1854)
The Plains of Heaven
Date 1851-3
MediumOil paint on canvas
Dimensionssupport: 1988 x 3067 mm frame: 2415 x 3485 x 175 mm
Acquisition Bequeathed by Charlotte Frank in memory of her husband Robert Frank 1974
On display at Tate Britain
Room: 1840
John Martin, 'The Plains of Heaven, 1851-3
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  • John Martin The Plains of Heaven 1851-3
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Artwork details
John Martin,
'The Plains of Heaven', 1851-3
John Martin,
'The Last Judgement', 1853
Joseph Mallord William Turner,
'The Angel Standing in the Sun', exhibited 1846
Dante Gabriel Rossetti,
'Dantis Amor', 1860
William Blake,
'Behemoth and Leviathan', 1825, reprinted 1874
British School 16th century,
'An Allegory of Man', 1596 or after
Charles Sims,
'I Am the Abyss and I Am Light', 1928
Eric Gill,
'Adam & Eve in Heaven', 1927
Eric Gill,
'The Last Judgement', 1917
William Blake,
'Satan before the Throne of God', 1825, reprinted 1874
William Blake,
'Satan Going Forth from the Presence of the Lord, and Job's Charity', 1825, reprinted 1874
Cecil Collins,
'The Artist's Wife Seated in a Tree', 1976
Joseph Mallord William Turner,
'Mustering of the Warrior Angels', c.1834
Joseph Mallord William Turner,
'The Fall of the Rebel Angels', c.1834
Henryk Gotlib,
'Rembrandt in Heaven', c.1948-58
Joseph Mallord William Turner (after),
'The Fall of the Rebel Angels, engraved by Edward Goodall', published 1835
León Ferrari,
''The Last Judgement' by Brueghel + Cross with Videla and Cardinal Quarracino', 1995-6, 2007
Joseph Mallord William Turner (after),
'Mustering of the Warrior Angels, engraved by Robert Brandard', 1835
Cecil Collins,
'The Artist's Wife Seated in a Tree', 1944
John Flaxman (after),
'The Empyreum', 1807