John Martin (1789‑1854)
The Last Judgement
Date 1853
MediumOil paint on canvas
Dimensionssupport: 1968 x 3258 mm frame: 2400 x 3685 x 175 mm
Acquisition Bequeathed by Charlotte Frank in memory of her husband Robert Frank 1974
On display at Tate Britain
Room: 1840
John Martin, 'The Last Judgement, 1853
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Artwork details
John Martin,
'The Last Judgement', 1853
Dante Gabriel Rossetti,
'Paolo and Francesca da Rimini', 1855
William Hogarth,
'Satan, Sin and Death (A Scene from Milton's 'Paradise Lost')', c.1735-40
William Blake,
'Cerberus', 1824-7
John Martin (formerly attributed to),
'The Fallen Angels Entering Pandemonium, from 'Paradise Lost', Book 1', ?exhibited 1841
William Blake,
'Behemoth and Leviathan', 1825, reprinted 1874
William Blake,
'The Simoniac Pope', 1824-7
William Blake,
'The Inscription over the Gate', 1824-7
Sir Edward Coley Burne-Jones, Bt,
'Sisyphus', c.1870
William Hogarth (prints after),
'Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790', 1792
Edward Dayes,
'The Fall of the Rebel Angels', 1798
James Barry,
'Satan, Sin and Death', c.1792-1808
Tom Phillips,
'Canto XXII: [no title]', 1982
John Robert Cozens,
'Satan Summoning his Legions', c.1776
William Blake,
'The Fall of Satan', 1825, reprinted 1874
Charles Sims,
'I Am the Abyss and I Am Light', 1928
Tom Phillips,
'Canto XXX: [no title]', 1983
William Blake,
'Job's Evil Dreams', 1825, reprinted 1874
William Blake,
'The Punishment of the Thieves', 1824-7
William Blake,
'Homer and the Ancient Poets', 1824-7