This programme of short, non-fiction films has been organised to complement Tate Britain's major retrospective of the work of Anthony Caro and continues bfi and Tate's obliquely suggestive look at sculptural explorations of architecture. It explores a variety of images – from the poetic detail of rainfall and the industrial muscularity of railway yards, to the spaces made by habits of collecting – and reveals a range of romantic analogies of different kinds of sculptural practice and perception.

The Bridge  Joris Ivens, 1928, 11’
Mai  Murray Martin, 1975, 28’
Black Five  Paul Barnes, 1968, 22’
Rain  Joris Ivens, 1929, 19’
Coalface  Alberto Cavalcanti, 1935, 11’