What is British Art?
A Third Text Project
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Frank Bowling
Mirror 1964–6 © Frank Bowling |
£25 (£15 concessions), booking recommended
Price includes drinks afterwards
What is British Art? A Third Text Project
10 October 2008
Draft Programme
09.30 - 10.00 Registration
10.00 – 10.05 Welcome and opening introduction: Paul Goodwin, Cross Cultural Curator, Tate Britain
10.05 - 10.15 Welcome address: Lord Bhikhu Parekh, Emeritus Professor of Political Theory, Hull University
10.15 - 10.45 Rasheed Araeen, Founding Editor, Third Text
Morning: The Production of Knowledges in British Art.
Panel 1
Chair: Juliet Steyn, Lecturer in Cultural Policy, City University
10.45 - 11.25 Peter Osborne, Professor of Modern European Philosophy, Middlesex University
To Each Present, Its Own Prehistory
11.25 – 12.05 Mel Gooding, Writer and Critic
Aubrey Williams: A Case in Point
12.05 - 12.45 Panel discussion (morning plenary): Rasheed Araeen, Peter Osborne, Mel Gooding. Chaired by Juliet Steyn.
12.45 - 13.45 Lunch
Afternoon: Post-war Artist Trajectories and the Rise of Americanism
Panel 2
Chair: Peter Osborne
13.45 - 14.25 Michael Corris, Professor of Fine Art, Sheffield Halam University
Against Historicism: The British Reception of Minimal Art
14.25 - 15.05 Alison Green, Lecturer in Art History and Theory, Central St Martin’s School of Art
Futuricity in Four Seasons
15.05 - 15.25 Tea
Panel 3
Chair: Richard Cork, Writer and Critic
15.25 - 16.05 Leon Wainwright, Lecturer in History of Art, Manchester Metropolitan University
Varieties of Belatedness in the Story of British Pop
16.05 - 16.45 Neil Mulholland, Director, Centre for Visual & Cultural Studies,
Edinburgh College of Art
Creative Britons and Scottish Independents
16.45 - 17.15 Panel discussion: Michael Corris, Alison Green, Leon Wainwright, Neil Mulholland. Chaired by Richard Cork.
17.15 - 18.00 Plenary discussion with Rene Gimpel, Art Dealer
18.00 Conference closes
18.00 - 19.30 Drinks and Third Text A Very Special Issue launch in Clore Foyer

