Undoing the Aesthetic Image
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Éric Alliez
Around Aesthetics 2008 © The artist |
The history of art is inextricably tied up with the history of the image. Critical debates about contemporary art involve different concepts of and questions about the image. Is it possible to liberate the image from the theological shadow of the icon? Can the 'aesthetic image' be brought back from aestheticism to what Jacques Rancière calls 'the political stakes of a montage of the sensible'? Or must aesthetics be thought anew in the hyper-present of contemporary art?
This conference asks four French philosophers and art historians to consider these issues: Éric Alliez, Professor of Contemporary French Philosophy, Middlesex University; author of La Pensée-Matisse (with Jean-Claude Bonne, 2005) and L'Oeil-Cerveau: Nouvelles Histoires de la Peinture Moderne (2007)
Elisabeth Lebovici, art historian and art critic; co-author (with Catherine Gonnard) of Femmes/artistes, artistes/femmes, Paris de 1880 à nos jours (Hazan, Paris, 2007). Other recent texts include Louise Bourgeois (Tate Modern/Centre Pompidou,
Georges Didi-Huberman, Professor of Art History, EHESS, Paris; author of L'image survivante (2002) and La ressemblance par contact (2008)
Jacques Rancière, Emeritus Professor of Philosophy, University of Paris-VIII; author of The Future of the Image (2003; trans. 2007) and The Politics of Aesthetics (2000; trans. 2004).
£35 (£25 concessions), booking recommended
Programme
10.00 Registration & Coffee
10.30 Introduction: Tate Britain and Peter Osborne (CRMEP, Middlesex University)
10.45 ‘The Dislocation of the IMAGE-Grip’
Éric Alliez
11.30 Discussion
12.00 ‘Extras (Les Figurants)’
Georges Didi-Huberman
12.45 Discussion
13.15 Lunch (not included)
14.15 ‘This is Not My Body’
Elisabeth Lebovici
15.00 Discussion
15.30 Tea and Coffee
15.45 ‘The Pensive Image’
Jacques Rancière
16.30 Discussion
17.00 Closing Panel Discussion:
Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici and Jacques Rancière
17.30 Reception, Clore Foyer

