Saturday 2 December 2006, 10.00–18.00
Analogue
Pioneering Artists' Video from the UK and Canada (1968–88)
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Judith Goddard
Electron 1986 © The artist |
This day-long event includes discussions with the curators Catherine Elwes, Dr. Chris Meigh-Andrews and Peggy Gale and contributing artists David Critchley and Tamara Krikorian, chaired by AL Rees and the screening of familiar and forgotten video work from the UK and Canada.
The day features work by General Idea, David Hall, Mona Hatoum and Cerith Wyn Evans which reflect the period's social realities and questions mainstream popular culture and fine art traditions.
Canadian programme curated by Lisa Steele and Peggy Gale. UK programme curated by Catherine Elwes and Chris Meigh-Andrews.
Funded by Arts Council England, the Canada Council for the Arts, the Polish Cultural Institute with support from Camberwell
College of the Arts, UAL and The Electronic & Digital Art Unit (EDAU), University of Central Lancashire
Tate Britain
Auditorium
£25 (£15 concessions), booking required
£25 (£15 concessions), booking required
Programme:
UK Tapes: Programme 1
Programme duration 60 min
David Critchley
Pieces I Never Did (extract), 1979, 4.50 min
Marceline Mori
Second and Third Identity, 1977, 4 min
Akiko Hada
Oi Hoi Bang Bang!, 1988, 6 min
Stuart Marshall
Distinct (extract), 1979, 3.36 min
Sera Furneaux
Lessness (extract), 1986, 3.30 min
Chris Meigh-Andrews
Interlude: (Homage to Bug’s Bunny), 1983, 4 min
Judith Goddard
Electron, 1987, 5 min
Marty St James and Ann Wilson
Beatnik, 1984, 5 min
Pratibha Parmar
Sari Red (extract), 1988, 5.44 min
John Scarlett-Davis
Chat Rap (Volker), 1983, (extract), 2.10 min
Mona Hatoum
Measures of Distance (extract), 1988, 5 min
Tina Keane
Demolition/Escape (extract), 1983, 4 min
Gorilla Tapes
The Commander in Chief, 1985, 4 min
UK Tapes: Programme 2
Programme duration 60 min
Mick Hartney
State of Division, 1979, 6 min
Mike Stubbs
Greetings from the Cape of Good Hope, 1985, 5 min
Cerith Wyn-Evans
Degrees of Blindness (extract), 1988, 5.10 min
George Barber
Brandson, 1985, 4 min
Katharine Meynell
Medusa (extract), 1988, 4.15 min
Pictorial Heroes, Reflections on the Art of the State (extract), 1988, 4 min
John Hopkins
Video Space (extract), 1970, 5 min
Steve Littman
Crisps, 1982, 4 min
Catherine Elwes
Kensington Gore (extract), 1980, 4 min
Jeremy Welsh
I.O.D (extract), 1984, 4.08 min
Ian Bourn
The Wedding Speech, 1978, 5 min
Steve Hawley
Extent of Three Bells, 1981, 4 min
Graham Young
Accidents in the Home: Gas Fires no. 17, 1984, 4 min
Canadian Programme 1
Programme duration 55 min
Murray
Keeping on Top of Song (installation), 1973, 17-min loop
Pierre Falardeau and Julien Poulin
Continuons le Combat (extract), 1971, 10 min
Colin Campbell
Sackville I’m Yours (extract), 1972, 6 min
David Askevold
My Recall of an Imprint of a Hypothetical Jungle, 1973, 5.30 min
Jeff Spalding
VideoWash (extract), 1973, 5 min
Eric Cameron
Contact Piece: A Nude Model (Donna) (extract), 1973, 6 min
Lisa Steele
Birthday Suit, 1974, 12 min
Rodney Werden
Say, 1978, 3 min
Paul Wong
60 Unit Bruise, 1976, 4.30 min
Daniel Dion and Phillippe Poloni
Division de la Nature, 1981, 5 min
Canadian Programme 2
Programme duration 55 min
General Idea
Pilot (extract), 1977, 5 min
Tom Sherman
Televisions Human Nature (extract), 1977, 9 min
Alex Poruchnyk
Live Wire, 1982, 5.50 min
Jayce Salloum
In the Absence of Heroes (Warfare – a case for context) (extract), 1984, 5 min
Su Rynard
A Tape About Memory, 1985, 3.30 min
Vera Frenkel
Last Screening Room (extract), 1984, 9.45 min
Robert Morin
Thief Lives in Hell, 1984, 19:40 min
See www.uclan.ac.uk/host/edau/projects/analogtext.htm for further information about Analogue.
