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A Picture of Britain : 15 June  –  4 September 2005
 
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an exhibition celebrating the British landscape - 16 June  4 September 2005
 
The Home Front
'War and Peace'

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Britain has not experienced a successful invasion since 1066. But fears remained along the vulnerable south-eastern coast of England, especially with the advent of aerial warfare. During the second world war, with the Battle of Britain in 1940, war finally came to mainland Britain. This resulted in highly innovative landscape paintings by Paul Nash and other war artists.

From the eighteenth century onwards, the southern counties and coastline were the first line of defence, above all for London. But increasingly they also became the playground of the metropolis, giving rise to modern seaside tourism. The seaside resort was invented during the eighteenth century. Visitor numbers grew rapidly during the Victorian period, with the opening of railway links. By 1911 over half the population of England and Wales made one seaside trip per year. Many paintings included here, by JMW Turner, John Constable, William Dyce, Walter Sickert and others, picture this national pastime.

The appeal of the coast and the countryside as an escape from the city also satisfied concerns about the moral and physical health of the nation. Rural and coastal villages came to represent an unspoilt element of national culture, in perfect harmony with nature. This ideal played an important part in war propaganda, as a traditional way of life worth defending.

David Dimbleby © BBC
The Home Front - Introduction by David Dimbleby
 
Exhibition works from The Home Front
 
William Blake - The Blighted Corn
William Blake - Sabrina's Silvery Flood
Charles Conder - Windy Day at Brighton
John Constable - Chain Pier, Brighton
Charles Cundall - Bank Holida - Brighton
William Daniell - Dover Castle
Evelyn Dunbar - A Land Girl and Bail Bull
William Dyce - Pegwell Bay, Kent - a Recollection of October 5th 1858
William Holman Hunt - Our English Coasts
John Linnell - Harvest Moon
Paul Nash - The Messerschmidt in Windsor Great Park
Paul Nash - Totes Meer (Dead Sea)
John Nash - The Cornfield
Samuel Palmer - A Church amoung Trees
Samuel Palmer - Coming from Evening Church
Walter Richard Sickert - Brighton Pierrots
Philip Wilson Steer - The Beach at Walberswick
Philip Wilson Steer - A procession of Yachts
JMW Turner - Snow Storm - Steam-Boat off a Harbour's Mouth
Martello Towers near Bexhill, Sussex
Other works from The Home Front in Tate's Collection
John Constable - Salisbury Cathedral from the Meadows John Constable, David Lucas - Hadleigh Castle near the Nore William Powell Frith - The Derby Day John Linnell - Contemplation
John Nash - A Cottage in Gloucestershire John Nash - Threshing after Samuel Owen - Dover Castle, Kent Samuel Palmer - The Harvest Moon: Drawing for 'A Pastoral Scene'
Samuel Palmer - Landscape, Girl Standing after Clarkson Frederick Stanfield  - Martello Tower, engraved by W.B. Cooke  1836 after JMW Turner - The Shipwreck, engraved by W. Miller after JMW Turner - Snow-Storm, engraved by R. Brandard
JMW Turner - Study for a Stormy Sea Piece, Perhaps 'The Shipwreck' JMW Turner - Composition Study for 'The Shipwreck' JMW Turner - Study for 'The Shipwreck'
Henry Scott Tuke - August Blue
JMW Turner - Sketch for 'East Cowes Castle - the Regatta Starting for their Moornings'