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Art and the 60s

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30 June - 26 September 2004


Exhibition Themes

Materialism  |  You've Never Had it so Good  |  Pop Goes the Easel  |  Image in Revolt  |  Ban the Bomb
A Box of Pin-Ups  |  Swinging Sixties  |  Real and Imagined Cities  |  Destruction in Art Symposium

Ban the Bomb

Throughout this period, many British artists were conscious of the threat of violence around the world which had led to a rise in protest movements, in particular the Campaign for Nuclear Disarmament. Artists such as Richard Hamilton, Colin Self and Joe Tilson, raised awareness of political issues whilst continuing to develop new techniques that defined the Pop art movement.

In 1968 the wave of international protest, at its height in Paris, sparked sympathetic outbursts in British colleges and universities. Photographers such as Don McCullin raised public awareness of the severity of the Vietnam War, while Roger Mayne, Lewis Morley and Michael Cooper captured seminal protest events at home.

Leopardskin Nuclear Bomber No 2

Colin Self
Leopardskin Nuclear Bomber No 2 1963
Credit: Tate
© Colin Self 2004. All rights reserved DACS

Leopardskin Nuclear Bomber No 2 combines the imagery of a predatory beast - the leopard - with nuclear weaponry. The sculpture exemplifies the mood of anxiety in Self's work of the early 1960s. The association between nuclear and animal aggression illustrates Self's belief that self-destructive forces govern human behaviour. Sexual aggression is also referred to by the overtly phallic pink fuselage of the plane.

transcript Transcript

The Murder of Rosa Luxemburg

RB Kitaj
The Murder of Rosa Luxemburg 1960
Credit: Tate
© RB Kitaj

The theme of this multi-layered painting is the murder in 1919 of the Jewish agitator and theoretician Rosa Luxemburg. She was killed by those opposed to the revolutionary movement that swept Germany in the wake of the First World War. Both of Kitaj's grandmothers, one of whom appears at top left, were refugees and for him Luxemburg stood for a long history of anti-semitic murders.

Transparency I: Yuri Gagarin 12 April 1961

Joe Tilson
Transparency I: Yuri Gagarin 12 April 1961 1968
Credit: Tate
© Joe Tilson 2004. All rights reserved, DACS

This work highlights how political figures such as the Russian Cosmonaut Yuri Gagarin became instantly recognisable media celebrities. Tilson uses the format of a blown-up Ektachrome to frame found media images of this foreign icon.

Towards a Definitive Statement on the Coming Trends in Men's Wear and Accessories (a) Together Let Us Explore the Stars

Richard Hamilton
Towards a Definitive Statement on the Coming Trends in Men's Wear and Accessories (a) Together Let Us Explore the Stars 1962
Credit: Tate
© Richard Hamilton 2004. All rights reserved, DACS

This work uses Hamilton's signature technique of combining found elements from advertising and media. The idea for the painting came from an article on male fashion in Playboy magazine. It also alludes to the 'Space Race' between the USSR and the USA, at its height under President Kennedy.