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Art Now

Tate Britain's Art Now programme reflects current developments in contemporary British art. It consists of up to five exhibitions a year which demonstrate the quality and variety of new art in the UK.

Current and forthcoming Art Now  exhibitions

Lucy Clout, Untitled, 2007 © courtesy the artist and Limoncello. Alice Channer
 Art Now: The Way In Which It Landed   2 August  –  26 October 2008
Juneau Project, Haresoft, 2007 © courtesy of the artists and fa projects
 Art Now: Juneau Projects   2 June  –  26 October 2008
Juneau Projects was established in 1999 by artists Phil Duckworth and Ben Sadler. Their work incorporates video, sound and performance-based installations that explore the desire to escape back to nature in the digital age.
Alan Michael, Untitled (Grassroots / Bottles), 2007  © Alan Michael, courtesy Stuart Shave/Modern Art, London
 Art Now: Alan Michael   3 May  –  20 July 2008
Alan Michael is a painter who lives and works in Glasgow.  He is interested in the idea of things colliding and works a puzzling and eclectic array of imagery into his canvases. 

Past Art Now  exhibitions

Alice Channer, Fourteenth Scarf Drawing, 2007 © Alice Channer. courtesy Dicksmith Gallery
 Art Now: Strange Solution   2 February  –  13 April 2008
This exhibition brings together five artists whose paintings, sculptures and installations take found objects, images or substances as a starting point. The artists are Karla Black, Alice Channer, Dee Ferris, Anthea Hamilton and Katy Moran.
Installation shot of 'So this song kills fascists' © Seb Patane. courtesy Maureen Paley. Tate
 Art Now: Seb Patane   3 November 2007  –  13 January 2008
Seb Patane’s archive comprises found imagery, drawings, sound and occasional live elements which he orders and assembles into stylised and pared-down tableaux.
Performance documentation from The Miner's Object by Melanie Gilligan, 11 March 2006© Melanie Gilligan
 Art Now Live   8 September  –  8 September 2007
Art Now and commissioning agency Electra present a day of performance works that explore ideas of participation and storytelling, featuring Melanie Gilligan, Emma Hedditch, The Bohman Brothers, Olivia Plender and Janice Kerbel.
Goshka Macuga, Objects in Relation, 2007
 Art Now: Goshka Macuga   30 June  –  14 October 2007
Goshka Macuga’s sculptural environments include unlikely displays of other artists’ work alongside disparate collections of objects thus blurring the roles of artist, curator and collector.
Christina Mackie, The large huts , 2007. View of this exhibition at Tate BritainSam Drake © Tate 2007
 Art Now: Christina Mackie   2 June  –  28 October 2007
Christina Mackie is best known for her composite sculptural installations which unite disparate elements in a state of temporary synthesis. The large huts have been conceived especially for Tate Britain’s Sculpture Court.
Peter Peri, Soft System, 2006 © Peter Peri. courtesy Counter Gallery, London
 Art Now: Peter Peri   6 April  –  3 June 2007
Peter Peri's dark, intensely worked paintings and highly detailed drawings exhibit an almost alien logic that disorientates our understanding of perception.
Kate Davis, Your Body is a Battleground Still, 2007 © The artist. Reproduction © The Estate of Jacob Epstein/Tate
 Art Now: Kate Davis   3 February  –  25 March 2007
Kate Davis's installations imbue the familiar and mundane with a sense of estrangement, carefully orchestrating our physical encounter with the work.
Rory Macbeth, The Mare's Nest: A History of Provenance, 2006. performance stills © The artist. Christian McDonald
 Art Now Live Work: Rory MacBeth, Joanne Tatham, Tom O'Sullivan and Sue Tompkins   9 December  –  9 December 2006
This event features a new performance by Sue Tompkins, a 'living sculpture' by Joanne Tatham and Tom O'Sullivan and new work by London-based artist Rory MacBeth.
Raqib Shaw, Study for Reflections II, 2006 © Raqib Shaw. courtesy the artist / Victoria Miro Gallery, London
 Art Now: Raqib Shaw   7 October  –  17 December 2006
Raqib Shaw’s extraordinary paintings captivate the eye with their rich colours and intricate detail.
Emily Wardill, Born Winged Animals and Honey Gatherers of the Soul, 2005. 16 mm film with sound transferred onto DVD, 9 min © Courtesy the artist and FORTESCUE AVENUE / Jonathan Vyner, London. Supported by the Arts Council England
 Art Now Lightbox: Duncan Campbell, Declan Clarke and Emily Wardill   2 September  –  22 October 2006
This exhibition features Duncan Campbell's new work, Declan Clarke's video Mine are of trouble, and Emily Wardill's film Born Winged Animals and Honey Gatherers of the Soul.
Karin Ruggaber, Relief #7 , 2005 © courtesy the artist and greengrassi, London
 Art Now: Karin Ruggaber   17 June  –  17 September 2006
For her new exhibition, From hard to soft, Karin Ruggaber has created wall-based sculptural objects from a variety of tactile materials including silk, concrete, wood and felt.
Melanie Smith, Parres III, 2005Courtesy Galería OMR, Mexico and Galerie Peter Kilchmann, Zurich
 Art Now Lightbox: Melanie Smith with Rafael Ortega: Parres   17 June  –  13 August 2006
Set in the small town of Parres this trilogy of films explore the construction and break down of pictorial illusion by deliberately making visible the processes of film and painting.
Richard Hughes, Keep on Onnin', 2006 © courtesy the artist. © Tate
 Art Now: Richard Hughes   6 May  –  15 October 2006
For the Sculpture Garden, Richard Hughes has created a three-dimensional replica of the lens flare that flashes across the image when filming in strong sunlight, a phenomenon steeped in nostalgic sentimentality.
Jamie Shovlin, from 'The Twitcher', 2004–6 © courtesy the artist and Riflemaker, London
 Art Now: Jamie Shovlin   4 February  –  7 May 2006
Jamie Shovlin’s work questions the way in which we map and classify the world around us in order to understand it. For Art Now, Shovlin has created new work which uses the conventions of museological display and wildlife documentaries.
Suky Best and Rory Hamilton, Cowboy Scene #12, 2005 © The artists
 Art Now: Lightbox: Artists' film and video programme   5 November  –  31 December 2005
This is exhibition in the Art Now Lightbox series and presents film and video work by Suky Best & Rory Hamilton, Craig Mulholland and Stephen Sutcliffe.
Silke Otto-Knapp, Figure (Grey), 2005 © courtesy Galerie Daniel Buchholz, Cologne and greengrassi, London
 Art Now: Silke Otto-Knapp   4 November 2005  –  15 January 2006
Silke Otto-Knapp is a painter who works in the often-marginalised medium of watercolour. Unlike traditional watercolourists Otto-Knapp works on canvas, which allows her to repeatedly wash down her images, reworking them layer by layer, and therefore create pictures of great translucency and delicacy – effects enhanced by her recent use of silver and gold pigments.
Martin Westwood, Angelus Novus, 2004. Collective Gallery, Edinburgh © The Artist. Courtesy The Approach, London
 Art Now: Martin Westwood   3 September  –  23 October 2005
In Martin Westwood’s installation, fade held, we are confounded by a multitude of images and forms that appear at once both familiar and strange. Scanning the room we register everyday scenes of retail, advertising and business, each populated by customers and company professionals engaged in moments of exchange or transaction.
Michael Fullerton, John Peel, 2004 © The artist. courtesy Counter Gallery, London
 Art Now: Michael Fullerton   2 July  –  21 August 2005
Ranging from three-dimensional models of the rods and cones of the eye to large-scale screenprints and traditional portrait painting, Michael Fullerton's works explore the processes involved in the recording and transmission of information.
Enrico David, Douche that Dwarf, 2004 © The artist. Courtesy Cabinet, London
 Art Now: Enrico David   2 July  –  30 October 2005
Italian born Enrico David produces sculpture, painting and installation, but drawing is his usual starting point. His body of work to date shows a complex and constantly evolving personal culture of aesthetics.
Matt Calderwood, Pole, 2000 © Matt Calderwood . Courtesy David Risley Gallery, London
 Art Now: Lightbox: Artists' Flm and Video Programme   7 May  –  12 June 2005
This is the fourth in the Art Now Lightbox series which focuses on artists' film and video. Featuring work by Inventory, Damien Roach, Matt Calderwood and Steven Claydon.
Andrew Grassie, New Hang, 2005 © Andrew Grassie. Courtesy the artist and Maureen Paley
 Art Now: Andrew Grassie: New Hang   5 May  –  19 June 2005
Andrew Grassie is a painter whose works engage with complex ideas. Grassie’s starting point is a re-examination of the fundamental question of what to paint. He turns this question on its head, producing paintings which present a series of compelling propositions about painting itself, recording and representing scenarios such as the circumstances of their own production or display.
Jananne Al-Alni, The Visit , 2005 © Jananna Al-Alni. Commissioned by Film and Video Umbrella and Norwich Gallery. Supported by Arts Council England, Film London and the Henry Moore Foundation. Supported by the National Touring Programme of the Arts Council of England.
 Art Now: Jananne Al-Ani: The Visit   4 February  –  10 April 2005
‘The Visit’ is a two-part video installation in which repeated scenes of a mysterious figure pacing in an empty landscape are contrasted with a series of conversational exchanges between a group of young women.
Preparatory drawing for '6 things we couldn’t do, but can do now' performance for Art Now at Tate Britain, by Jimmy Robert and Ian White. © Ian White
 Art Now: Jimmy Robert / Ian White: 6 things we couldn't do, but can do now   20 November  –  5 December 2004
Jimmy Robert and Ian White 6 things we couldn’t do, but can do now
David Thorpe , The Colonists, 2004Meyer Riegger Galerie and Maureen Paley Interim Art. Heinz Pelz
 Art Now: David Thorpe   24 September  –  14 November 2004
Thorpe has created an installation which positions landscape collages - made from a rich variety of materials including paper, wood, glass, dried flowers and slate – alongside sculptural objects. 
Claire Barclay, Half Light, 2004 © Claire Barclay. Courtesy Doggerfisher, Edinburgh
 Art Now: Claire Barclay: Half-light   3 July  –  12 September 2004
Claire Barclay’s carefully composed environments comprise multiple elements which often respond directly to the specifics of a given space. They combine hand-crafted objects with those manufactured to her own specifications and more improvisatory elements constructed in situ.
Muntean / Rosenblum, Untitled (At a time when...), 2004 © Muntean / Rosenblum. Courtesy Maureen Paley
 Art Now: Muntean/Rosenblum: It Is Never Facts That Tell   17 April  –  20 June 2004
Muntean/Rosenblum’s work appropriates adolescent figures from fashion or lifestyle magazines, transforming them into strangely compelling scenes which question the possibility of spirituality in contemporary society.
 Art Now: Nigel Cooke   7 February  –  28 March 2004
These grand canvases betray Nigel Cooke’s anxious preoccupation with the heroic ambitions of artists of the past, invoking a tradition of landscape painting which celebrated the sublime power of space.
Ian Kiaer, Wittgenstein project / Skjolden, 2003 © The artist, courtesy Alison Jacques Gallery, London
 Art Now: Ian Kier: Brueghel project/studio   22 November 2003  –  25 January 2004
Ian Kiaer brings together two ongoing projects inspired by the landscape paintings of the sixteenth-century artist Pieter Brueghel and the working spaces of the philosopher Ludwig Wittgenstein.
Lucy McKenzie and Paulina Olowska, Oblique Composition, 2003. Performance view © Lucy McKenzie. Alan Dimmick
 Art Now: Lucy McKenzie   20 September  –  9 November 2003
Lucy McKenzie creates, curates and collaborates, and skillfully mixes high art and history with pop culture, creating a unique discourse between past and present.
David Musgrave, Animal, 1998 © David Musgrave. Courtesy the artist and greengrassi
 Art Now: David Musgrave   19 July  –  7 September 2003
David Musgrave creates understated yet poignant works which demand a level of scrutiny and contemplation rarely encouraged in most forms of contemporary culture.
Roger Hiorns, Vauxhall, 2003Courtesy the artist and Corvi-Mora, London. David Lambert and Rod Tidman
 Art Now: Roger Hiorns   7 June  –  31 August 2003
Roger Hiorns makes works of art whose particular aesthetic lies somewhere between the representational and non-representational, and so disrupts our expectations of the boundaries between them.
Mark Titchner, BE ANGRY BUT DON'T STOP BREATHING, 2003 © the artist. Courtesy Vilma Gold, London
 Art Now: Mark Titchner   17 May  –  6 July 2003
Mark Titchner is fascinated by the myriad systems of belief that permeate contemporary culture. He often revisits defunct and outmoded philosophies, especially those born out of an avant-garde idealism which has long since waned.
Zarina Bhimji, Out of the Blue, 2002 © Zarina Bhimji
 Art Now: Zarina Bhimji   1 March  –  5 May 2003
The opening scenes of Zarina Bhimji’s Out of Blue reveal the breathtaking landscape of Uganda. However, almost immediately this luscious vista is disturbed by the murmur of voices and the crackle of flames. The film shows various places which suggest elimination, extermination and erasure.
Matt Franks, transcendent plastic infinite, 2002. Detail of installation  © the artist
 Art Now: Matt Franks   21 September  –  15 December 2002
Matt Franks is one of a new generation of British sculptors whose work is made from mass-produced industrial plastics and everyday throw-away materials, and includes a wide range of references to high art and popular culture.
Ori Gersht, Afterglow, 2002. Installation view © Ori Gersht . Courtesy Andrew Mummery Gallery, London
 Art Now: Ori Gersht: Afterglow   25 May  –  26 August 2002
Journeys, both literal and metaphorical, are an important element of Ori Gersht's art and his recent work has developed through a series of trips made to places of significant historical interest to him.
Dryden Goodwin, Closer, 2002 © Courtesy the artist and Stephen Friedman Gallery, London
 Art Now: Dryden Goodwin   9 February  –  5 May 2002
Goodwin works with both still and moving images to investigate the way we interact physically and psychologically with urban spaces. In Closer (video installation) , Goodwin moves through the city after dark filming solitary individuals seen in brightly-lit buildings.
Lucy Gunning, Climbing Around My Room, 1993. detail © Lucy Gunning. Courtesy the artist / Matt's Gallery, London
 Art Now: Lucy Gunning: Intermediate II   1 November 2001  –  20 January 2002
Lucy Gunning presents a new work entitled Intermediate II, an installation which brings together both sculpture and video.
Lise Autogena and Joshua Portway, The first stars in the planetarium, Black Shoals Stock Market Planetarium, 2001  © Courtesy and copyright of the artists
 Art Now: Art and Money Online   6 March  –  3 June 2001
The exhibition explores the impact of commercialisation on the Internet, an issue that has greatly concerned online artists over the last five years. The rapid growth in the use of the Net - partly business, and particularly finance-led, and partly brought about by the unified interface of the World Wide Web - has not only given artists a large potential audience for their work, but has also profoundly changed the character of the online community.
Knust Asdam, Psychasthenia (10), 2000 © Courtesy and copyright of the artist
 Art Now: Knut Asdam   11 July  –  1 October 2000
Through this series of images, Åsdam examines the psychological and sociological impact of the architecture of the city and how it controls its unseen inhabitants.
Mark Dion, Tate Thames Dig, 2000 © the artist. Tate Photography
 Art Now: Mark Dion: Tate Thames Dig   26 October 1999  –  26 February 2000
Dion's work incorporates aspects of archaeology, ecology and detection. He is fascinated by the principles of taxonomy, the systems of classification by which people have sought to bring order to the world.
Simon Callery. Installation view of Art Now exhibition, 1999 Copyright and courtesy of the artist
 Art Now: Simon Callery   3 August  –  10 October 1999
Simon Callery does not want his paintings to be understood, rather he wants them to be perceived, sensed in the same way that the play of light or a textured surface is sensed in the world beyond the gallery.
Doris Salcedo, Unland, audible in the mouth, 1998 © Doris Salcedo. Courtesy of Alexander and Bonin, New York. Herbert Lotz
 Art Now: Doris Salcedo: Unland   11 May  –  18 July 1999
Shown here for the first time in Europe, Unland is a series of three recent sculptures by the Colombian artist. For the artist the title evokes the continuing displacement caused by the violence of the civil war in Colombia.
Thomas Demand, Tunnel, 1999 © Thomas Demand, VG Bild Kunst, Bonn/ DACS, London
 Art Now: Thomas Demand: Tunnel   16 February  –  25 April 1999
Consider what it is like to travel through an underpass, such as you might find in any city in the western world. It is an experience that most of us have had, at some time or another.
Jean-Marc Bustamante, Something is Missing, 1999. Installation view  © the artist
 Art Now: Jean-Marc Bustamante: Something is Missing   1 December 1998  –  31 January 1999
Bustamante has described the works as a 'walk through the world', a series of personal encounters with different sites on different continents.
Fiona Banner, You gota lot of nerve, 1998 © the artist. Tate
 Art Now: Fiona Banner   3 September  –  8 November 1998
Fiona Banner is fascinated by the near impossibility of containing action and time in a prescribed form. She is best known for making hand-written 'wordscapes' that retell in her own words entire feature films or events.
Sophie Calle, The Birthday Ceremony 1981, 1998 © Sophie Calle
 Art Now: Sophie Calle   5 June  –  16 August 1998
Sophie Calle is fascinated by the interface between our public lives and our private selves. This has led her to investigate patterns of behaviour using techniques akin to those of a PI, a psychologist, or a forensic scientist.
Graham Gussin, Any Object in the Universe, 1998 © Graham Gussin. Courtesy the artist and Lisson Gallery, London
 Art Now: Graham Gussin   3 March  –  10 May 1998
All of Graham Gussin's work engages in some way with the human experience of the infinite. He is conscious that our perception of the world is manipulated by a complex layering of mass communications and consumer culture.
Paul Winstanley, Lounge A, 1997 © Paul Winstanley. Courtesy the artist and Maureen Paley
 Art Now: Paul Winstanley: Annexe   4 December 1997  –  15 February 1998
Paul Winstanley paints from photographs, generally ones he has taken himself. It is during the process of transcription from two dimensional photographic surface into paint that the final picture emerges.
Beat Streuli, Oxford Street, 1997 © the artist
 Art Now: Beat Streuli: Oxford Street   27 August  –  9 November 1997
Oxford Street is a place where different people mix; tourists, shoppers, day trippers, workers and locals. There are grand department stores, chains and down market retail outlets.
Michal Rovner, Mutual Interest, 1997 © the artist. Courtesy the artist
 Art Now: Michal Rovner   28 May  –  3 August 1997
The sound of helicopter blades, of high altitude turbulence, even perhaps of gunfire, seems to ricochet off the walls as a mass of beating wings cascades across the screen.
Kathy Prendergast, City Drawings Series (London),, 1997 © Kathy Prendergast. Courtesy of the Kerlin Gallery
 Art Now: Kathy Prendergast: City Drawings   11 March  –  11 May 1997
Prendergast's City Drawings are based on contemporary maps of the world's capital cities. However, she deliberately by-passes systems of orientation and classification, divesting her source material of its coded information..
Nicholas Pope, The Apostles Speaking in Tongues (Philip),, 1997 © the artist. Courtesy the artist
 Art Now: Nicholas Pope: The Apostles Speaking in Tongues   3 December 1996  –  23 February 1997
An installation comprising 33 figures in terracotta, metal, wick, paraffin and flame. 12 figures representing the Apostles surrounded by a multitude of 21.
Tacita Dean, Foley Artist, 1996. Installation views of Art Now Exhibition, Tate Britain © Courtesy the artist and Frith Street Gallery. Tate
 Art Now: Tacita Dean: Foley Artist   12 August  –  10 November 1996
Tacita Dean has often worked within the framework of cinema. In Foley Artist she principally uses sound, rather than pictures or dialogue, to convey a story, and to evoke its mood and setting.
Paul Graham, Hypermetropia,, 1996. Installation view © the artist
 Art Now: Paul Graham: Hypermetropia   23 April  –  23 July 1996
Graham made 'Hypermetropia' in early 1995 while working in Japan on a five year project, entitled 'Empty Heaven'. This larger body of work was exhibited and published in the autumn of 1995.
Georgina Starr, The Hungry Brain,, 1996. Still from video © the artist. Courtesy the artist and emily Tsingou gallery
 Art Now: Georgina Starr: Hypnodreamdruff   13 February  –  7 April 1996
'Hypnodreamdruff' begins as a dream related by Tricia, flatmate to Emma and Pauline. Tricia describes a night-club called The Hungry Brain which is a meeting place for around a dozen characters.
Miroslaw Balka , Dawn,, 1996. Installation view © the artist. Courtesy the artist and White Cube, London
 Art Now: Miroslaw Balka: Dawn   21 November 1995  –  28 January 1996
Two jackets hang on the door to Balka's studio in Otwock, near Warsaw. Salvaged from a derelict site and no longer worn, they still denote a human presence, a domestic space.
Genevieve Cadieux, Broken Memory, 1995 © the artist. Courtesy Galerie Rene Blouin, Montreal
 Art Now: Genevieve Cadieux: Broken Memory   5 September  –  5 November 1995
Since Portrait de famille (Family Portrait), 1991, I have been directing my attention towards a vast and perplexing field of investigation which embraces the questions of reproduction and heredity, of the origin of being.
Marc Quinn, Fear of Fear, 1994 © the artist. Courtesy the artist and White Cube, London
 Art Now: Marc Quinn: Emotional Detox   4 July  –  20 August 1995
Emotional Detox is a series of sculptures made of lead and cast from Marc Quinn's own body. Detoxification is shown both as an overpowering physical convulsion to rid the body of poisons, and as a psychological battle.
Matthew Barney, OTTOshaft, 1992. Detail from 'OTTOdrone' © Matthew Barney 1992. Courtesy Gladstone Gallery, New York. Peter Strietmann
 Art Now: Matthew Barney: OTTOshaft   2 May  –  18 June 1995
Matthew Barney's work combines sculpture, performance and video. In installations he has been making over the past five years, he introduces references from diverse cultural activities.