Information and resources on "Constable" at Tate Online.
Constable: The Great Landscapes  1 June - 28 August 2006

Constable Country

Visit 'Constable Country' ...Nature’s three dimensional wrap-around Constable canvasses are a mere 60 minute train journey from London Liverpool Street. Enjoy a day in the East of England countryside to take in the Stour Valley and Dedham Vale views for yourself. Walk directly from Manningtree Station, follow a dedicated cycle route, wander at your own pace or join a guided tour from Flatford. For more information, visit www.letsgoeastofengland.com

Flatford Mill from the Lock 1812 The White Horse 1819 The Lock 1824 Flatford Lock from the Mill House c.1814 The Ferry 1814 The Hay Wain 1821 The Mill Stream c.1810-14 Flatford Mill 1817 View on the Stour near Dedham 1822 Boat-Building 1814-15 Willy Lott's House Flatford Mill Bridge Cottage
    Constable's Counties
The Stour Valley
Constable Country Today
Map showing the approximate position from which Constable’s pictures of the area around Flatford Mill were painted. Darker orange circles refer to paintings shown in the exhibition. The orange buildings are those that feature in the paintings.
Click on areas marked in orange for more detail



John Constable, The White Horse 1819, Courtesy The Frick Collection, New York
John Constable
The White Horse 1819
Courtesy The Frick Collection, New York
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Flatford Mill from the Lock today:

Flatford Mill from the Lock today Photo © Nick Kotarski

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John Constable, Flatford Mill from the Lock 1812, Oil on canvas. Courtesy David Thomson
John Constable
Flatford Mill from the Lock 1812
Courtesy David Thomson
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The Lock today:

The Lock today Photo © Nick Kotarski

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John Constable, The Lock 1824. Oil on canvas. Courtesy Carmen Thyssen-Bornemisza and the Thyssen-Bornemisza Museum, Madrid
John Constable
The Lock 1824
Courtesy Carmen Thyssen-Bornemisza and the Thyssen-Bornemisza Museum, Madrid
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Sorry, image not available due to copyright restrictions
John Constable
Flatford Lock from the Mill House about 1814
Oil on canvas

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Sorry, image not available due to copyright restrictions
John Constable
The Ferry 1814
Oil on canvas


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The Hay Wain today:

The Hay Wain today Photo © Nick Kotarski

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John Constable, The Hay Wain 1821. Courtesy The National Gallery, London
John Constable
The Hay Wain 1821
Courtesy The National Gallery,
London
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The Mill Stream today:

The Mill Stream today Photo © Nick Kotarski

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John Constable, The Mill Stream about 1810-14. Oil on canvas. Courtesy Ipswich Borough Council Museums and Galleries
John Constable
The Mill Stream about 1810-14
Courtesy Ipswich Borough Council Museums and Galleries
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Flatford Mill (‘Scene on a Navigable River’) today:

Flatford Mill (‘Scene on a Navigable River’) today Photo © Nick Kotarski

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John Constable, Flatford Mill (‘Scene on a Navigable River’) 1817. Oil on canvas © Tate
John Constable
Flatford Mill (‘Scene on a Navigable River’) 1817
© Tate
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View on the Stour near Dedham today:

View on the Stour near Dedham today Photo © Nick Kotarski

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John Constable, View on the Stour near Dedham 1822. Oil on canvas. Lent by The Huntington Library, Art Collections, and Botanical Gardens
John Constable
View on the Stour near Dedham 1822
Lent by The Huntington Library, Art Collections, and Botanical Gardens
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Boat-Building today:

Boat-Building today Photo © Nick Kotarski

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John Constable, Boat-Building, 1814-15
John Constable
Boat-Building 1814-15


The Haywain/Mill Stream today
Photo © Nick Kotarski


Boat-Building today
Photo © Nick Kotarski


View on the Stour near Dedham today
Photo © Nick Kotarski


Flatford Mill from the Lock today
Photo © Nick Kotarski


Flatford Mill (‘Scene on a Navigable River’) today
Photo © Nick Kotarski


The Lock today
Photo © Nick Kotarski

Willy Lott's House today:

Willy Lott's House today
Photo © Nick Kotarski

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Flatford Mill today:

Flatford Mill today
Photo © Nick Kotarski

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Bridge Cottage today:

Bridge Cottage today
Photo © Nick Kotarski

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Willy Lott's House today
Photo © Nick Kotarski


Flatford Mill today
Photo © Nick Kotarski


Bridge Cottage today
Photo © Nick Kotarski