In-A-Gadda-Da-Vida About the exhibition
Image gallery
Angus Fairhurst, Damien Hirst, Sarah Lucas. 3 March - 31 May 2004. Supported by Tate Members. Garden of Eden
About the artists
  Timeline of collaborations
   
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  In-A-Gadda-Da-Vida:  Visions of the Garden of Eden
 
 

The theme of this exhibition can be broadly characterised as the contemporary consequences of the original myth of the fall from grace. Most cultures have their version of a lost, golden past. In the Bible, Eden is a lush Paradise from which Adam and Eve are expelled after eating forbidden fruit from the Tree of Knowledge. Ancient Greek myths also spoke of a Golden Age of innocence which was destroyed when Pandora released misery into the world by opening a box she was told not to open.

The idea of this fall from grace has had an enduring power, and some of the most celebrated European works of art deal with the theme. Lucas Cranach the Elder’s Adam and Eve focuses on the moment when Eve offers Adam the forbidden fruit. Hieronymus Bosch’s Garden of Earthly Delights is a three-part altarpiece which shows Adam and Eve in the Garden of Eden on the left panel, while in the centre is a world in which men and women indulge in all kinds of sinful pleasure (the 'Earthly Delights'), and on the right is a vision of the torments of hell. Michelangelo’s Sistine Chapel frescoes show the suffering of Adam and Eve as they are expelled from the Garden.

Lucas Cranach I, Adam and Eve, 1526

Lucas Cranach I
Adam and Eve  1526
Courtauld Institute of Art Gallery, London
  Later artists who continued to examine this theme include William Blake and JMW Turner. The Tate Collection has several examples, including works by John Martin and Charles Mahoney which focus not on temptation and sin, but simply on the Garden of Eden as a blissful place of delight and perfection.  
     
     
  John Martin, The Garden of Eden, 1821

John Martin The Garden of Eden  1821. Tate.
 
     
     
 
Charles Mahoney, Adam and Eve in the Garden of Eden, Exhibited 1936 Charles Mahoney
Adam and Eve in the Garden of Eden
Exhibited 1936
Tate
 
     
     
  William Blake, Satan Exulting over Eve, circa 1795

William Blake Satan Exulting over Eve  circa 1795. Tate.
 
     
     
  Damien Hirst, Adam and Eve (Banished from the Garden), 1999

Damien Hirst Adam and Eve (Banished from the Garden)  1999
© the artist  Photo: Mike Parsons  Courtesy Jay Jopling/White Cube (London) and Science Ltd
 
 
Damien Hirst has explored the theme over a number of years, with works such as Adam and Eve (Banished from the Garden) 1999 (not in this exhibition) which shows two corpses, covered with blankets, lying on autopsy tables.
 
     
Angus Fairhurst, Damien Hirst, Sarah Lucas. 3 March - 31 May 2004. Supported by Tate Members. Angus Fairhurst, Damien Hirst, Sarah Lucas. 3 March - 31 May 2004. Supported by Tate Members.