BT: Bringing Innovation & Technology Together

IntroductionBiographyTimelineSketchbooksBibliographyInterviews

Black artists, Black art theory

Rasheed Araeen, The Essential Black Art, Chisenhale Gallery and Kala Press, London, 1988

David A Bailey, Stuart Hall, Andy Cameron, Derek Bishton (eds)
Critical Decade: Black British Photography in the 80s, Ten 8, vol 2 no 3, Birmingham, 1992

A Barber (ed)
Yinka Shonibare: Double Dress, The Israel Muesum, Jerusalem, 2002

William S Bartman (ed)
Felix Gonzalez-Torres, A.R.T. Press, New York, 1993

Joanne Bernstein (ed)
Tierra de Tempestades, Land of Tempests: new art from Guatemala, El Salvador and Nicaragua, Harris Museum and Art Gallery, Preston, 1994

Jane Blocker
Where is Ana Mendieta? Identity, performativity and exile, Duke University Press, Durham, 1999

Stuart Cameron, Christopher Coppock and Jenni Spencer Davies (eds)
Radicalchip: Contemporary Art from Japan, Chapter, Ffotogallery and Oriel, Cardiff, 1991

Mbye Cham (ed)
Ex-Iles: Essays on Caribbean Cinema, African World Press, Trenton, 1992

David Chandler (ed)
Keith Piper: Relocating the Remains, Institute of International Visual Arts, London, 1997

Ruth Charity, Christopher Pinney, Rosalind Poignant, Chris Wright (eds)
The Impossible science of being: dialogues between anthropology and photography, The Photographers Gallery, London, 1995

Joan Copjec (ed)
Shades of Noir, Verso, New York, 1993

Manthia Diawara (ed)
Black American Cinema, Routledge, New York, 1993

Gen Doy
Black Visual Culture: modernity and postmodernity, I B Tauris & Co, London, 2000

Richard Dyer
White, Routledge, London, 1997

Gerti Fietzek (ed)
Documenta 11_ Platform 5: Exhibition, Hatje Cantz Publishers, Ostfildern-Ruit, 2002

Stuart Hall and Mark Sealy (eds)
Different, Phaidon in association with Autograph, London, 2001

Lubaina Himid (ed.)
The Thin Black Line, Institute of Contemporary Art, London, 1985

Richard Hylton (ed)
Landscape Trauma in the age of scopophilia, Autograph, London, 2001

Richard Hylton (ed)
The Best of Janette Parris, Autograph, London, 2002

Richard Hylton (ed)
Donald Rodney: Doublethink, Autograph, London, 2003

Francoise Lionnet
Autobiographical Voices: Race, gender and self-portraiture, Cornell University Press, Ithaca, New York and London, 1989

Kobena Mercer
ICA Documents 7: Black Film, British Cinema, Institute of Contemporary Arts, London, 1988

Toni Morrison
Playing in the Dark: Whites and the Literary Imagination, Harvard University Press, Cambridge, Massachusetts, 1992

Jose Esteban Munoz
Disidentifications: queers of colour and the politics of performance, University of Minnesota Press, Minneapolis, 1999

Olu Oguibe and Okwui Enwezor (eds)
Reading the Contemporary: African Art from Theory to the Marketplace, Institute of International Visual Arts, London, 1999

Keith Piper and Marlene Smith
The image employed: the use of narrative in Black art, Cornerhouse, Manchester, 1987

Richard J Powell
Black Art and Culture in the 20th Century, Thames & Hudson, London, 1997

Alan Read (ed)
The Fact of Blackness: Frantz Fanon and visual representation, Institute of Contemporary Art, London, 1996

Mark Sealy and Jean-Loup Pivin (eds)
Rotimi Fani-Kayode & Alex Hirst: photographs, Editions Revue Noire, Paris & Autograph, London, 1996

Gilane Tawadros
Sonia Boyce: Speaking in Tongues, Kala Press, London, 1997


Postcolonialism

Bill Ashcroft, Gareth Griffiths and Helen Tiffin
The Empire Writes Back: Theory and practice in Postcolonial Literatures, Routledge, London and New York, 1989

Homi K Bhabha
The Location of Culture, Routledge, London, 1994

Homi K Bhabha (ed)
Nation and narration, Routledge, London, 1990

James Clifford
The Predicament of Culture: Twentieth century ethnography, literature and art, Harvard University Press, Cambridge, Massachusetts, 1988

Frantz Fanon
Black Skin, White Masks, Pluto Press, London, 1986

Frantz Fanon
The Wretched of the Earth, Penguin Books, 1967

Russell Ferguson, Martha Gever, Trinh T Minh-Ha, Cornel West (eds)
Out there: marginalization and contemporary cultures, The New Museum of Contemporary Art, New York and The MIT Press, Massachusetts Institute of Technology, Cambridge, Massachusetts, 1990

Jean Fisher (ed)
Reverberations: Tactics of Resistance, Forms of Agency in Trans/cultural Practices, Jan van Eyck Editions, Maastricht, 2000

Henry Louis Gates Jr (ed)
“Race”, Writing and Difference, University of Chicago Press, Chicago and London, 1986

Paul Gilroy
Between Camps: Race, Identity and Nationalism at the End of the Colour Line, Allen Lane, The Penguin Press, London, 2000

Paul Gilroy
Black Atlantic: Modernity and Double Consciousness, Harvard University Press, Cambridge, Massachusetts, 1993

Paul Gilroy
Small Acts: Thoughts on the Politics of Black Cultures, Serpent’s Tail, New York, 1993

Avery Gordon and Christopher Newfield (eds)
Mapping Multiculturalism, University of Minnesota Press, Minneapolis, 1996

M Hardt and A Negri
Empire, Harvard University Press, London, 2000

Lisa Lowe
Critical Terrains: French and British Orientalism, Cornell University Press, Ithaca, New York and London, 1991

D Morley and K-H Chen (eds)
Stuart Hall: critical dialogues in cultural studies, Routledge, London and New York, 1996

Mary Louise Pratt
Under Imperial Eyes: Travel Writing and Transculturation, Routledge, London and New York, 1992

Irit Rogoff
Terra Infirma: geography’s visual culture, Routledge, London, 2000

Edward Said
Orientalism: Western conceptions of the Orient, Routledge and Kegan Paul, London and New York, 1978

Edward Said
Culture and Imperialism, Random House, New York, 1994

Ella Shohat and Robert Stam (eds)
Unthinking Eurocentrism: Multiculturalism and the Media, Routledge, London and New York, 1994

Gayatri C Spivak
Outside in the Teaching machine, Routledge, London and New York, 1993

Michelle Wallace
Invisibility Blues: From Pop to Theory, Verso, New York and London, 1990

Patrick Williams and Laura Chrisman (eds)
Colonial Discourse and Postcolonial Theory: a reader, Harvester Wheatsheaf, Hemel Hempstead, 1994

Compiled by David Dibosa