Tate Britain | Past Exhibitions | Ruskin, Turner and the Pre-Raphaelites


List of Works on Display 1 Sir John Everett Millais, Bt Portrait of John Ruskin 1853-4 Oil on canvas 78.7 x 68 (31 x 26 3/4) Private Collection 2 George Hollis St Mark's Place, Venice (Moonlight), after Turner's Juliet and Her Nurse 1842 53.5 x 65 Tate Gallery. Purchased 1988 3 J.M.W. Turner Snowstorm - Steam Boat off a Harbour's Mouth 1842 Oil on canvas 91.5 x 122 (36 x 48) Tate Gallery. Bequeathed by the artist 1856 4 J.M.W. Turner The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides Exh 1806 Oil on canvas 155.3 x 218.4 Tate Gallery. Bequeathed by the artist 1856 5 Sir John Everett Millais, Bt Christ in the House of his Parents 1849 Oil on canvas 86.4 x 139.7 (34 x 55) Tate Gallery.Purchased with assistance from the National Art Collections Fund and various subscribers 6 Sir John Everett Millais, Bt Mariana 1850-1 Oil on canvas 59.7 x 49.5 (23 1/2 x 19 1/2) Tate Gallery. Accepted by H.M. Government in lieu of tax and allocated to the Tate Gallery 1999 7 William Holman Hunt Claudio and Isabella 1850-3, retouched 1879 Oil on panel 77.5 x 45.7 (30 1/2 x 18) Tate Gallery. Presented by the Trustees of the Chantry Bequest 1919 8 Sir John Everett Millais, Bt Return of the Dove to the Ark 1851 Oil on canvas 87.6 x 54.6 (34 1/2 x 21 1/2) The Visitors of the Ashmolean Museum, Oxford 9 Charles Allston Collins Convent Thoughts 1854 Oil on canvas 82.6 x 57.8 (32 1/2 x 23 3/4) The Visitors of the Ashmolean Museum, Oxford 10 George Watson Portrait of John James Ruskin 1802 Oil on canvas 77.5 x 61 (30 1/2 x 24) Ruskin Foundation (Ruskin Library, University of Lancaster) 11 James Northcote Portrait of John Ruskin at the age of three and a half 1822 Oil on canvas 122 x 99 National Portrait Gallery, London, on loan to the Ruskin Foundation, Brantwood 12 James Northcote Portrait of Margaret Ruskin RA 1825 Oil on canvas 75 x 61 Ruskin Foundation (Ruskin Library, University of Lancaster) 13 John James Ruskin Conway Castle c.1795-1800 Watercolour 26 x 35.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 14 John Ruskin Ruskin's First Sketchbook c.1829-32 Pencil 20.4 x 12.7 Ruskin Foundation (Ruskin Library, University of Lancaster) 15 J.M.W. Turner The Friendship's Offering, open at 'Bay of Naples (Vesuvius Angry)' 1830 16 x 22 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 16 John Ruskin Trees and Pond 1831 or 1832 Watercolour and ink over pencil The Visitors of the Ashmolean Museum, Oxford 17 after Turner Vignettes to Roger's Italy 1830 20 x 13.5 (7 7/8 x 5 3/8) Tate Gallery 18 John Ruskin Hotel de Ville, Brussels, after Samuel Prout 1833 Pen and ink 17.2 x 11 Ruskin Foundation (Ruskin Library, University of Lancaster) 20 Samuel Prout Old Street, Lisieux Watercolour 45.5 x 32 (17 7/8 x 12 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 21 Anthony Vandyke Copley Fielding Loch Achray Watercolour 18 x 26 Birmingham Museums and Art Gallery 22 John Ruskin Copy of A.V. Copley Fielding's 'Loch Achray' c.1834-5 Pencil and watercolour 17.8 x 25.8 Ruskin Foundation (Ruskin Library, University of Lancaster) 23 John Ruskin Geological Diary 1835 Pen and ink 18 x 23 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 24 John Ruskin The Piazzetta and St Mark's, Venice 1835 Pencil, pen and ink 24 x 33 (9 1/2 x 13 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 25 John Ruskin Old English Mansion/ or Swiss Cottage (in 'The Poetry of Architecture', 1838, in 'The Architectural Magazine' 1837 22.5 x 30 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 26 David Cox Watermill, near Dobenmaen 1837 Watercolour over pencil 21.5 x 29.2 (8 1/2 x 11 1/2) Private Collection 27 John Frederick Lewis A Fiesta Scene in the South of Spain 1837 Watercolour and gouache 66.7 x 86.1 Bristol Museums and Art Gallery 28 David Roberts El Khasne, Petra Lithograph 32.8 x 49 British Museum 29 J.M.W. Turner Christ Church College, Oxford 1830s Watercolour 29.9 x 41.9 (11 3/4 x 16 1/2) Courtesy of Agnew's, London 30 John Ruskin Christ Church from St Aldgate's 1842 Ink, crayon and watercolour over pencil on paper 32 x 47 (sight) Private Collection 31 after Turner The Grand Canal, Venice, engraved by W. Miller 1838 37.9 x 58.2 Tate Gallery. Purchased 1990 32 John Ruskin Piazza S. Maria del Pianto 1840 Pencil and wash 34.3 x 48 (13 1/2 x 18) Gabinetto Comunale delle Stampe, Rome 33 John Ruskin Vesuvius in Eruption 1841 Watercolour 22 x 16.4 Ruskin Foundation (Ruskin Library, University of Lancaster) 34 John Ruskin Glacier des Bois 1843-44 Watercolour 32 x 21.5 (12 5/8 x 8 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 35 William Henry Hunt A Peach and Grapes Watercolour 37 x 44.5 (oval) (14 1/2 x 17 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 36 John Ruskin An Italian Village 1845 Pencil, ink, bodycolour and wash on grey paper 22.5 x 29.5 Birmingham Museums and Art Gallery 37 James Duffield Harding Verona 1845 Grey wash and bodycolour over pencil on buff paper 37.2 x 51.7 (20 1/4 x 14 1/2) Royal Watercolour Society, Bankside Gallery, London 38 John Scarlett Davis The Library at Tottenham, the seat of B.G. Windus, Esq. 1835 Watercolour with gum 28.8 x 55.1 The British Museum 39 J.M.W. Turner Scene on the Loire c. 1826-8 Gouache and watercolour on blue paper 14 x 19.1 (5 1/2 x 7 1/2) The Visitors of the Ashmolean Museum, Oxford 40 John Ruskin Amboise 1841 Watercolour over pencil heightened with scratching out (17 1/4 x 11 1/4) Private Collection 41 J.M.W. Turner Falls of the Rhine, Schaffhausen 1841 Pencil, red ink and watercolour 22.8 x 29.2 Museum zu Allerheiligen, Schaffhausen, Sturzenegger-Stiftung 42 John Ruskin Falls of Schaffhausen 1842 Watercolour, brown ink, and gouache over graphite on cream wove paper 31.4 x 47.3 (13 1/2 x 19) The Fogg Art Museum, Harvard University Art Museums, Gift of Samuel Sachs 43 George Richmond The Author of Modern Painters 1843 Engraving 60 x 39 Ruskin Foundation (Ruskin Library, University of Lancaster) 44 J.M.W. Turner The Sun of Venice Going to Sea 1843 Oil on canvas 62 x 92 (24 1/2 x 36 1/4) Tate Gallery. Bequeathed by the artist 1856 45 John Ruskin Notes on Turner's 'The Sun of Venice Going to Sea' 1843 Pencil and chalk on grey paper 13.1 x 20 Birmingham Museums and Art Gallery 46 John Ruskin Notes on Turner's 'The Sun of Venice Going to Sea' 1843 Pencil and chalk on grey paper 13.1 x 20 Birmingham Museums and Art Gallery 47 J.M.W. Turner Slavers throwing overboard the Dead and Dying - Typhoon coming on 1840 Oil on canvas 91 x 138 (35 3/4 x 48) Museum of Fine Arts, Boston 48 John Ruskin Amalfi 1841 Pencil and grey and yellow washes 32.2 x 44.7 (13 3/4 x 19) Ruskin Foundation (Ruskin Library, University of Lancaster) 49 John Ruskin Amalfi 1844 Watercolour and gouache over graphite on brown wove paper 34.1 x 49.3 (15 1/4 x 19) The Fogg Art Museum, Harvard University Art Museums, Gift of Mr and Mrs Philip Hofer 50 J.M.W. Turner The Angel standing in the Sun 1846 Oil on canvas 78.5 x 78.5 (31 x 31) Tate Gallery. Bequeathed by the artist 1856 51 J.M.W. Turner Ben Arthur (Liber Studiorum) 1819 Etching and mezzotint printed in brown inks 18.4 x 26.7 Tate Gallery. Presneted by A. Acland Allen through the National Art Collections Fund 1925 52 John Ruskin View of Bologna 1845/46 Pen and ink and wash 34.3 x 48.9 Tate Gallery. Purchased 1920 53 J.M.W. Turner Pass of St Gotthard, near Faido; sample study 1843 Watercolour 22.9 x 29 (9 x 11 7/16) Tate Gallery. Bequeathed by the artist 1856 54 J.M.W. Turner Pass of St Gotthard, near Faido 1843 Watercolour (30 1/2 x 47) Thaw Collection, Pierpoint Morgan Library, New York 55 John Ruskin The Pass of Faido on the St Gotthard 1845 Brown ink and watercolour on brown paper 27 x 35 (9 3/4 x 13 1/2) The Fogg Art Museum, Harvard University Art Museums. Gift of Friends and former pupils of Professor C H Moore in recognition of his service 56 John Ruskin The Gates of the Hills 1843 Watercolour 28.5 x 25.5 The Ruskin Gallery, Guild of St George Collection 57 John Ruskin Rocks in Unrest; partial study of Pass of Faido Pencil, watercolour with some scratching out 18.5 x 30.8 (7 5/16 x 12 1/8) Thaw Collection, Pierpoint Morgan Library, New York 58 J.M.W. Turner Bolton Abbey c.1825 Watercolour 28 x 39.4 (11 3/8 x 15 1/2) Board of Trustees of the National Museums & Galleries on Merseyside (Lady Lever Art Gallery, Port Sunlight) 59 J.M.W. Turner Salisbury c.1828 Watercolour 27.7 x 40.7 (11 x 16) Salisbury and South Wiltshire Museum 60 J.M.W. Turner Ramsgate (from Ports of England) 1827 16.1 x 23.2 Tate Gallery. Purchased 1986 61 John Ruskin Study of Trees after Turner c.1857 Pencil, ink and wash/watercolour 42.7 x 32.3 The Visitors of the Ashmolean Museum, Oxford 62 J.M.W. Turner The Amorous Satyr and the Reluctant Nymph Pencil Tate Gallery. Bequeathed by the artist 1856 63 J.M.W. Turner Three studies of penetrative sexual activity Pencil Tate Gallery. Bequeathed by the artist 1856 64 J.M.W. Turner Dawn after the Wreck c. 1841 Watercolour 25.1 x 36.6 Courtauld Gallery, Courtauld Institute of Art, London 65 William Bell Scott View of Edinburgh in the style of Turner, with a letter by Scott to Lady Trevelyan Watercolour Wallington, The National Trust 66 John Ruskin Santa Maria della Spina, Pisa 1840 Pencil, with bodycolour on light blue paper 35.3 x 50.7 Courtauld Gallery, London (Witt Collection) 67 John Ruskin Casa Contarini Fasan, Venice 1841 Pencil and watercolour, with gouache 42.7 x 31.6 (17 1/2 x 12 3/4) The Visitors of the Ashmolean Museum, Oxford 68 John Ruskin Interior of San Frediano, Lucca 1845 Pencil, brown ink and wash 33.3 x 48 Manchester City Art Galleries 69 John Ruskin Part of the Facade, San Michele, Lucca 1845 Pencil, watercolour and bodycolour 33 x 23.3 (16 x 8 1/2) The Visitors of the Ashmolean Museum, Oxford 70 John Ruskin Study of the Marble Inlaying on the Front of the Casa Loredan, Venice 1845 Pencil, pen and ink, watercolour and bodycolour 32 x 26.7 (12 3/4 x 10 1/2) The Visitors of the Ashmolean Museum, Oxford 71 John Ruskin The Ca'd'Oro, Venice 1845 Pencil and watercolour with bodycolour 33 x 47.6 (13 x 18 3/4) Ruskin Foundation (Ruskin Library, University of Lancaster) 72 John Ruskin Part of Santa Maria della Spina, Pisa 1845 Watercolour, pencil and ink 50 x 36.7 (20 x 14 3/4) The Ruskin Gallery, Guild of St George Collection 73 John Ruskin Part of St Mark's, Venice, Sketch after Rain 1846 Pencil and watercolour, with bodycolour 42.1 x 28.6 (16 9/16 x 11 1/4) The Visitors of the Ashmolean Museum, Oxford 74 John Ruskin Study of Portal and Carved Pinnacles, Cathedral of St. L", Normandy 1848 Graphite, browm ink, and brown wash on cream wove paper 48.1 x 36.2 (17 7/8 x 12 7/8) The Fogg Art Museum, Harvard University Art Museums, Gift of Samuel Sachs 75 John Ruskin Caen, St Sauveur 1848 Pencil and wash 44.8 x 27.3 The Ruskin Foundation 76 John Ruskin Exterior of the Ducal Palace, Venice 1845 or 1852 Pencil and wash, with bodycolour 36.2 x 50.2 (14 1/4 x 19 3/4) The Visitors of the Ashmolean Museum, Oxford 77 John Ruskin The North West Porch of St Mark's, Venice 1877 Pencil, watercolour and bodycolour 64.8 x 77 (25 1/2 x 30 1/4) The Ruskin Foundation 78 John Ruskin North West Angle of the Facade, St Mark's, Venice 1852 Pencil and watercolour on ten sheets of paper 94 x 61 (37 x 24) Tate Gallery. Presented by the National Art Collections Fund 1914 79 Bartolomeo Vivarini Virgin and Child Tempera on poplar panel 92.1 x 66.8 (36 1/4 x 25 5/16) The Fogg Art Museum, Harvard University Art Museums. Gift of Edward W Forbes 80 John Ruskin The South Side of St Mark's from the Loggia of the Ducal Palace c.1851-2 Pencil and watercolour with bodycolour on three pieces of paper 95.9 x 45.4 (37 3/4 x 17 7/8) Private Collection 81 John Ruskin Study from Tintoretto's 'Adoration of the Magi' 1852 Pencil, watercolour and bodycolour 69.8 x 101.6 (27 1/2 x 40) Ruskin Foundation (Ruskin Library, University of Lancaster) 82 John Ruskin Doorhead of the Palazzo Contarini della Porta di Ferro 1850-1 Pencil and ink and brown wash with white bodycolour on wove paper 22.5 x 27.6 (8 7/8 x 10 7/8) Yale Centre for British Art, Yale University Art Gallery Collection, Gift of CHauncy B Tinker, BA, 1899 83 John Ruskin Loggia of the Ducal Palace, Venice 1849 or 1850 Pencil and watercolour 47 x 29.2 (18 1/2 x 11 1/2) Metropolitan Museum, New York 84 John Ruskin Venice: Ducal Palace Capital 36 1849-52 Pencil, pen and watercolour 22.3 x 23.5 (8 3/4 x 9 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 85 John Ruskin Basket and Lily Capital, St Mark's Basilica, Venice c.1849-53 Grey and brown washes over pencil 22.5 x 18.5 (8 3/4 x 6 1/2) Private Collection 86 John Ruskin and J.E Millais Edinburgh Lecture Diagram: Decorated Cusped Gothic Window 1853 Pencil, charcoal, ink wash, watercolour, bodycolour, oil and gold paint on paper mounted on linen 151.5 x 183 Ruskin Foundation (Ruskin Library, University of Lancaster) 87 John Ruskin Tomb of Can Mastino II ?1869 Pencil and wash 46 x 36 The Visitors of the Ashmolean Museum, Oxford 88 John Ruskin Study of the North Gable of Tomb of Can Mastino II ?1869 Pencil and watercolour 32.5 x 22 (12 3/4 x 8 1/2) The Visitors of the Ashmolean Museum, Oxford 89 Benjamin Woodward Elevation of West Front of Oxford Museum 1855 Pencil, ink and wash on linen-backed paper 62.5 x 93 Oxford University Archives 90 John Ruskin Oxford Museum, Design for a Window c.1855 Pencil, watercolour and bodycolour 38.7 x 29 Birmingham Museums and Art Gallery 91 J.H. Pollen Design for the Sculpture of the Great Doorway, Oxford University Museum Pencil, pen and wash with green tint 69 x 29.5 Oxford University Museum of Natural History 92 John Ruskin Worksheet No.17: Notes on the Ca'd'Oro 1849 Pen over pencil 35.6 x 28 (14 x 11) Ruskin Foundation (Ruskin Library, University of Lancaster) 93 John Ruskin M Book ?1849 Pencil and ink 23.1 x 42 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 94 John Ruskin Housebook 1 ?1849 Pencil 19.5 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 95 John Ruskin Doorbook ?1849 Pencil 19.4 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 96 John Ruskin Housebook 2 ?1849 Pencil 19.2 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 97 John Ruskin Palace Book ?1849 Pencil 19.4 x 25 Ruskin Foundation (Ruskin Library, University of Lancaster) 98 John Ruskin Gothic Book ?1849 Pencil 19.4 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 99 John Ruskin Bit Book ?1849 Pencil 19.2 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 100 John Ruskin St M Book ?1849 Pencil 19.2 x 25 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 101 Unknown Photographer South Side of St Mark's Daguerreotype 10 x 15.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 102 Unknown Photographer Lucca: Tomb of Ilaria del Caretto Daguerreotype 10 x 15.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 103 John Hobbs North West Angle of St Mark's Daguerreotype 15.3 x 11.2 Ruskin Foundation (Ruskin Library, University of Lancaster) 104 John Hobbs South Side of St Mark's from the Loggia of the Ducal Palace Daguerreotype 15.3 x 11.2 Ruskin Foundation (Ruskin Library, University of Lancaster) 105 John Hobbs Verona, Castelbarco Tomb Daguerreotype 15.3 x 11.2 Ruskin Foundation (Ruskin Library, University of Lancaster) 106 Copy of 'The Seven Lamps of Architecture', open at Plate II, 'Part of the Church of St Lo', drawn and etched by John Ruskin 1849 27 x 38 (when open) Ruskin Foundation (Ruskin Library, University of Lancaster) 107 Stones of Venice (presented to Turner, incribed by Ruskin) 1851 Private Collection 108 after Ruskin Doorhead in Ramo Mocenigo (plate 12 of 'Examples of the Architecture of Venice') 1851 Engraving/mezzotint 44.4 x 28 (image) (17 1/2 x 11) Ruskin Foundation (Ruskin Library, University of Lancaster) 109 On the nature of Gothic Architecture: and herein of the True Function of the Workman in Art 1854 Pamphlet for the Working Men's College, 8ø 48pp, London Smith Elder 17.3 x 11 Ruskin Foundation (Ruskin Library, University of Lancaster) 110 The Nature of Gothic: A Chapter from The Stones of Venice (Kelmscott edition, with preface by William Morris) 1892 Small 4ø 128pp, printed on hand made paper, untrimmed, bound in white vellum with two green ties, Kelmscott Press, Hammersmith 21 x 30 (open) Ruskin Foundation (Ruskin Library, University of Lancaster) 111 J.M.W. Turner Goldau 1843 Watercolour 30.5 x 47 Private Collection 113 J.M.W. Turner Storm in the St Gotthard Pass; sample study 1845 Watercolour 23.9 x 29.7 (9 7/16 x 11 3/4) Tate Gallery. Bequeathed by the artist 1856 114 J.M.W. Turner Storm in the St Gotthard Pass 1845 Watercolour 29 x 47 The Whitworth Art Gallery, University of Manchester 115 Elizabeth Siddall Clerk Saunders 1857 Watercolour, bodycolour and coloured chalks 28.4 x 18.1 Syndics of the Fitzwilliam Museum, Cambridge 116 Elizabeth Siddal and Dante Gabriel Rossetti The Quest of the Holy Grail or Sir Galahad at the Shrine of the Holy Grail c.1855-57 Watercolour 28 x 23.8 (11 x 9 3/8) Private Collection 117 Dante Gabriel Rossetti Paolo and Francesca 1855 Watercolour 25.4 x 44.9 (9 3/4 x 17 1/2) Tate Gallery. Purchased with assistance through the National Art Collections Fund from Sir Arthur Du Cros Bt and Sir Otto Beit 1916 118 Dante Gabriel Rossetti Dante's Vision of Rachel and Leah 1855 Watercolour 36.2 x 32 (14 x 12 1/2) Tate Gallery. Bequeathed by Beresford Rimington Heaton 1940 119 Dante Gabriel Rossetti Before the Battle 1858 Watercolour 42.5 x 28 (16 5/8 x 11) Museum of Fine Arts, Boston. Picture Fund, 1912 120 John Frederick Lewis An Inmate of the Hareem Cairo (formerly Life in the Hhareem Cairo) 1858 Watercolour and bodycolour 60.6 x 47.7 The Board of Trustees of the Victoria and Albert Museum 121 William Henry Hunt The Shy Sitter Watercolour 22.9 x 18.4 Harris Museum and Art Gallery, Preston 122 Sir Edward Coley Burne-Jones, Bt Fair Rosamond 1863 Watercolour and gouache 83.2 x 41.3 Private Collection 123 Sir Edward Coley Burne-Jones, Bt Study of the Head of Tintoretto's 'Bacchus' 1862 Pencil 27.1 x 41.6 (10 5/8 x 16 3/8) The Visitors of the Ashmolean Museum, Oxford 124 Sir Edward Coley Burne-Jones, Bt Love Bringing Alcestis back from the Grave 1863 Watercolour 134.5 x 135 The Visitors of the Ashmolean Museum, Oxford 125 Andrea del Verrocchio The Madonna adoring the Infant Christ c.1470 Oil on canvas 106.7 x 76.3 National Gallery of Scotland, Edinburgh. Purchased with the aid of the National Art Collections Fund and the Pilgrim Trust 1975 126 Vincenzo Catena Doge Andrea Gritti c.1523-31 Oil on canvas 97.8 x 79.4 (39 1/2 x 31 1/4) Trustees of the National Gallery, London 127 School of Botticelli Virgin and Child Oil on panel 88 x 57.9 (33 1/2 x 23 1/2) The Visitors of the Ashmolean Museum, Oxford 128 John Ruskin Panorama of the Alps from above Brieg 1844 Pencil, watercolour and chinese white on five sheets of paper (14 1/8 x 106 5/8) The Ruskin Gallery, Guild of St George Collection 129 John Ruskin Study of Alpine Peaks c.1844 Watercolour 16.5 x 24.8 (6 5/8 x 10 1/8) Birmingham Museums and Art Gallery 130 John Ruskin Mountain Rock and Alpine Rose 1844 Pencil, watercolour and bodycolour 29.8 x 41.4 Ruskin Foundation (Ruskin Library, University of Lancaster) 131 John Ruskin Stone Pines at Sestri, Gulf of Genoa 1845 Pencil, pen and ink, wash and Chinese white 44 x 33.5 (17 1/2 x 13 1/4) The Visitors of the Ashmolean Museum, Oxford 132 John Ruskin Trees and Rocks (or Trees on a Mountainside) 1845 Pencil, pen andink wash 33 x 27.7 Ruskin Foundation (Ruskin Library, University of Lancaster) 133 John Ruskin Mountain Landscape, Macugnaga 1845 Pen and brown ink and wash over graphite with scraping out on heavy wove paper 29.8 x 40.5 (11 3/4 x 15 7/8) Yale Center for British Art, Paul Mellon Collection 134 John Ruskin The Annunciation (after Angelico) ?1845 Pencil 21 x 24.3 Ruskin Foundation (Ruskin Library, University of Lancaster) 135 John Ruskin Study of the Central Portion of Tintoretto's 'Crucifixion' 1845 Pencil, pen, black chalk and grey wash 37 x 53.5 (14 1/2 x 21) Ruskin Foundation (Ruskin Library, University of Lancaster) 136 John Ruskin Tree Study, perhaps at Ambleside 1847 Pen and wash over pencil on buff paper 44.5 x 57.2 (17 9/16 x 22 5/8) Ruskin Foundation (Ruskin Library, University of Lancaster) 137 John Ruskin Coast Scene near Dunbar 1847 Pencil and pen and watercolour 32.5 x 47.5 (12 1/2 x 18) Birmingham Museums and Art Gallery 138 John Ruskin Study of Rocks and Ferns, Crossmount, Perthshire 1847 Watercolour and pen 32.3 x 46.5 (12 3/4 x 18 3/4) Abbot Hall Art Gallery, Kendal 139 John Ruskin La Merveille, Mont St Michel, Brittany ?1860s Pencil and watercolour 16.5 x 25 (6 1/2 x 9 3/4) Richard Orders 140 John Ruskin Glacier des Bossons, Chamouni 1849 Pencil, pen sepia wash and white 33.7 x 47.6 The Visitors of the Ashmolean Museum, Oxford 141 John Ruskin Aiguille Blaitiere 1849 Pencil and watercolour (9 3/4 x 14 1/16) Syndics of the Fitzwilliam Museum, Cambridge 142 John Ruskin Cascade de la Folie, Chamonix 1849 Pencil, ink, watercolour and bodycolour 46.1 x 37.3 Birmingham Museums and Art Gallery 143 John Ruskin Gneiss Rock in Glenfinlas 1853 Pen and ink and wash 47.7 x 32.7 (18 3/4 x 12 3/4) The Visitors of the Ashmolean Museum, Oxford 144 John Ruskin Rocky Bank of a River c.1853 Grey wash with pen and black ink over graphite heightened with white bodycolour on heavy off white wove paper 32.5 x 47.3 (12 3/4 x 18 5/8) Yale Center for British Art, Paul Mellon Fund 145 John Ruskin Chamouni, Rocks and Vegetation 1854 Watercolour and bodycolour 25.2 x 26.7 (10 x 10 1/2) Abbot Hall Art Gallery, Kendal 146 John Ruskin Towers of Fribourg 1854 Watercolour 28.4 x 20.9 The British Museum 147 John Ruskin Fribourg ?1854/56/59 Pen, watercolour and gouache 22.5 x 28.7 (8 3/4 x 11 3/4) The British Museum 148 John Ruskin In the Pass of Killicrankie 1857 Watercolour and bodycolour, with pencil, pen and ink 28.2 x 24.8 (11 1/8 x 9 3/4) Syndics of the Fitzwilliam Museum, Cambridge 149 John Ruskin Grutli Uri Rostock from Lake Lucerne ?1847 or late 1840s Watercolour and pencil, heightened with white 38 x 53 (13 1/2 x 21 1/4) Private Collection 150 John Ruskin Bellizona 1858 Pencil, watercolour and bodycolour 31.3 x 51.3 (12 1/2 x 20 1/4) Abbot Hall Art Gallery, Kendal 151 John Ruskin Cottage near Bellinzona 1858 Pencil, watercolour and bodycolour 22 x 15.7 Ruskin Foundation (Ruskin Library, University of Lancaster) 152 John Ruskin Study of the small Girl in Van Dyck's Portrait of the Wife of Colyn de Nole in the Alte Pinakathek, Munich 1859 Pencil, pen and ink, sepia wash, bodycolour and chinese white 51 x 35.6 Brian Sewell 153 John Ruskin Head of Boy, from Veronese's Cuccina Family 1859 Pencil, ink, ink wash and bodycolour 28 x 22.3 Ruskin Foundation (Ruskin Library, University of Lancaster) 154 John Ruskin Oak Spray in Winter c.1860 Pencil, ink, watercolour and bodycolour, on blue-grey paper 21.9 x 26.6 The Visitors of the Ashmolean Museum, Oxford 155 John Ruskin Study of Dead Oak Leaves 1879 Watercolour 14 x 18 (4 3/4 x 6 3/4) The Ruskin Gallery, Guild of St George Collection 156 John Ruskin Moss and Wild Strawberry c.1870-2 Pencil and white chalk on blue-grey paper 54 x 37.5 The Visitors of the Ashmolean Museum, Oxford 157 John Ruskin Lucerne: Kapellbrucke 1861 or 1866 Watercolour 18.4 x 29.2 The Visitors of the Ashmolean Museum, Oxford 158 John Ruskin Old Houses on the Rhone Island [Geneva] 1862 or 1863 Watercolour on grey-green paper 34.6 x 41.5 Birmingham Museums and Art Gallery 159 John Ruskin View from my window at Mornex 1861-62 Watercolour and gouache 26 x 36.7 (10 1/4 x 14 1/2) Abbot Hall Art Gallery, Kendal 160 John Ruskin Rochers de Lanfon, Lac d'Annecy c.1860 Watercolour 13.5 x 18.6 (5 1/2 x 7 1/4) Abbot Hall Art Gallery, Kendal 161 John Ruskin Brugg from the River 1863 Pencil, watercolour and bodycolour 22.3 x 32.4 (8 3/4 x 12 3/4) Hunterian Art Gallery, University of Glasgow 162 John Ruskin The Walls of Lucerne c.1866 Pencil, watercolour and bodycolour on grey-green paper 34 x 48 Ruskin Foundation (Ruskin Library, University of Lancaster) 163 John Ruskin The Chateau of Neuchatel at Dusk, with the Jura Mountains beyond 1866 Pencil and watercolour (5 1/4 x 8 1/4) Private Collection 164 John Ruskin Afternoon in Spring, with South Wind, at Neuchatel 1866 Pencil, ink , watercolour and bodycolour 17 x 25 The Visitors of the Ashmolean Museum, Oxford 165 John Ruskin Abbeville, Church of St Wulfran from the River 1868 Pencil, watercolour and bodycolour 34.3 x 50.2 Ruskin Foundation (Ruskin Library, University of Lancaster) 166 John Ruskin Study of a Dead Pheasant 1867 Pencil, watercolour and bodycolour 25.7 x 52 Ruskin Foundation (Ruskin Library, University of Lancaster) 167 John Ruskin Study of Plumage of Partridge c.1867 Pencil, ink, watercolour and bodycolour 27.8 x 39.7 (9 x 15 1/2) The Visitors of the Ashmolean Museum, Oxford 168 John Ruskin Study of a Kingfisher c.1870-1 Pencil, ink, watercolour and bodycolour 25.8 x 21.8 The Visitors of the Ashmolean Museum, Oxford 169 John Ruskin Eagle's Head (Common Golden) [two studies] 1870 Watercolour 8.9 x 15 and 16.2 x 19.5 The Visitors of the Ashmolean Museum, Oxford 170b John Ruskin Lion's Profile, from life 1870 Black chalk, watercolour 16.7 x 16.1 The Visitors of the Ashmolean Museum, Oxford 170a John Ruskin Sketch of Head of Living Lion 1870 Pencil 16.2 x 19.7 The Visitors of the Ashmolean Museum, Oxford 171 John Ruskin Study of a Velvet Crab ?1870s Bodycolour 31.4 x 24.5 The Visitors of the Ashmolean Museum, Oxford 172 John Ruskin Study of Carpaccio's 'St George Slaying the Dragon' 1872 Pencil, ink, sepia and bodycolour, on two joined sheets 16.42 x 45.5 (6 3/8 x 17 3/4) The Ruskin Gallery, Guild of St George Collection 173 John Ruskin Study of St George after Carpaccio (upper part) 1872 Pencil, watercolour and bodycolour 32.5 x 48 The Ruskin Gallery, Guild of St George Collection 174 John Ruskin Zipporah (after Botticelli) 1874 Pencil, watercolour and bodycolour 142 x 55 Ruskin Foundation (Ruskin Library, University of Lancaster) 175 John Ruskin A Vineyard Walk at Lucca: Lower stone-work of tower, 12th century 1874 Pencil, watercolour and bodycolour 33.5 x 42.3 (14 1/8 x 19) Ruskin Foundation (Ruskin Library, University of Lancaster) 176 John Ruskin View on the Upper Reach of the Grand Canal, with the Palazzi Corner and Pesaro ?1876 Pencil and bodycolour 36.2 x 52.1 (14 1/4 x 20 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 177 John Ruskin Funeral Gondola, Venice c. 1876-7 Pencil on grey-green paper 24 x 34 Ruskin Foundation (Ruskin Library, University of Lancaster) 178 John Ruskin Rouen, the Seine and its Islands 1880 Watercolour and bodycolour and ink wash 29.4 x 41.6 Ruskin Foundation (Ruskin Library, University of Lancaster) 179 John Ruskin Spiral Relief from the North Transept Door, Rouen Cathedral 1882 Pencil, watercolour and bodycolour 21.3 x 17.2 (11 1/2 x 8 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 180 Turner Cabinet with Stand c.1870 Mahogany 77 x 63.4 x 51 Ruskin Foundation (Ruskin Library, University of Lancaster) 181 Reference Series Cabinet from the Ruskin School of Drawing 1870 Mahogany 99 x 84 x 63.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 184 The Whitelands Cabinet Whitelands College 185 Adrian Ludwig Richter Thanksgiving (Dangebet der Schnitter) Woodcut 25.5 x 20 (sight) Whitelands College 186 Albert Durer Life at Nazareth Woodcut 30 x 21 (sight) Whitelands College 187 'Pre-Dieu' Display Case 110 x 95 x 60 The Ruskin Gallery, Guild of St George Collection 188 Visitor's Book Sept 1880 - Sept 1881 15.3 x 50.2 (open) The Ruskin Gallery, Guild of St George Collection 189 William Holman Hunt Our English Coasts ('Strayed Sheep') 1852 Oil on canvas 43.2 x 58.4 Tate Gallery. Presented by the National Art Collections Fund 1946 190 Sir John Everett Millais Bt The Order of Release 1746 1852-3 Oil on canvas 102.9 x 73.7 Tate Gallery. Presented by Sir Henry Tate 1898 191 Sir John Everett Millais, Bt Waterfall in Glenfinlas 1853 Oil on panel 26.7 x 31.8 Delaware Art Museum, Samuel and Mary R Bancroft Memorial 192 William Holman Hunt The Light of the World 1853-6 Oil on canvas over panel, arched 125.5 x 59.8 (49 3/8 x 23 1/2) Wardens, Fellows and Scholars of Keble College, Oxford 193 William Holman Hunt The Awakening Conscience 1853-4, retouched 1856-86 Oil on canvas, arched top 76.2 x 55.9 (30 x 22) Tate Gallery. Presented by Sir Colin and Lady Anderson through the Friends of the Tate Gallery 1976 194 Alfred William Hunt Styhead Pass, Borrowdale, in Autumn Oil on canvas 91.4 x 71.2 Harris Museum and Art Gallery, Preston 195 Thomas Seddon Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel 1854-5 Oil on canvas 67.3 x 83.2 Tate Gallery. Presented by subscribers 1857 196 William Holman Hunt The Scapegoat 1854-5 Oil on canvas 86.5 x 139.8 Board of Trustees of the National Museums & Galleries on Merseyside (Lady Lever Art Gallery, Port Sunlight) 197 John William Inchbold The Moorland (Dewar Stone, Dartmoor) 1854 Oil on canvas 35.6 x 53.3 Tate Gallery. Bequeathed by Sir J. Russell Reynolds Bt 1896 198 Arthur Hughes April Love 1855-6 Oil on canvas 88.9 x 49.5 Tate Gallery. Purchased 1909 199 William Lindsay Windus Burd Helen 1855-6 Oil 84.4 x 66.6 (33 1/4 x 26 1/4) Board of Trustees of the National Museums & Galleries on Merseyside (Walker Art Gallery, Liverpool) 201 William Dyce Titian preparing to make his first essay in colouring 1855 Oil 100 x 79 (39 1/2 x 31 1/8) City of Aberdeen Art Gallery and Museums Collections 202 John Brett The Glacier of Rosenlaui 1856 Oil on canvas 44.5 x 41.9 Tate Gallery. Purchased 1946 203 James Campbell The Wife's Remonstrance Oil on canvas 73.7 x 48.6 (29 x 19 1/8) Birmingham Museums and Art Gallery 204 Henry Wallis The Stonebreaker 1857 Oil on canvas 65.4 x 78.7 Birmingham Museums and Art Gallery 205 Pierre Edouard Frere The Evening Prayer 1857 Oil on panel 46.5 x 38.5 Rijksmuseum, Amsterdam 206 Edward William Cooke Sunset on the Laguna of Venice, San Giorgio in Alga and the Euganean Hills in the distance 1857 Oil on canvas 65 x 105 (22 x 42 1/2) Maureen Mitchell trading as Anthony Mitchell Fine Paintings 207 John Brett Val d'Aosta 1858 Oil on canvas 87.6 x 68 (34 1/2 x 26 3/4) Lord Lloyd Webber 208 James Clarke Hook Luff Boy! 1859 Oil on canvas 18 x 22.5 (7 x 8 3/4) Royal Pavilion, Libraries & Museums, Brighton & Hove 209 James Clarke Hook The Brook 1859 Oil on canvas 67 x 105.5 (26 1/2 x 41 1/2) Private Collection, Greenwich, Connecticut 210 Henry Le Jeune A Young Lady sketching in a landscape Oil on canvas 26.5 x 31.5 (10 1/2 x 12 1/4) Private Collection 211 John William Inchbold The Lake of Lucerne, Mont Pilatus in the Distance 1857 Oil on panel 35.5 x 48.8 (14 1/4 x 18 1/2) The Board of Trustees of the Victoria and Albert Museum 212 Ford Madox Brown Work 1852 Oil 137 x 197.3 Manchester City Art Galleries 213 Albert Goodwin Venesia (sic) from Riva Schiavoni 1896 Oil on canvas 120 x 100 (approx) Private Collection Enya Courtesy Chris Beetles Ltd, St James's, London 214 Dante Gabriel Rossetti Regina Cordium 1860 Oil and gold leaf on panel 26 x 21.5 Johannesburg Art Gallery, Johannesburg, South Africa 215 Dante Gabriel Rossetti Beata Beatrix 1864-70 Oil on canvas 86.4 x 66 (34 x 26) Tate Gallery. Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889 216 George Frederic Watts Psyche 1880 Oil on canvas 188.6 x 59.7 Tate Gallery. Presented by the Trustees of the Chantry Bequest 1882 217 Albert Moore Blossoms 1881 Oil on canvas 147.3 x 46.4 Tate Gallery. Presented by Sir Henry Tate 1894 218 Frederic, Lord Leighton Girl with a Basket of Fruit (Eucharis) c.1862-3 Oil on canvas 83.8 x 57.8 Private Collection 219 Sir Edward Coley Burne-Jones Bt The Mill 1870-82 Oil 90.8 x 197.5 The Board of Trustees of the Victoria and Albert Museum 220 Sir Edward Coley Burne-Jones The Golden Stairs 1876-80 Oil on canvas 269.2 x 116.8 Tate Gallery. Bequeathed by Lord Battersea 1924 221 Sir Edward Coley Burne-Jones, Bt St George 1873-77 Oil on canvas 155 x 57 Wadsworth Atheneum, Hartford, CT. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund 222 James Abbot McNeil Whistler The Little White Girl: Symphony in White, No.2 1864 Oil on canvas 76.5 x 51.1 Tate Gallery. Bequeathed by Arthur Studd 1919 223 James Abbot McNeil Whistler Nocturne in Blue-Green 1871 Oil on wood 50.2 x 60.8 Tate Gallery. Bequeathed by Miss Rachel and Miss Jean Alexander 1972 224 James Abbot McNeil Whistler Nocturne in Blue and Gold: Old Battersea Bridge c.1872-5 Oil on canvas 67.9 x 50.8 Tate Gallery. Presented by the National Art Collections Fund 1905 225 John Ruskin Study of an Apple 1875 Watercolour and bodycolour over pencil 9.7 x 10.9 Ruskin Foundation (Ruskin Library, University of Lancaster) 226 Louise Virenda Blandy Study of an Apple 1875 Watercolour and bodycolour 10 x 12.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 227 Kate Greenaway A Whitelands May Day 1884 Pencil and watercolour 35.7 x 50 (11 x 14) Whitelands College 228 Kate Greenaway Study of Rock, Moss and Ivy 1885 Watercolour 19 x 33.5 (7 3/8 x 13) The Ruskin Gallery, Guild of St George Collection 229 John Ruskin Self-Portrait 1861 Watercolour touched with bodycolour over pencil 15.2 x 10 (6 1/4 x 4 5/8) The Pierpont Morgan Library, New York 230 John Ruskin Portrait of Rose La Touche ?1861 Pencil, watercolour and bodycolour 39.4 x 26.7 (15 1/2 x 10 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 231 John Ruskin Portrait of Rose La Touche, with Floral Headdress 1862 Pencil and bodycolour 49.5 x 33 Ruskin Foundation (Ruskin Library, University of Leicester) 232 John Ruskin Study of Foreground Material ?1871 Watercolour 26.9 x 42.2 The Visitors of the Ashmolean Museum, Oxford 233 John Ruskin Portrait Miniature of Rose la Touche 1872 Watercolour 32.3 x 24.4 The Ruskin Gallery, Guild of St George Collection 234 John Ruskin Self-Portrait with Blue Neckcloth 1873 Watercolour 35.5 x 25.4 (13 7/8 x 20) The Pierpont Morgan Library, New York 235 John Ruskin Cobra, from life, seen full front Watercolour over pencil, with some bodycolour, on grey paper 12 x 14.5 The Visitors of the Ashmolean Museum, Oxford 236 John Ruskin Self-Portrait c.1873-4 Pencil 25.4 x 20.4 Ruskin Foundation (Ruskin Library, University of Lancaster) 237 John Ruskin Tomb of Ilaria di Caretto at Lucca 1874 Wash and bodycolour 20.3 x 30.5 (8 x 12) The Visitors of the Ashmolean Museum, Oxford 238 John Ruskin Self-Portrait 1874 Watercolour 38 x 25 (15 x 9 7/8) Wellesley College Library Special Collections, Ruskin Collection. Gift of Charles E Goodspeed 239 John Ruskin Portrait of Rose La Touche 1874 Pencil 38.8 x 31 (oval) Ruskin Foundation (Ruskin Library, University of Lancaster) 240 John Ruskin Portrait of a Girl with her Head on a Pillow 1875 Pencil 18 x 11.4 Ruskin Foundation (Ruskin Library, University of Lancaster) 241 John Ruskin Study of Wild Rose 1871 Pencil, watercolour and bodycolour 26.9 x 42.2 The Visitors of the Ashmolean Museum, Oxford 242 John Ruskin Study of a Peacock's Breast Feather 1873-5 Watercolour 22 x 14 The Ruskin Gallery, Guild of St George Collection 243 John Ruskin A Street in Venice 1876-7 Pencil and wash with gouache 20.8 x 13 South London Gallery 244 John Ruskin Study of the Head of St Ursula from Carpaccio's 'Dream of St Ursula' Watercolour and bodycolour 57 x 40 Private Collection 245 Charles Fairfax Murray Portrait of Ruskin 1877 Watercolour and gouache on paper 47.6 x 31.1 Tate Gallery. Purchased as part of the Oppe Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996 246 John Ruskin Thunderclouds, Val d'Aosta 1858 Watercolour 12.6 x 17.4 Ruskin Foundation (Ruskin Library, University of Lancaster) 247 John Ruskin Sunrise over Sea Watercolour 17.2 x 12.4 Abbot Hall Art Gallery, Kendal 248 John Ruskin Dawn at Neuchatel Watercolour and gouache 17.5 x 25 The Fogg Art Museum, Harvard University Art Museums. Gift of Samuel Sachs 249 John Ruskin Moonlight over Chamonix ?1866 Watercolour 20 x 30 (9 x 11 1/4) Private Collection 250 John Ruskin Study of Dawn, the First Scarlet in the Clouds / Study of Dawn, Purple Clouds early 1870s Watercolour on grey paper 13.8 x 19 and 15.4 x 22.3 The Visitors of the Ashmolean Museum, Oxford 251 John Ruskin Cloud Study over Coniston Water 1880 Pencil and watercolour 17.9 x 26.1 Ruskin Foundation (Ruskin Library, University of Lancaster) 252 John Ruskin Cloud Study 1880 Watercolour 20.5 x 38.5 (8 1/4 x 15 1/2) Ruskin Foundation (Ruskin Library, University of Lancaster) 253 John Ruskin Cloud Study: Ice Clouds over Coniston Old Man 1880 Watercolour and bodycolour 12.5 x 17 Ruskin Foundation (Ruskin Library, University of Lancaster) 254 John Ruskin Seascale 1889 Watercolour 14.5 x 19.5 Ruskin Foundation (Ruskin Library, University of Lancaster) 255 Sir Joseph Edgar Boehm Bust of John Ruskin 1880 Marble 59.5 (height) The Ruskin School of Drawing and Fine Art, Oxford 256 John Ruskin Lecture Diagram: Orange and Purple Leaf Spray 1870s Pencil, chalk, watercolour and bodycolour on paper laid on canvas 167.5 x 137.7 Ruskin Foundation (Ruskin Library, University of Lancaster) 257 John Wharton Bunney West Front of St Mark's 1877-82 Oil on canvas 144.6 x 226 (57 x 89) The Ruskin Gallery, Guild of St George Collection 258 William Holman Hunt The Triumph of the Innocents 1883-4 Oil on canvas 156.2 x 254 Tate Gallery. Presented by Sir John Middlemore Bt 1918 259 J.M.W. Turner Ulysses deriding Polyphemus 1829 Oil on canvas 132.5 x 203 (52 1/4 x 80) The Trustees of the National Gallery, London 260 William Gershom Collingwood Portrait of John Ruskin 1897 Oil on canvas 90.5 x 70.5 Ruskin Foundation (Ruskin Library, University of Lancaster)

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