Tate Britain
 
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Tate Triennial 2006: New British Art
1 March - 14 May 2006
Information and resources on "Tate Triennial 2006" at Tate Online.

Ian Hamilton Finlay

Ian Hamilton Finlay, Nymph / Ship, Blue Waters Bark, Swallow, 1999.  Installation in idylls and interventions, 2003.  Courtesy the artist and Victoria Miro Gallery, London
Ian Hamilton Finlay
Nymph / Ship, Blue Waters Bark, Swallow, 1999. Installation in idylls and interventions, 2003.
Victoria Miro Gallery
Courtesy the artist and Victoria Miro Gallery, London
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Ian Hamilton Finlay's practice stems from poetry, which he began writing in the mid-1950s and is characterised by its simplicity and concision. His works often combine words and objects to provoke associations that relate back to history and mythology.

Nymph/Ship, Blue Waters Bark and Swallow, works currently on display in the Triennial, play upon the similarity of the words 'bark' and 'barque' (meaning boat), while their classical form suggests antiquity. Collectively they summon up the first ship of classical myth, Jason's Argo, which was made out of the hollowed-out wood of blue pines.

Biography

Born in Nassau, Bahamas in 1925 and died in 2006

Selected Solo Exhibitions
2005 Sentences, Inverleith House, Royal Botanic Garden, Edinburgh
2002 Maritime Works, Tate St. Ives, Cornwall
1999 Variation on Several Themes, Joan Miro Foundation, Barcelona
1995 Works: Pure and Political, Deichtorhallen, Hamburg
1993 Wildwachsende Blumen, Lenbachhaus, Munich
1987 Inter Artes et Naturam, Musée d'Art Moderne
Selected Group Exhibitions
1987 Documenta 8, Kassel

Lives and works in Stonypath, Scotland


 
 
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Ian Hamilton Finlay, Nymph / Ship, Blue Waters Bark, Swallow, 1999.  Installation in idylls and interventions, 2003.  Courtesy the artist and Victoria Miro Gallery, London
Ian Hamilton Finlay
Nymph / Ship, Blue Waters Bark, Swallow, 1999. Installation in idylls and interventions, 2003.
Victoria Miro Gallery
Courtesy the artist and Victoria Miro Gallery, London