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Tate Triennial 2006: New British Art
1 March - 14 May 2006
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Eva Rothschild

Eva Rothschild, Knock, Knock, 2005.  Courtesy The Artist, Modern Institute Glasgow and Modern Art London
Eva Rothschild
Knock, Knock, 2005
Courtesy The Artist, Modern Institute Glasgow and Modern Art London
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Eva Rothschild's sculptures derive from the abstraction of different visual codes and imagery. Her iconography is informed by contemporary culture – music, film, literature – and by religion.

She is particularly interested in the way objects have a power over us, especially in relation to religious thought and superstition. This is reflected in her fascination with sacred or lucky symbols, ranging from spheres and pyramids to new age charms. In this way, competing influences are combined to create hybrid forms that explore how meaning is ascribed to things.

Eva Rothschild, Installation View © Tate 2006
Eva Rothschild
Installation View © Tate 2006
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Biography

Born in 1972 in Dublin
1997–1999 Goldsmiths College, University of London
1990–1993 University of Ulster, Belfast

Selected Solo Exhibitions
2005 Douglas Hyde Gallery, Dublin
Modern Art, London
2004 Kunsthalle Zurich
Heavy Cloud, The Modern Institute, Glasgow
2000 Peacegarden, The Showroom, London
Selected Group Exhibitions
2005 British Art Show 6, Hayward Gallery Touring Extreme Abstraction, Albright-Knox Museum, Buffalo, USA
2004 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
2003 My Head is on Fire but my Heart is Full of Love, Charlottenberg, Copenhagen

Lives and works in London


 
 
 Exit and return to text
Eva Rothschild, Knock, Knock, 2005.  Courtesy The Artist, Modern Institute Glasgow and Modern Art London
Eva Rothschild
Knock, Knock, 2005
Courtesy The Artist, Modern Institute Glasgow and Modern Art London
 Exit and return to text
Eva Rothschild, Installation View © Tate 2006
Eva Rothschild
Installation View © Tate 2006