Claude Monet, Houses of Parliament: Effect of Sunlight in the Fog 1904. (Le Parlement, trouée de soleil dans le brouillard). Musée d'Orsay, Paris TURNER WHISTLER MONET, 10 February - 15 May 2005 Sponsored by Ernst & Young
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Houses of Parliament

Monet’s Views of the Thames: The Houses of Parliament

The Houses of Parliament became a recurring theme in Monet’s work around 1900. The views shown here were taken from a covered terrace at St Thomas’s Hospital, on the opposite bank of the river, close to Westminster Bridge. From here Monet could work in the open air in the late afternoon, capturing the effects of the sun setting behind the buildings.

This group of canvases are identical in size, and show the same time of day. The sky and water, painted with the same colours, takes up most of the space; paradoxically, the mist and fog, along with the water, are almost more tangible than the architecture, which is evanescent and dissolves in the light.

Houses of Parliament, Sunset (two works)

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Claude Monet. Houses of Parliament, Sunset. 1904
Claude Monet Houses of Parliament, Sunset 1904
Oil on canvas. Lent by the Kunsthaus Zurich, gift of Walter Haefner

Claude Monet. Houses of Parliament, Sunset. 1904
Claude Monet Houses of Parliament, Sunset 1904
Oil on canvas. Lent by the Kaiser Wilhelm Museum, Krefeld


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Houses of Parliament, Sunlight Effect

Claude Monet. Houses of Parliament, Sunlight Effect. 1903
Claude Monet Houses of Parliament, Sunlight Effect 1903
Oil on canvas. Lent by Brooklyn Museum of Art, New York


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Houses of Parliament: Effect of Sunlight in the Fog

Claude Monet. Houses of Parliament: Effect of Sunlight in the Fog. 1904
Claude Monet Houses of Parliament: Effect of Sunlight in the Fog 1904
Oil on canvas. Lent by the Musée d'Orsay, Paris


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The Burning of the Houses of Parliament (three works)

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JMW Turner. The Burning of the Houses of Parliament. 1834
JMW Turner The Burning of the Houses of Parliament 1834

Watercolour on paper. Tate. Bequeathed by the artist 1856

JMW Turner. The Burning of the Houses of Parliament. 1834
JMW Turner The Burning of the Houses of Parliament 1834

Watercolour on paper. Tate. Bequeathed by the artist 1856

JMW Turner. The Burning of the Houses of Parliament. 1834
JMW Turner The Burning of the Houses of Parliament 1834
Watercolour on paper. Tate. Bequeathed by the artist 1856


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Burning of the Houses of Lords and Commons

This is one of two oil paintings distilling Turner's observations of the destruction of the old Houses of Parliament in 1834. The cataclysmic spectacle was seen by huge crowds thronging the bridges and embankments, while others took to the water. Some saw the fire as purging a corrupt system that had only recently, grudgingly, passed the Great Reform Bill, bringing increased parliamentary representation across the nation.

Turner's painting was not widely exhibited or reproduced in the nineteenth century, but Whistler may have seen it when it was with a dealer who was publishing his Thames etchings around 1873, when Whistler was working on his Nocturnes.

JMW Turner. The Burning of the Houses of Lords and Commons, 16th October 1834. Exhibited 1835
JMW Turner Burning of the Houses of Lords and Commons, 16th October 1834 exhibited 1835
Oil on canvas. Lent by Philadelphia Museum of Art


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The Burning of the Houses of Parliament, from the River (two works)

The Burning of the Houses of Parliament, from the River
JMW Turner 1775-1851 The Burning of the Houses of Parliament, from the River 1834
Watercolour on paper. Tate. Bequeathed by the artist 1856

The Burning of the Houses of Parliament, from the River
JMW Turner 1775-1851 The Burning of the Houses of Parliament, from the River 1834
Watercolour on paper. Tate. Bequeathed by the artist 1856


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Colour Study: The Burning of the Houses of Parliament (two works)

These watercolour studies are the leaves of a sketchbook in which Turner recorded the fire in the old Houses of Parliament in October 1834. There has been considerable debate about whether Turner made them on the spot, or some time later in his studio, while still imbued with strong impressions of this memorable event. The backs of some sheets are blotted with colour, suggesting that he worked through his ideas rapidly, before the paint had time to dry, and that they were all part of one sequence. The records of his painting practice show that he worked in batches, like Monet, going from image to image, building each up in stages using the same range of tones.

Audio Listen to excerpt from Audio Tour

Colour Study: The Burning of the Houses of Parliament
JMW Turner Colour Study: The Burning of the Houses of Parliament 1834

Watercolour on paper. Tate. Bequeathed by the artist 1856

Colour Study: The Burning of the Houses of Parliament
JMW Turner Colour Study: The Burning of the Houses of Parliament 1834

Watercolour on paper. Tate. Bequeathed by the artist 1856


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The Burning of the Houses of Parliament, with Westminster Bridge

JMW Turner. The Burning of the Houses of Parliament, with Westminster Bridge. 1834
JMW Turner
The Burning of the Houses of Parliament, with Westminster Bridge 1834

Watercolour on paper. Bequeathed by the artist 1856


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