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Neue Sachlichkeit 

Usually translated as New Objectivity. German modern realist movement of the 1920s, taking its name from the exhibition Neue Sachlichkeit held in Mannheim in 1923. Part of the phenomenon of the return to order following the First World War. Described by the organiser of the exhibition, GF Hartlaub, as 'new realism bearing a socialist flavour'. The two key artists associated with Neue Sachlichkeit are Otto Dix and George Grosz, two of the greatest realist painters of the twentieth century. In their paintings and drawings they vividly depicted and excoriated the corruption, frantic pleasure seeking and general demoralisation of Germany following its defeat in the war and the ineffectual Weimar Republic which governed until the arrival in power of the Nazi Party in 1933. But their work also constitutes a more universal, savage satire on the human condition. Other artists include Christian Schad and Georg Schrimpf.
 

George Grosz, Suicide, 1916
George Grosz
Suicide
1916
 
George Grosz, Drawing for `The Mirror of the Bourgeoisie', circa 1925
George Grosz
Drawing for `The Mirror of the Bourgeoisie'
circa 1925
 
Christian Schad, Self-Portrait, 1927
Christian Schad
Self-Portrait
1927