Tate Conservation
 
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Painting Conservation
Paintings Conservation

About Tate Paintings Conservation

From John Bettes's portrait A Man in a Black Cap, Tate's earliest picture, to the work of artists living in the present day, Tate's is a wide-ranging collection of paintings that spans five centuries.

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Project Case Studies:

detail from: John Brett's The British Channel Seen from the Dorsetshire Cliffs, 1871

John Brett's The British Channel Seen from the Dorsetshire Cliffs 1871

The exhibition Pre-Raphaelite Vision: Truth to Nature at Tate Britain in 2004 provided an opportunity to revisit this painting...

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George Cruikshank's The Worship of Bacchus

George Cruikshank's The Worship of Bacchus 1860-2

Cruikshank's major work about the evils and horrors of alcohol has not been seen in public for nearly 100 years. Before its restoration, the painting was in a totally unexhibitable condition.

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detail from: Richard Hamiton's Hommage à Chrysler Corp, 1957

Richard Hamilton's
Hommage à Chrysler Corporation 1957

Paintings often appear little changed. However, critical changes in appearance can compromise their original aesthetic intention.

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Salvador Dali's Forgotten Horizon, 1936

Salvador Dalí's Forgotten Horizon 1936

One of a series of small oil paintings on wood panel, depicting the beach at Rosas on the east coast of Spain. Recently, the work was in the conservation studio for a technical examination.

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detail from: John Hayls' A Portrait of a Lady and a Boy with Pan

The Rediscovery of John Hayls'
A Portrait of a Lady and a Boy with Pan 1655-9

This painting was acquired by Tate in 1995 - nothing was known about the sitters or the history of the portrait.

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John Everett Millais's Hearts are Trumps 1872

John Everett Millais's Hearts are Trumps 1872

Millais's Hearts are Trumps is currently on display in the Linbury galleries following major treatment of the painting and frame by Tate Conservation.

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Ben Nicholson's Festival of Britain Mural 1951

Ben Nicholson's Festival of Britain Mural 1951

Ben Nicholson's large Festival of Britain Mural is only 50 years old. But when it was presented to Tate in 1995 there was no question of displaying it. Extensive damage had occurred.

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John Opie's Portrait of a Lady in the Character of Cressida

John Opie's
Portrait of a Lady in the Character of Cressida 1800

An interview with conservator Rebecca Hellen about this complex conservation project.

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Dirt Removed from the Glazing Fitted into the Display Frame

Our Visitor's Bequest:
Maintaining Clean Displays at Tate Modern

Soon after Tate Modern opened, the Gallery Assistants Maintenance Group was established...

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John Schaeffer Nevill Keating Conservation Project: Lord Ligonier by Sir Joshua Reynolds: Part 1

John Schaeffer Nevill Keating Conservation Project
Lord Ligonier by Sir Joshua Reynolds: Part 1

Removing discoloured varnishes and old, mismatched restoration from this large equestrian portrait.

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Schaeffer Nevill Keating Conservation Project: John Zoffany's Charles Macklin as Shylock

John Schaeffer Nevill Keating Conservation Project
John Zoffany's Charles Macklin as Shylock: Part 1

Conservation of this painting by John Zoffany, ready for the forthcoming retrospective exhibition at Tate Britain.

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Projects elsewhere at Tate Online

Walter Richard Sickert, Ennui, circa 1914. Tate. Presented by the Contemporary Art Society 1924. © Estate of Walter R. Sickert. All Rights Reserved. DACS 2002

The Camden Town Group

A loose association of about fifteen artists in London in the years around 1910, the Camden Town Group was a distinctive and leading force in the development of modern British art.

Tate Research: The Camden Town Group

A selection of modern paints. Photo: David Lambert © Tate 2004

Conservation of Modern Paints

Paints made over the last seventy years have been increasingly likely to contain synthetic binders and pigments. These synthetic paints are found in works by many modern artists.

Tate Research: Conservation of Modern Paints

British School 16th century 1500-1599, A Young Lady Aged 21, Possibly Helena Snakenborg, Later Marchioness of Northampton, 1569 [detail, photographed in raking light]. Tate. Presented by the Friends of the Tate Gallery, 1961

Tudor & Stuart Paintings and Drawings

Cataloguing all Tate works by artists born up to 1674 who worked in Britain, covering 106 paintings and more than forty works on paper over the period circa 1540-circa 1720.

Tate Research: Tudor & Stuart Paintings

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