This seminar looks at British Pop Art
British Pop Art seminar - Anthea Hamilton
Artist Anthea Hamilton discuses the influence of Pop Art on her practice, with a particular focus on and reassessment of the work of Allen Jones.
British Pop Art seminar - Brendan Flynn
Wolverhampton Art Gallery started to collect Pop Art in the 1960s and 70s under the directorship of David Rogers. Pop has continued to be a major part of the gallery’s collection development and programming strategy. Brendan Flynn, Monument Fellow, discusses the history of the collection and the controversy which surrounded it at the time.
British Pop Art seminar - Marguerite Nugent
Wolverhampton Art Gallery started to collect Pop Art in the 1960s and 70s under the directorship of David Rogers. Pop has continued to be a major part of the gallery’s collection development and programming strategy. Marguerite Nugent presents some recent exhibitions and shares Wolverhampton’s ideas for future projects and partnerships.
British Pop Art seminar - Marco Livingstone
A personal talk about how Marco came to research Pop Art and British Pop in particular, and the exhibitions and publications for which he has been responsible. Followed by proposals for specific areas that could still provide a rich seam for research or for exhibitions.
British Pop Art seminar - Simon Martin
Whilst Pop Art is widely associated with a celebration of modern consumer culture, individual British Pop artists engaged in a critique of modern culture in the Cold War era. In this paper Simon Martin considers how events such as the Cuban Missile Crisis in 1962 led artists such as Derek Boshier, Colin Self and Eduardo Paolozzi to explore to heightened concerns about the threat of nuclear annihilation. These British-based artists are considered in relation to the response of American artists such as Warhol, Lichtenstein and Rosenquist to the atom bomb.
British Pop Art seminar - David Mellor
A more comprehensive historiographic view onto English Pop could pay dividends. Exclusive - painting only - have often been the norm, although writers such as Alex Seago have aimed at more inclusive accounts. David Mellor suggests that further excavations of the social and cultural histories of the 50s - which might deal with the larger environment of graphics, popular magazines and television, are worth exploring.
In this event we look at British pop art, exploring and examining areas of potential research and exhibitions.
Programmed by Marguerite Nugent, Head of Curatorial Services, Wolverhampton Art Gallery and Gemma Yates, Curator, The Hepworth Wakefield, in collaboration with Chris Stephens, Head of Displays and Lead Curator Modern British Art, Tate Britain.