To start our Work of the Week feature, we’ve picked this floor-standing sculpture by Anish Kapoor.

Anish Kapoor, 'Ishi's Light' 2003

Anish Kapoor
Ishi's Light 2003
Fibreglass, resin and lacquer
object: 3150 x 2500 x 2240 mm
Presented by Tate International Council 2005© Anish Kapoor

View the main page for this artwork

Ishi’s Light is over three metres tall and two and a half metres in diameter at its widest part. The light entering the structure creates a strip of brightness that looks as if you can almost touch it. The wide opening in its egg-shaped shell invites you to step into its glossy, deep red interior, and on accepting the invitation you can lose yourself in the highly-polished reflective surface. Visually and aurally immersive, it gives you both the disorientating feeling of being between different realms, and a comforting enveloping security.

Anish Kapoor explains:

“As you’re entering the work, the column of light is like a virtual object, it’s a physical object. It isn’t simply on the surface. I think something is occurring there with the reflections, which is what is important to me.”

Kapoor is a British sculptor of Indian birth, and is one of a generation of British-based sculptors who came to prominence during the 1980s. This work’s title refers to a work by abstract expressionist painter Barnett Newman Anna’s Light. Newman’s work was named for his mother, while Kapoor’s is named for his son Ishan.

The Work of the Week feature will showcase a work from the Tate collection each week.

Comments

Andy Coates

On a rare visit to London for a meeting I called in to see this work, and it is wonderful. I'd have liked half an hour alone to just sit and look at it. It's a close call between this and the Geocometti sculptures for me. It's such a privilege to be able to view them at close quarters.

Shirley Peters

This looks amazing... Maybe the image would have more impact if you had a figure standing nearby, to show the relative size. Look forward to following your weekly works!

Han

Wish you could step inside; in the gallery there's a small barrier stopping you from getting in!

Another of my favourite features of this work is that you are reflected upside down within it, like looking at your face in a spoon.

Fascinating and beautiful.

Gina Hams

Now here is a guy who understands original thought. Went to a recent exhibition in London. Stunning and inspiring.