Our Magritte exhibition will be closing this Sunday. I have to say, I’ll be sad to say farewell to René - it has been great having his work on display at Tate Liverpool.

René Magritte, The Pleasure Principle 1938

René Magritte, The Pleasure Principle 1938

Private Collection

Magritte, of course, is renowned for his deadpan painting style - the graphic image of a steam-train unfathomably erupting from the fireplace or the man whose head is a fireball. For me, though, it has been a real revelation to get to know some of his lesser known works. During the late 1920s Magritte created a series of mysterious and unusual painterly works, such as Untitled (Sky with Biomorphs and Words) 1928, which are heavily improvised and laden with weird anarchic energy.

Magritte farewell Sky with biomorphs

René Magritte, Untitled (Sky with Biomorphs and Words) 1928

Private collection

One of the first things that struck me when I began working on this exhibition was that Magritte’s influence seemed to go beyond Surrealism, informing the language of conceptual art. In fact, the range of artists he openly admired was quite narrow and didn’t really change throughout his career. In the 1960s he dismissed the Pop art generation despite them claiming him as a precursor and influence. ‘They are of their own time,’ he sniffed, ‘Me, I feel I am into truth.’ With Magritte, it seems that every act and utterance were part of a systematic attempt to somehow undermine any attempt to gain a fixed and stable understanding of the artist. To me, there is still much to discover about Magritte.

We’re really pleased by the response to the exhibition - it’s always reassuring when visitors and critics respond positively after we’ve invested years of research and energy into a project. A recurring comment and source of pride is when visitors ask whether the exhibition will travel to London (which, of course, is only two hours away by train). At Tate Liverpool we aim to stage international standard exhibitions comparable to those seen in the great museums of London, Paris, New York, or wherever.  Thank you to all of you who have visted Magritte and if you’ve not seen the exhibition, I urge you to book tickets now to avoid disappointment. The gallery is fantastically busy right now and we expect our weekend tickets to sell out.

Comments

VELASCO

I invite you to see the artwork of a painter at the following websites, if you consider interesting to make it known:
"TORERO" PAINTINGS
toreropaintings.blogspot.com

VIRTUART PAINTER GALLERY
virtuartpaintergallery.blogspot.com

Velasco

James King

I went to the Art Institute of Chicago when I was in America this summer. It was strange, but rather pleasing, to see that after flying halfway across the world one of the gallery's more famous paintings (La Durée poignardée) was on loan to my local gallery! The standard of recent exhibitions at Tate Liverpool (especially the 2010 Picasso exhibition) has been really first class. Keep up the good work!