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  • Tacita Dean, 'Beautiful Sheffield' 2001

    Tacita Dean
    Beautiful Sheffield 2001
    Photogravure on paper
    image: 450 x 685 mm support: 540 x 690 mm
    Presented by the artist 2002 Tacita Dean, courtesy Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris

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  • Sir Charles John Holmes, 'The Burning Kiln' 1914

    Sir Charles John Holmes
    The Burning Kiln 1914
    Oil on canvas
    support: 686 x 762 mm
    Presented by Michael Sadler through the Art Fund 1915

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  • John Sell Cotman, 'Norwich Market-Place' circa 1809

    John Sell Cotman
    Norwich Market-Place circa 1809
    Watercolour on paper
    support: 406 x 648 mm
    Presented by Francis E. Halsey 1945

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  • Clive Branson, 'Selling the 'Daily Worker' outside Projectile Engineering Works' 1937

    Clive Branson
    Selling the 'Daily Worker' outside Projectile Engineering Works 1937
    Oil on canvas
    support: 406 x 507 x 20 mm
    Bequeathed by Noreen Branson 2004 The estate of Clive Branson

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  • David Bomberg, 'In the Hold' circa 1913-4

    David Bomberg
    In the Hold circa 1913-4
    Oil on canvas
    support: 1962 x 2311 mm frame: 1995 x 2355 x 63 mm
    Presented by the Friends of the Tate Gallery 1967 Tate

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  • Bernd Becher and Hilla Becher, 'Pitheads' 1974

    Bernd Becher and Hilla Becher
    Pitheads 1974
    Photograph on board
    unconfirmed: 1133 x 1318 mm
    Purchased 1974 Bernd & Hilla Becher

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  • Julian Trevelyan, 'Heathrow' 1973

    Julian Trevelyan
    Heathrow 1973
    Intaglio print on paper
    image: 352 x 483 mm
    Presented by Waddington Galleries through the Institute of Contemporary Prints 1975 The estate of Julian Trevelyan

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  • Mitch Epstein, 'BP Carson Refinery, California' 2007

    Mitch Epstein
    BP Carson Refinery, California 2007
    C-print
    unconfirmed: 1142 x 1473 mm
    Lent by the American Fund for the Tate Gallery, courtesy of the North American Acquisitions Committee 2011 Mitch Epstein/Black River Productions, Ltd.

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  • Keith Arnatt, 'A.O.N.B. (Area of Outstanding Natural Beauty)' 1982-4

    Keith Arnatt
    A.O.N.B. (Area of Outstanding Natural Beauty) 1982-4
    Gelatin silver print on paper
    support: 275 x 357 mm
    Purchased 2010 The estate of Keith Arnatt

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  • Keith Arnatt, 'Miss Grace's Lane' 1986-7

    Keith Arnatt
    Miss Grace's Lane 1986-7
    C-type print on paper
    support: 254 x 202 mm
    Presented by the artist's estate 2009 The estate of Keith Arnatt

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With the Lowry exhibition nearing its closing date, we celebrate the artist’s unique take on the urban and industrial landscape of Britain with a look at works of other artists from the Tate collection dealing with similar themes.