The build is over and the works are coming together in the freshly-minted spaces.

Ann Gallagher and Susan compare lampshades for Belshazzar's Feast 1983-4
Ann Gallagher and Susan compare lampshades for Belshazzar's Feast 1983–4
projectors piled up ready for install
Projectors ready for deployment
framed works stacked up ready to be hung on the wall
Homage to Marcel Duchamp: Auras 2008 awaits hanging

We’ve got an in-depth look at how some of the more complex works are installed coming up, but this set of stills from the ongoing installation of Witness 2000 of should whet your appetite.

view of the circuit board needed for the artwork Witness
The circuit board in all its glory
Circuit board close up
All wired up
view of the circular board that the speakers will hang from
The centre piece
Tiny speakers hanging from the ceiling
Single speakers hang from the ceiling

For more on the works in the show, this survey article in the Guardian discusses some of the works and Susan’s practice.


deirdre mcardle

no,we hear you man.


More chance of being abducted by a grey than witness coming to provincial Liverpool I think!

annette fry

I cannot wait to see this exhibition. I am sure it will be very very special. Her work is.

Joseph K. Leven...

Susan Hiller Memento...M, 1987 Riporin, gesso, conte crayon on wallpaper mounted on canvas 85 x 54 inches

Provenance Pat Hearn Gallery, New York Private Collection, Japan Private Collection, New York

Exhibited Lifelines: 4 British Artists, British Council/BASF Gallery Ludwigshafen, Germany 1989; Tate Gallery, London, 1990, Catalogue No. 10

Contact for additional information regarding Susan Hiller 1987 Unique Work included in the 1989 Susan Hiller Exhibition at the Tate Gallery, London