Louise Bourgeois’ vast installation ‘I Do, I Undo, I Redo’ was the first commission in The Unilever Series for Tate Modern.

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The three steel towers, along with ‘Maman’ , her sculpture of a giant spider, dominated Tate Modern’s Turbine Hall in 2000, the year the gallery opened. This video follows the pain-staking process of deinstalling the works at the end of the exhibition.