Susan Hiller is renowned for making works which investigate often overlooked everyday phenomena. Previous subjects have included UFO sightings (Witness 2000), horror movies (Wild Talents 1997), near-death experiences (Clinic 2004), Punch & Judy shows (An Entertainment 1990) and dreams (Dream Mapping 1974). She employs sound, video, text and photography, often creating large-scale installations. Hiller has been described as a feminist, a conceptualist and a para-conceptualist.
In collaboration with Art Monthly.