As a sculpture student in the early 1920s Moore studied art from across history and cultures. But within his pantheon of world art the supreme sculptural achievement was that of pre-Columbian civilisation. This exhibition demonstrates what it was that Moore so admired in this tradition and how it affected his own work throughout his career. In addition, it places his interest within a political discourse about ancient and modern Mexico that was prevalent in the early to mid twentieth century.

The exhibition includes 21 sculptures (plus one unconfirmed loan) and 29 drawings. The sculptures are mainly from Tate's collection and the works on paper include Tate's shelter drawings and works from the Henry Moore Foundation. There are also loans from a private collection and other national collections.

Exhibiting at:

• Museo Dolores Olmedo Patino, Mexico City (June 4 - 9 October 2005)