Naïve art is simple, unaffected and unsophisticated – usually specifically refers to art made by artists who have had no formal training in an art school or academy

1 of 3
  • Henri Rousseau ('Le Douanier'), 'Bouquet of Flowers' circa 1909-10
    Henri Rousseau ('Le Douanier')
    Bouquet of Flowers circa 1909-10
    Oil on canvas
    support: 610 x 495 mm frame: 847 x 730 x 95 mm
    Bequeathed by C. Frank Stoop 1933
  • Alfred Wallis, 'Voyage to Labrador' ?circa 1935-6
    Alfred Wallis
    Voyage to Labrador ?circa 1935-6
    Oil on wood
    support: 368 x 387 mm
    frame: 490 x 513 x 40 mm
    Presented by Adrian Stokes 1958© The estate of Alfred Wallis
  • André Bauchant, 'The Funeral Procession of Alexander the Great' 1940
    André Bauchant
    The Funeral Procession of Alexander the Great 1940
    Oil on canvas
    support: 1140 x 1949 mm
    Bequeathed by Arthur Jeffress 1961© ADAGP, Paris and DACS, London 2002

Naïve art is characterised by childlike simplicity of execution and vision. As such it has been valued by modernists seeking to get away from what they see as the insincere sophistication of art created within the traditional system.

The most famous naïve artist of modern times is Henri Rousseau, known as Le Douanier (customs man) from the full-time job he held. Others are André Bauchant and in Britain the St Ives seaman Alfred Wallis, whose work famously influenced Ben Nicholson.

Naïve artists are sometimes referred to as modern primitives (see primitivism). The category also overlaps with what is called outsider art, or in France art brut. This includes art of children and also art made by people on the fringes of society such as prisoners and mentally ill people.