The Ghost of a Flea (c.1819) © Tate |
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One of Blake's 'Spiritual Visitants'
John Varley was a watercolourist, landscape designer
and astrologer whom Blake met towards the end
of his life. Varley encouraged Blake to sketch
portraits of the people who populated his visions,
and in all there are between forty or fifty drawings
of such 'visionary heads'. Many of these depict
historical characters, such as kings and queens,
but the most popular has always been the flea,
which exists both as a simple sketch and as this
elaborate painting.
Blake claimed that, while he was sketching the flea,
it had explained to him that fleas were inhabited
by the souls of bloodthirsty men. These bloodthirsty
men were confined to the bodies of small insects,
because if they were the size of horses, they
would drink so much blood that most of the country
would be depopulated.
The flea's bloodthirsty nature can be seen in its
tongue, darting eagerly from its mouth, and the
cup (for blood-drinking) that it is carrying.
The poor quality of this picture is due to Blake painting
it in what he called 'fresco' (tempera), which
has cracked and dulled with age. The influence
of Michelangelo (1475-1564), a Renaissance artist
whom Blake admired, can be seen in the highly
defined musculature of the flea's burly body.
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