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Jerusalem
Frontispiece (1804-20) © Yale Center for British
Art, New Haven |
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Frontispiece
Los Entering a Gothic Arch
This is the first of the one hundred plates that make
up Jerusalem. It shows Los,
the personification of the poetic imagination, passing
through a gothic arch. Los is dressed like a London
night watchman, but his sandals strike an anachronistic
note, marking him out as a prophetic figure. On closer
inspection the lantern in his right hand turns out to
be a miniature sun, as described in Blake's lines 'Los
took his globe of fire to search the interior of Albion's
bosom'.
For Blake, the Gothic (Westminster
Abbey) represented true religion, while the Baroque
(St Paul's) symbolised the empty forms of state religion.
(Compare Jerusalem, Plate
84). Here then the gothic arch represents truth.
On a simpler level, the door represents the beginning of the poem,
while the austere greys and browns of the stone wall
serve to increase the shock and excitement of the brilliantly
colourful plates that follow.
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