Making History: Art and Documentary in Britain from 1929 to Now
3 February  –  23 April 2006
Making History
Art and Documentary in Britain from 1929 to Now
Section 1: Defining Documentary
Mass-Observation
 
Julian Trevelyan 1910-1988
Teapot Café c1937-8
Julian Trevelyan, Teapot Café c1937-8 © Trevelyan Estate
© Trevelyan Estate

Julian Trevelyan was interested in photographing everyday life in the hope of revealing significant patterns of unconscious behaviour. Seeing a correlation between the aims of Surrealism and the aims of Mass-Observation, Trevelyan accepted Tom Harrisson's invitation to participate in the Worktown project and travelled to Bolton in 1938. For the socially consciencious Trevelyan the project had particular resonance, presenting an opportunity to tell the ‘truth’ about everyday life for everyday people. His photographs for Mass-Observation reveal a Surrealist fascination with the odd and eccentric in the everyday.