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Bruce Nauman: Make Me Think Me
19 May  –  28 August 2006, Tate Liverpool
Intro Eating My Words Get Out of This Room Stamping in the Studio Body Pressure Violent Indident

Eating My Words

" "I think the point where language starts to break down as a useful tool for communication is the edge where poetry or art occurs
Floor plan:
Section 1: Eating My WordsSection 2: Get Out of This Room
Section 5: Violent IncidentSection 4: Body PressureSection 3: Stamping in the Studio

Nauman first explored what he calls the 'functional edges' of language in Eleven Color Photographs 1966-7/70. The individual titles of these photographs are as significant as the images to which they belong, offering both instructions for, and descriptions of, physically performed acts, and linguistic puns that provide the basis for their visual manifestations.

The works in this room incorporate multiple forms of wordplay – puns, palindromes, anagrams, repetition – to manipulate language to the point at which meanings shift or multiply and syntax no longer functions. In First Poem Piece 1968, the phrase 'you may not want to be here' is transposed onto the intersections of a grid engraved on a steel slab and transformed over eighteen lines by omitting a combination of words and replacing 'here' with 'hear'. By displacing the component parts of the phrase, Nauman undermines the capacity of the individual words to convey finite meaning.

Many of Nauman's word games have been performed in neon, a medium that stresses the object-like quality of letters and words rather than their function. Several of the neon signs illuminate in sequence so that letters, words or phrases continually repurpose themselves and again deny fixed meaning.

The audible, spoken word is also important. Good Boy Bad Boy 1985 and World Peace (Received) 1996 demonstrate how the meaning of words changes through repetition, the addition of alternative pronouns and variation in physical delivery. In other works, words become abstract sounds through relentless repetition.

Works in this section
Bruce Nauman, Lip Sync, 1969 © ARS, NY and DACS, London 2002
Lip Sync 1969
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Bruce Nauman, Good Boy Bad Boy 1985 © ARS, NY and DACS, London 2002
Good Boy Bad Boy 1985
view in Tate Collection
Bruce Nauman, Double Face, 1981 © ARS, NY and DACS, London 2002
Double Face 1981
Tate Collection
Brice Nauman, NO (Black Slate), 1981, © ARS, NY and DACS, London 2002
NO (Black Slate) 1981
Tate Collection
Bruce Nauman, La Brea/Art Tips/Rat Spit/Tar Pits, 1972 © ARS, NY and DACS, London 2002
La Brea/Art Tips/Rat Spit/Tar Pits 1972
enlarge
Bruce Nauman, Life Fly Lifes Flies, 1997 © ARS, NY and DACS, London 2002
Life Fly Lifes Flies 1997
enlarge
Bruce Nauman, M Ampere, 1973 © ARS, NY and DACS, London 2002
M Ampere 1973
Tate Collection
Bruce Nauman, RawWar, 1968 © ARS, NY and DACS, London 2002
RawWar 1968
Tate Collection
Bruce Nauman, Raw-Waw, 1971 © ARS, NY and DACS, London 2002
Raw-Raw 1970
Tate Collection
Bruce Nauman, Jump, 1994 © ARS, NY and DACS, London 2002
Jump (still) 1994
enlarge
Bruce Nauman, Waxing Hot from Eleven Color Photographs 1966/7-70 © ARS, NY and DACS, London 2006
Waxing Hot from Eleven Color Photographs 1966/7-70
enlarge
Bruce Nauman, Make Me Think Me, 1994 © ARS, NY and DACS, London 2006
Make Me Think Me 1994
enlarge
Bruce Nauman, Work, 1994 © ARS, NY and DACS, London 2006
Work (stills) 1994
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Bruce Nauman, Run from Fear, Fun from Rear 1972 © ARS, NY and DACS, London 2006
Run from Fear, Fun from Rear 1972
enlarge
Bruce Nauman, World Peace (Received) 1996 © ARS, NY and DACS, London 2002
World Peace (Received) 1996
enlarge
 
exit and return
Bruce Nauman
Waxing Hot from Eleven Color Photographs 1966/7-70
Approx. 502 x 584 mm
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
Bruce Nauman, Waxing Hot from Eleven Color Photographs 1966/7-70 © ARS, NY and DACS, London 2006
exit and return
Bruce Nauman
World Peace (Received) 1996
Video, five monitors, colour, sound, five trolleys and stool, 3200 mm diameter .
Saint Louis Art Museum © ARS, NY and DACS, London 2006
Bruce Nauman, World Peace (Received) 1996 © ARS, NY and DACS, London 2002
 
exit and return
Bruce Nauman
Lip Sync 1969
Video, black and white, sound, approx. 60 minutes repeated continuously.
Electronic Arts Intermix, New York © ARS, NY and DACS, London 2006
Bruce Nauman, Lip Sync, 1969 © ARS, NY and DACS, London 2006
exit and return
Bruce Nauman
Suite Substitute 1968
Neon tubing with clear glass tubing suspension frame, 132 x 1270 x 127 mm.
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
Bruce Nauman, Suite Substitute, 1968, © ARS, NY and DACS, London 2006
exit and return
Bruce Nauman
La Brea/Art Tips/Rat Spit/Tar Pits 1972
Neon tubing with glass tubing suspension frame, 619 x 584 x 51 mm.
Anthony d'Offay, London © ARS, NY and DACS, London 2006
Bruce Nauman, La Brea/Art Tips/Rat Spit/Tar Pits, 1972 © ARS, NY and DACS, London 2002
exit and return
Bruce Nauman
Life Fly Lifes Flies 1997
Etching on paper, 939 x 686 mm
Tate. Lent by the American Fund for the Tate Gallery courtesy of Jean-Christophe Castelli in memory of Leo Castelli 2001 © ARS, NY and DACS, London 2006
Bruce Nauman, Life Fly Lifes Flies, 1997 © ARS, NY and DACS, London 2002
exit and return
Bruce Nauman
Jump 1994
Video, two monitors, colour and sound
Private Collection, courtesy of Donald Young Gallery, Chicago © ARS, NY and DACS, London 2006
Bruce Nauman, Jump, 1994 © ARS, NY and DACS, London 2002
exit and return
Bruce Nauman
Human Nature/Knows Doesn't Know 1983/6
Neon tubing with clear glass tubing suspension frame, 2300 x 2300 x 355 mm
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
Bruce Nauman, Human Nature/Knows Doesn't Know 1983/6 © ARS, NY and DACS, London 2006
exit and return
Bruce Nauman
Make Me Think Me 1994
Graphite and tape on paper, 1420 x 972 mm
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
Bruce Nauman, Make Me Think Me, 1994 © ARS, NY and DACS, London 2006
exit and return
Bruce Nauman, Work, 1994 © ARS, NY and DACS, London 2006
Bruce Nauman
Work 1994
Video, two monitors, colour, sound
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
 
exit and return
Bruce Nauman
Run from Fear, Fun from Rear 1972
Neon tubing with clear glass tubing suspension frame. Two parts: 190 x 1166 x 280 and 108 x 1130 x 28 mm.
Froehlich Collection, Stuttgart © ARS, NY and DACS, London 2006
Bruce Nauman, Run from Fear, Fun from Rear 1972 © ARS, NY and DACS, London 2006