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12 June – 22 August 2004
Introduction | Cologne
| von Bonin | Braun | Herold
| Krebber | Kunath
| Lindena | Events
& Education
Cosima von Bonin
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Cosima von Bonin Crude Cuisine (Loop #1) 2003 ©
Galerie Christian Nagel, Köln/Berlin, photograph by Rainer Jordan
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Cosima von Bonin is one of the most influential and
prolific artists working in Germany today. Making painting, sculpture,
installations, textiles, performances and films, her art is not
limited to a single medium or genre. Von Bonin's approach is often
collaborative; she has organised numerous events with fellow artists,
musicians and theorists, stretching the definition of an artist
by assuming the role of curator, critic, DJ and producer.
Von Bonin has an acute
awareness of social and artistic relations and has explored them
in a number of her collaborations. When given a solo exhibition
at Galerie Christian Nagel, Cologne in 1992, she invited the artist
Ingeborg Gabriel to exhibit her work instead. Similarly, at the
entrance to her recent solo exhibition at the Kunstverein Braunschweig,
rather than give her own work pride of place, von Bonin installed
a large work by New York-based artist Nils Norman to greet visitors.
Von Bonin also used the exhibition's catalogue as a vehicle to promote
her peers by commissioning Norman, Josephine Pride and Kai Althoff
to contribute texts. By taking an active curatorial role in such
events, von Bonin both exposes and subverts the mechanisms of the
art world.
An important strand of von Bonin's practice is her
use of textiles as exemplified by International Wool Exchange
2003 and Crude Cuisine (Loop #1) 2003, both included in
the exhibition. The source of these textile 'paintings' was a photograph
of Prince Charles and Camilla Parker-Bowles published in BUNTE,
the German equivalent of Hello! magazine. Von Bonin has
partially hidden both figures, reducing them to silhouette using
collage and embroidery. Alluding to the work of Blinky Palermo,
Sigmar Polke and Rosemarie Trockel, von Bonin plays with the thematic
shift of such images by creating a complex web of references to
high art, popular culture, craft, and domesticity whilst challenging
bourgeois constructions of femininity.
Cosima von Bonin was born in Mombasa, Kenya in 1962
and was awarded the Scholarship of the Günther-Peill-Stiftung, Düuren
from 1998-2000. Her work has been shown in many group exhibitions
including Fusion Cuisine, Deste Foundation, Centre for
Contemporary Art, Athens (2002), Out of Space, Kölnischer
Kunstverein, Cologne (2000) and oLdNEWtOWn, Casey Kaplan,
New York (1999). Her recent solo exhibitions include Galerie Heinrich
Ehrhardt, Madrid (2004), Friedrich Petzel Gallery, New York (2003)
and the Kunstverein Hamburg (2001). |