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IMA Plan



Choose a section from the plan to start exploring online. You can also print off this plan to bring with you on your visit to Tate Liverpool.

Room 1 Towards Abstraction

The first decades of the twentieth century witnessed an unprecedented transformation of artistic styles. Many artists became more concerned with form, colour and design than with trying to make realistic descriptions of the world.

Room 2 The Legacy of Cubism

Cubism evolved in the calm before the storm of the First World War. It was primarily an intellectual pursuit that aimed to explore and expand the possibilities of representation. Its radical fragmentation of the human body and aggressively angular forms could also be seen

Room 3 The Call to Order

The disorder and violence of the First World War was seen as a catalyst for a new direction in art - a return to tradition, figuration and classicism. This shift was described as 'the call to order', a phrase coined by the influential poet and critic Jean Cocteau, writing in Paris in 1926. Seen as a rallying cry, it was taken up by avant-garde artists and critics of the time, initially in Paris and then throughout Europe.

Room 4 A New Beginning

Unlike 'the call to order' that followed the end of the First World War, the prevailing mood in the aftermath of the Second World War was of a desire to start anew. Instead of a return to the classical values of the past, based on order and reason - values that many felt had been discredited by the War - artists around the world began to search for new forms of expression.

Room 5 The New Realism

In the mid 1950s artists in Europe and America began to reject the autonomy of Abstraction. Motivated by the post-war rise in consumerism and mass production, artists such as the Paris-based Nouveau Réalists sought alternative forms of expression that engaged directly with the grittiness of modern life. Calling for 'new approaches to the perception of the real', artists such as Arman, César, Martial Raysse and Jean Tinguely found a new expressive vocabulary through the use of found objects or 'readymades'.

Room 6 Scarred for Life

Throughout history artists have continued to make work in response to political, social and economic upheaval. The works in this section engage with some of the most important issues and events of our recent history which have become the focus of artists' critical intervention.

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