Friday 10 November 2006, 19.00

Programme duration 70 min

The materialist tendency characterised the hardcore of British filmmaking in the early 1970s. Distinguished from structural film, these works were primarily concerned with duration and the raw physicality of the celluloid strip.

The films screened include Slides (Annabel Nicolson), At the Academy (Guy Sherwin), Shepherd’s Bush (Mike Leggett), Film No. 1 (David Crosswaite), Dresden Dynamo (Lis Rhodes), Versailles I & II (Chris Garratt), Silver Surfer (Mike Dunford) and Footsteps (Marilyn Halford).

Tate Modern  Starr Auditorium
£4, booking recommended