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Analogue: Pioneering Artists' Video from Poland (1968–88)
Screening

Pawel Kwiek, Video A, 1974
Pawel Kwiek
Video A 1974
© The artist, reproduced by permission of the Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Friday 24 November 2006, 19.00

Programme duration 60 min

This screening forms a crucial part of a tripartite event taking place over two consecutive weekends at Tate Britain and Tate Modern, presenting seminal early video from the UK, Canada and Poland. Video art appeared in Poland in the early 1970s within the creative community known as the Workshop of the Film Form. The Workshop’s open, multidisciplinary nature and its members’ fundamental, shared interest in new media inspired them to adopt video as the primary medium for their activities almost as soon as the appropriate technology appeared. Members also possessed an analytical stance that compelled them to explore and reveal the inherent qualities of the media they used. Thus, this other art of the moving image – apart from cinema – became the focus of their singular, artistic exploratory interest, an interest they directed toward the structural and expressive qualities of the medium.

The programme, selected by Dr Lukasz Ronduda, Curator of Film and Video at the Centre for Contemporary Art, Warsaw.

At 15.00 there is a discussion highlighting the Polish contribution to video art with a presentations by Dr Ronduda, the curators of the Analogue project, and two featured Polish artists.

Programme:

Video A
Paweł Kwiek, 1974

Video C
Paweł Kwiek, 1974

Video O
Paweł Kwiek, 1974

Corner
Ryszard Waśko, 1976

Video-photographic situations
Andrzej Paruzel, 1976

Transformations
Janusz Kolodrubiec, 1977

Distrubance
Janusz Szczerek, 1978

Sumberge Messiah
Janusz Szczerek, 1982

How to train little girls
Zbigniew Libera, 1986

Farewell to Europe
Jerzy Truszkowski,1986

My Videomasochizms
Józef Robakowski, 1989-90

Dance with the trees
Józef Robakowski, 1985

My Videomasochizms
Józef Robakowski, 1989-90

My foot is painful
Józef Robakowski, 1989

Every dog has his day
Adam Rzepecki, 1989

Videosongs
Józef Robakowski, 1989

Art is Power
Józef Robakowski, 1985

Solidarity TV (Reconstruction of the solidarity TV from the 80s)
Igor Krenz, 2006

 

Funded by Arts Council England with support from the Polish Cultural Institute, The Electronic and Digital Art Unit at the University of Central Lancashire and Camberwell College of Arts, UAL.

Tate Modern  Starr Auditorium
£4, booking recommended
For tickets book online
or call 020 7887 8888.
Book tickets online

Access for wheelchairs and pushchairs  Hearing loop available  

See also: