My Hand Outstretched to the Winged Distance and Sightless Measure
Programme Seven

Robert Beavers, Efpsychi, 1983 / 1996
Robert Beavers
Efpsychi 1983 / 1996
© Robert Beavers
Sunday 25 February 2007, 14.00

Programme duration 55 min

Programme:

Ευψυχι (Efpsychi), USA 1983/1996, 20 min
The details of the young actor’s face – his eyes,eyebrows,earlobe, chin, etc. – are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwright. In this setting of intense stillness, sometimes interrupted by sudden sounds and movements in the streets, he speaks a single word, 'teleftea', meaning the last (one), and as he repeats this word, it moves differently each time across his face and gains another sense from one scene to the next, suggesting the uncanny proximity of eroticism, the sacred and chance. (Robert Beavers)

Wingseed, USA 1985, 15 min
A seed which floats in the air, a whirligig, a love charm. This magnificent landscape, both hot and dry, is far from sterile; rather, the heat and dryness produce a distinct type of life, seen in the perfect forms of the wild grass and seed pods, the herds of goats as well as in the naked figure. The torso, in itself, and more, the image which it creates in this light. The sounds of the shepherd’s signals and the flute’s phrase are heard. And the goats’ bells. Imagine the bell’s clapper moving from side to side with the goat’s movements like the quick side-to-side camera movements, which increase in pace and reach a vibrant ostinato. (Robert Beavers)

The Hedge Theater, USA 1986-90/2002, 19 min
Beavers shot The Hedge Theatre in Rome in the 1980s. It is an intimate film inspired by the Baroque architecture and stone carvings of Francesco Borromini and St. Martin and the Beggar, a painting by the Sienese painter Il Sassetta. Beavers’ montage contrasts the sensuous softness of winter light with the lush green growth brought by spring rains. Each shot and each source of sound is steeped in meaning and placed within the film’s structure with exacting skill to build a poetic relationship between image and sound. (Susan Oxtoby, Toronto International Film Festival)

Tate Modern  Starr Auditorium
£5, booking recommended
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Access for wheelchairs and pushchairs  Hearing loop available