Tuesday 13 September 2005, 19.00
and Sunday 18 September 2005, 19.00

Programme Two of Morgan Fisher's work includes his newest film ( ) (2003), as well as earlier work such as Production Stills (1970), an example of what Fisher refers to as 'avoiding the responsibility for inventing’. One of Fisher’s most complex films, Production Stills presents a self-portrait that is not necessarily a self-portrait at all, a work which deflects questions about who is its author, and by extension, casts doubt on established notions of authorship in the collaborative medium of film.

Morgan Fisher introduces the screening on 17 September.

programme duration approx 65 min

( ), 2003, 21 min

Production Stills, 1970, 11 min

Picture and Sound Rushes, 1973, 11 min

( ), 2003, 21 min

Please note that ( ) will be shown twice in Programme Two

Curated by Chrissie Iles from the Whitney Museum of American Art, New York.

Tate Modern  Starr Auditorium
£4, booking recommended

    

This event is related to the Open Systems: Rethinking Art c.1970 exhibition