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| Saturday 28 February 14.00–18.30
Donald Judd belonged to the first generation of American artists for whom writing was an essential part of their work. His uncompromising art reviews add up to a compelling account of a major period in American art. His theoretical essays, most famously Specific Objects (1965), helped redefine the nature of sculpture. Art historians Richard Shiff, Hal Foster and Anna Dezeuze, and artist-writer David Batchelor explore the significance of Judd’s writings for understanding his art and that of his contemporaries, and assess his contribution as a writer to debates on art and politics over the last forty years. Chaired by Mignon Nixon (Courtauld Institute). A collaboration with the Courtauld Institute of Art Tate Modern Starr Auditorium Tate Members are entitled to a concessionary rate on this event.
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