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Friday 27 June
18.30
On Looking at the Real
SOLD OUT
There will be a limited number of tickets obtainable half an hour before the start of event

  William Eggleston, Untitled, 1971. Number 8 in a portfolio of 10 images: 10 Dye transfers from the 70s Volume 2 , 1967 - 1978
William Eggleston
Untitled 1971
Number 8 in a portfolio of 10 images: 10 Dye transfers from the 70s Volume 2 , 1967 - 1978 (Abzug 1996)
The Eggleston Artistic Trust
© 2003 The Eggleston Artistic Trust
Cruel and Tender: The Real in the Twentieth-Century Photograph is the first Tate exhibition dedicated to photography. David Campany and Emma Dexter will explore themes and motifs of the exhibition, and consider its importance for the histories of both photography and exhibition making. They will ask what is meant by a ‘documentary style’, examining the oscillation between engagement and estrangement in many works in the exhibition.

David Campany is Senior Lecturer in the History and Theory of Photography at the Surrey Institute of Art and Design. He is author of Art and Photography (Phaidon 2003), and a contributor to the Cruel and Tender catalogue. Emma Dexter is Senior Curator at Tate Modern, and co-curator of Cruel and Tender.

Tate Modern Starr Auditorium
Strictly no admission more than 15 minutes after the start of the event
SOLD OUT
There will be a limited number of tickets obtainable half an hour before the start of event

See also:
Artist's Talk: Philip-Lorca diCorcia Sunday 8 June
Artist's Talk: Rineke Dijkstra Tuesday 10 June
The Camera at Work: John Tagg in conversation with Steve Edwards Tuesday 24 June
Artist's Talk: Martin Parr Wednesday 25 June
The Camera at Work: Theodore Zeldin Tuesday 1 July
The Camera at Work: Polly Toynbee in conversation with Mary Davis Tuesday 8 July
The Camera at Work: Richard Reeves in conversation with Anna Fox and Carey Young Tuesday 15 July

 
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