Untitled
Jannis Kounellis
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Janis Kounellis
Untitled 1971 Photo: Tate Photography © Tate |
Saturday 23 May 2009, 17.00–18.00
Saturday 23 May 2009, 19.00–20.00
Sunday 24 May 2009, 16.00–17.00
Monday 25 May 2009, 16.00–17.00
'Something we need to reach today is unity between life and our art practice', Jannis Kounellis (b. 1936, Piraeus), 1968.
In the poetic work Untitled (1971), Kounellis painted an extract from the score of Bach's St John Passion on a dark green canvas and had a cellist playing music from the oratorio in front of it on the occasion of its first exhibition. This work will be on view in the Energy and Process collection rooms and cellist Neil Heyde will re-create the original performance.
Jannis Kounellis (born in Piraeus in Greece, lives and works in Rome since 1956) was a seminal contributor to the radically and internationally influential Arte Povera group and he continues to inspire young artists today. Often epic in scale, Kounellis's work possesses a grandeur that reflects his frequent choice of themes and ideas from the past and emphasises the fragmentary relationship the past has with the present.
His early works were 'sign' and 'alphabet' paintings, incorporating large black letters, arrows or mathematical symbols that were often stencilled to diminish evidence of the artist's touch. In 1966-7, Kounellis began to incorporate three-dimensional materials into his paintings. By the following year, they had become installations resembling stage sets, in which the viewers were the actors.

UBS Openings is an exciting programme of events and activities which form part of the partnership between Tate Modern and UBS, a global financial services firm, over three years.
Free
Neil Heyde is the cellist of the Kreutzer Quartet and a lecturer at the Royal Academy of Music, where his work focuses on the interface between performance, composition and analysis. As a soloist and chamber musician he has appeared throughout Europe, broadcasting for the BBC, WDR, ORF, Radio France, Netherlands Radio and many other networks. New music is central to his work, and while he has commissioned and premiered many solo and chamber pieces, he is also dedicated to performing and recording neglected areas of the repertoire. Important projects have been Ferneyhough's Time and Motion Study II for solo cello and electronics (173-76) and the complete quartets of Michael Finnissy (Metier MSV92011)and Roberto Gerhard (Metier MSV92032) - both premiere recordings. As a musicologist he has edited Faber's series of 19th century music for stringed instruments and piano, and prepared an analytical study of Debussy's sonatas.

