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Cruel and Tender: The Real in the Twentieth-Century Photograph. 5 June - 7 September 2003

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Michael Schmidt
German, born 1945

Schmidt first gained attention in 1973 with Berlin-Kreuzberg, a series of photographs of the quarter where he still lives. In Berlin Stadtbilder (Images of the City) (1976-80), Schmidt explored the architecture of the city, depicting the apartment blocks and office buildings in an austere, documentary style. With Ceasefire (1987) he developed a more dynamic approach, using tightly cropped images and a shallow depth of field to show young Berliners alongside scenes of urban decay, the Berlin wall, and graffitied swastikas. The series captures the fraught claustrophobia of life in the then-divided city.
 
Thomas Ruff
August Sander
Bernd and
Hilla Becher

Thomas Struth
Fazal Sheikh
Michael Schmidt
Robert Frank
Stephen Shore
Walker Evans
Nicholas Nixon
William Eggleston
  Philip-Lorca diCorcia
Robert Adams
Albert Renger-Patzsch
Lee Friedlander
Lewis Baltz
Paul Graham
Garry Winogrand
Andreas Gursky
Boris Mikhailov
Diane Arbus
Rineke Dijkstra
Martin Parr

With Self (1985-9), Schmidt turned the camera on himself as an act of ruthless personal analysis, creating a number of fragmentary self-portraits taken from unusual angles, and sometimes showing only his genitals or a dark silhouette on the wall. As in all Schmidt’s work, photography becomes a tool for inspection and insight.

 
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