BT: Bringing Innovation & Technology Together

About
About
Franko B
Franko B
Ex Centris
Ex Centris
Forced Entertainment
Forced Entertainment
Oleg Kulik
Oleg Kulik
Hayley Newman
Hayley Newman
La Ribot
La Ribot
 
Guillermo Gómez-Peña
Guillermo Gómez-Peña
, September 2003
Photo © Manuel Vason, 2003
 
The Performance Pack Building on the legacy of Live Culture at Tate Modern, Tate Interpretation and Education and the Live Art Development Agency have developed a unique educational resource, The Performance Pack.

Find out more

As part of Tate's commitment to supporting diverse forms of contemporary artistic practice, Tate Modern collaborated with the Live Art Development Agency on Live Culture, which took place from 27 -30 March 2003. This initiative placed contemporary performance against the context of the gallery's display of the collection for the first time.

You can explore this permanent resource to find out more about the artists involved in Live Culture.

Live Culture provided an opportunity to engage with the shifting nature of Live Art practice in relation to the visual arts, by bringing together distinguished artists, theorists and curators to examine the expansion of performance art across broader artistic and social arenas, and its role in relation to cultural change.

Organisers and participants

Live: Art and Performances edited by Adrian Heathfield

Watch performance Watch Vox Pops 4m47s

Please note: some performances contain images which viewers may find challenging.
This video is in Real format. Please see here for technical help.

A resurgence of interest in experiential and performative practices within the visual arts and the status of 'liveness' as a prime object and value in the media-dense environment of contemporary culture, made Live Culture a timely and critical intervention into current discourses. Live Culture was a framework to appraise key shifts in performance art over the last few decades: its spread out of the gallery and into other spaces and forms; its increasingly hybrid nature and disruption of global and cultural borders; its use of risk
 
Oh Lover Boy
Franko B Oh Lover Boy
, 2001
Photo © Manuel Vason, 2002
 
and extremity in confronting the art and politics of the body; its impact on social activism and political intervention; its interface with the digital world; and its role as a site for expressions of new identities beyond the distinctions of ethnicity, gender and sexuality.

Live Culture set out to highlight the ways in which the term Live Art has come to represent an array of contemporary practices that employ performance as a generative force to destroy pretence, to break apart traditions of representation, and to open different kinds of engagement with meaning.

Live Culture will be followed in 2004 by a major publication produced in collaboration with Tate Publishing. The publication will contain essays from key writers in the field, visual documentation of influential contemporary performance and works contained within the Live Culture event.

See Online Events Archive for video resources of related education events:

Live Culture: Performance and the Contemporary - a conference
Marina Abramovic: Live Culture Talk: Performing Body
RoseLee Goldberg: Live Culture Talk: The View from Here
Yu Yeon Kim: Live Culture Talk: Translated Acts

 
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