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A living museum of experimental ethnography addressing the appropriation of hybridity and 'revolution as style' by corporate multiculturalism and global media.
In a series of interactive dioramas the artists became 'inter-cultural specimens' parodying colonial practices of representation whilst fetishizing charged symbols of cultural difference.
Guillermo Gómez-Peña's influential work in performance art, video, audio, installation and cultural theory illuminates the cultural side effects of globalisation and explores
cross-cultural issues, immigration, the politics of language, "extreme culture" and new technologies.
A contributing editor to The Drama Review (MIT), he is the author and subject of many publications including Dangerous Border Crossers (Routledge 2000). |
