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Conservation & Techniques

Introduction |
Raking Light and Relief |
Ultra-Violet Light |
Infra-Red Reflectography
X-Radiography (X-Rays) |
Back of the Painting |
Condition of Ophelia |
Conservation Records
X-Radiography (X-Rays)

An X-radiograph is produced on a photographic film by X-rays transmitted through an object.
In medical uses X-rays are absorbed by bones.
In paintings, heavy metal pigments are opaque and appear light on the X-ray film.
The X-radiographs are made by placing an X-ray tube behind or underneath a painting.
The photographic film is placed over the painting and the film exposed.
A negative is then developed and fixed.
X-radiographs will show obscured paint layers and changes of design that an artist has made.
Millais did not re-use this canvas or make any major compositional changes.
He carefully planned his work.
In the X-ray below on the far left, we can see that the X-rays have been absorbed by the dense metal tacks used to secure
the canvas to the stretcher.
We can also see staples used to re-attach the canvas to the stretcher after the canvas was taken off for relining.

X-ray of Ophelia
© Tate Photography,
London 2003 |
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X-ray of Ophelia
© Tate Photography,
London 2003 |
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X-ray of Ophelia
© Tate Photography,
London 2003 |
The lead white areas of the painting and the canvas weave are clearly visible in the images below as are the re-touchings
that appear as black marks.
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