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<title>TateShots</title>
<link>http://www.tate.org.uk/about/our-work/media/podcast-directory</link>
<description>Welcome to TateShots, our weekly programme for art junkies everywhere. TateShots presents a selection of short videos, with a focus on modern and contemporary art. Send feedback to tateshots@tate.org.uk.</description>
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<pubDate>Wed, 16 May 2012 01:15:40 +0000</pubDate>
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<url>http://www.tate.org.uk/sites/all/modules/tate_podcaster/tateshots-logo.png</url>
<title>TateShots</title>
<link>http://www.tate.org.uk/about/our-work/media/podcast-directory</link>
<description>Welcome to TateShots, our weekly programme for art junkies everywhere. TateShots presents a selection of short videos, with a focus on modern and contemporary art. Send feedback to tateshots@tate.org.uk.</description>
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<itunes:author>Tate</itunes:author>
<itunes:subtitle>Welcome to TateShots, our weekly programme for art junkies everywhere. TateShots presents a selection of short videos, with a focus on modern and contemporary art. Send feedback to tateshots@tate.org.uk.</itunes:subtitle>
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<itunes:category text="Arts">
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Work: Fiona Banner]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/new-work-fiona-banner</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Every year Tate Britain commissions a contemporary artist to design its Christmas Tree. This year Fiona Banner decorated the tree with 123 handmade kit models of all the world’s fighter planes currently in service, anywhere in the world. She showed us around her studio, where she has been making model planes for the last 20 years, as she explained her alternative Christmas message.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Every year Tate Britain commissions a contemporary artist to design its Christmas Tree. This year Fiona Banner decorated the tree with 123 handmade kit models of all the world’s fighter planes currently in service, anywhere in the world. She showed us around her studio, where she has been making model planes for the last 20 years, as she explained her alternative Christmas message.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Nov 2007 19:00:00 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Realtime Movie]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-realtime-movie</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[One morning in November Jude Law walked through Borough Market, just down the road from Tate Modern, and bought some fish. It was a performance for a ‘real-time movie’, in which Law and a cast of extras mingled with the market crowds, following a carefully plotted script. But the movie will never be made. Pawel Althamer, the artist behind the project, is interested in the way real life and the fictional world of cinema intersect. In preparation for Jude’s real life performance he commissioned a genuine movie trailer that was shown in cinemas to advertise the event. The idea was that the trailer you saw on the screens would be re-enacted live by Jude Law at Borough Market. TateShots was there to follow the action.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[One morning in November Jude Law walked through Borough Market, just down the road from Tate Modern, and bought some fish. It was a performance for a ‘real-time movie’, in which Law and a cast of extras mingled with the market crowds, following a carefully plotted script. But the movie will never be made. Pawel Althamer, the artist behind the project, is interested in the way real life and the fictional world of cinema intersect. In preparation for Jude’s real life performance he commissioned a genuine movie trailer that was shown in cinemas to advertise the event. The idea was that the trailer you saw on the screens would be re-enacted live by Jude Law at Borough Market. TateShots was there to follow the action.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Nov 2007 19:00:00 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Linder Sterling]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-linder-sterling</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[British artist Linder Sterling is probably best known for the record sleeve she designed for Orgasm Addict by the Buzzcocks (1977), showing a naked woman with an iron for a head and grinning mouths instead of nipples. Her photo-montages, combining images from pornographic magazines with pictures from women’s magazines, make a powerful feminist statement. A group of these works have just been bought for Tate’s Collection and are now on show at Tate Britain, where Linder met us to talk about art and punk rock.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[British artist Linder Sterling is probably best known for the record sleeve she designed for Orgasm Addict by the Buzzcocks (1977), showing a naked woman with an iron for a head and grinning mouths instead of nipples. Her photo-montages, combining images from pornographic magazines with pictures from women’s magazines, make a powerful feminist statement. A group of these works have just been bought for Tate’s Collection and are now on show at Tate Britain, where Linder met us to talk about art and punk rock.]]></itunes:summary>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Sweeney Tate]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-sweeney-tate</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In amongst the galleries at Tate Modern you might come across a barbershop, complete with barber’s chairs, checkerboard floor and striped red and white pole at the entrance. This is Sweeney Tate (2007), an art installation named in homage to the legendary demon barber, and modelled on a real barbershop in Los Angeles’ Chinatown. We filmed artist Mario Ybarra Jr as he launched a one-day barber’s competition at Sweeney Tate.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In amongst the galleries at Tate Modern you might come across a barbershop, complete with barber’s chairs, checkerboard floor and striped red and white pole at the entrance. This is Sweeney Tate (2007), an art installation named in homage to the legendary demon barber, and modelled on a real barbershop in Los Angeles’ Chinatown. We filmed artist Mario Ybarra Jr as he launched a one-day barber’s competition at Sweeney Tate.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Nov 2007 19:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:07</itunes:duration>
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<guid>http://www.tate.org.uk/context-comment/video/performance-sweeney-tate</guid>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Jeremy Deller]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-jeremy-deller</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jeremy Deller talks about the two works that helped him win the Turner Prize in 2004, a wall drawing called The History of the World, a sort of mad-professor’s mind-map of the history of Britain through music; and a film called Memory Bucket that he made during a visit to Texas and which explores American paranoia.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jeremy Deller talks about the two works that helped him win the Turner Prize in 2004, a wall drawing called The History of the World, a sort of mad-professor’s mind-map of the history of Britain through music; and a film called Memory Bucket that he made during a visit to Texas and which explores American paranoia.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Nov 2007 19:00:00 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Grenville Davey]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-grenville-davey</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grenville Davey was considered the outsider when he won the £20,000 Turner Prize back in 1992, beating Alison Wilding, Damien Hirst, and David Tremlett. Fifteen years on, we filmed Davey as he installed his sculptures for the Turner Prize Retrospective at Tate Britain, and asked him how winning the prize had affected him.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grenville Davey was considered the outsider when he won the £20,000 Turner Prize back in 1992, beating Alison Wilding, Damien Hirst, and David Tremlett. Fifteen years on, we filmed Davey as he installed his sculptures for the Turner Prize Retrospective at Tate Britain, and asked him how winning the prize had affected him.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Nov 2007 19:00:00 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Louise Bourgeois]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-louise-bourgeois</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Louise Bourgeois is one of the world’s most respected sculptors. Over a long career she has worked through most of the twentieth century’s avant-garde artistic movements from abstraction to realism, yet has remained uniquely individual and powerfully inventive. Curator Frances Morris presents an overview of this retrospective and introduces archive footage showing Bourgeois at home in New York as she discusses plans for the giant spider and towers that were the very first Turbine Hall commission for Tate Modern in 2000.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Louise Bourgeois is one of the world’s most respected sculptors. Over a long career she has worked through most of the twentieth century’s avant-garde artistic movements from abstraction to realism, yet has remained uniquely individual and powerfully inventive. Curator Frances Morris presents an overview of this retrospective and introduces archive footage showing Bourgeois at home in New York as she discusses plans for the giant spider and towers that were the very first Turbine Hall commission for Tate Modern in 2000.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Mark Wallinger]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-mark-wallinger</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mark Wallinger’s contribution to this year’s Turner Prize is Sleeper (2004-05), a film of a performance in which, over a period of 10 nights, he dressed in a bear suit and wandered aimlessly around an art gallery in Berlin, startling unsuspecting passers-by. He relives the long nights for TateShots.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mark Wallinger’s contribution to this year’s Turner Prize is Sleeper (2004-05), a film of a performance in which, over a period of 10 nights, he dressed in a bear suit and wandered aimlessly around an art gallery in Berlin, startling unsuspecting passers-by. He relives the long nights for TateShots.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
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<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Mike Nelson]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-mike-nelson</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mike Nelson’s labyrinthine installations, made of interconnecting corridors and chambers, are intentionally disorientating. In his new work for the Turner Prize, the corridors contain peepholes through which we spy four, mirrored rooms. Each offers the same illusory vista of desert sand dunes and infinitely reflecting lights. Nelson talks about this and other projects.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mike Nelson’s labyrinthine installations, made of interconnecting corridors and chambers, are intentionally disorientating. In his new work for the Turner Prize, the corridors contain peepholes through which we spy four, mirrored rooms. Each offers the same illusory vista of desert sand dunes and infinitely reflecting lights. Nelson talks about this and other projects.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="10567696" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue9/tateshots_issue9_nelson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","4020","Mike Nelson","turner prize","tateshots","issue 9","tate liverpool","2007"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-mike-nelson</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Nathan Coley]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-nathan-coley</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There will be no miracles here’, reads the illuminated signboard in Nathan Coley’s section of the Turner Prize exhibition. It’s one of a number of works Coley is presenting that explore the idea of faith in an era of moral uncertainty. He talks us through his show.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There will be no miracles here’, reads the illuminated signboard in Nathan Coley’s section of the Turner Prize exhibition. It’s one of a number of works Coley is presenting that explore the idea of faith in an era of moral uncertainty. He talks us through his show.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="18102883" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue9/tateshots_issue9_coley.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","4916","Nathan Coley","tateshots","issue 9","turner prize","2007","tate liverpool"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:02</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-nathan-coley</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Ulla von Brandenburg]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-ulla-von-brandenburg</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Ulla von Brandenburg is interested in the idea of the tableau vivant, or 'living picture'. Popular in the nineteenth century, the tableau vivant was a combination of fine art and theatre, with live models carefully posed and lit in a composition like that of a painting or photograph. In this performance, a group of actors present a tableau vivant, while miming a song sung in German by the artist herself, to disconcerting effect. More of von Brandenburg’s work can be seen in The World as a Stage at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Ulla von Brandenburg is interested in the idea of the tableau vivant, or 'living picture'. Popular in the nineteenth century, the tableau vivant was a combination of fine art and theatre, with live models carefully posed and lit in a composition like that of a painting or photograph. In this performance, a group of actors present a tableau vivant, while miming a song sung in German by the artist herself, to disconcerting effect. More of von Brandenburg’s work can be seen in The World as a Stage at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="44104360" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue9/tateshots_issue9_ulla.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 9","9570","Ulla von Brandenburg"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-ulla-von-brandenburg</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Work: Roman Ondák]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/new-work-roman-ondak</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this film, we follow what happened when Slovakian artist Roman Ondák asked people who had never seen him to draw his portrait based on a verbal description. Like a game of Chinese whispers, the resulting portraits reveal the curious distortions of language and memory. The drawings are on show in the exhibition The World as a Stage at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this film, we follow what happened when Slovakian artist Roman Ondák asked people who had never seen him to draw his portrait based on a verbal description. Like a game of Chinese whispers, the resulting portraits reveal the curious distortions of language and memory. The drawings are on show in the exhibition The World as a Stage at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Oct 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="22852221" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue9/tateshots_issue9_ondak.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","7622","Roman Ondak","tateshots","issue 9","tate modern","2007"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/new-work-roman-ondak</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Doris Salcedo]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-doris-salcedo</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this exclusive interview for TateShots, Colombian artist Doris Salcedo talks about cracking open Tate Modern. Her new work Shibboleth is a long snaking fissure that runs the vast length of the Turbine Hall, as if striking to the very foundations of the museum.Something similar might be said of the concept that underpins the piece. The word ‘shibboleth’ refers back to an incident in the Bible, which describes how the Ephraimites, attempting to flee across the river Jordan, were stopped by their enemies, the Gileadites. As their dialect did not include a ‘sh’ sound, those who could not say the word ‘shibboleth’ were captured and executed. A shibboleth is therefore a token of power: the power to judge, reject and kill. What might it mean to refer to such violence in a museum of modern art? For Salcedo, the crack represents a history of racism, running parallel to the history of modernity; a stand off between rich and poor, northern and southern hemispheres. She invites us to look down into it, and to confront discomforting truths about our world.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this exclusive interview for TateShots, Colombian artist Doris Salcedo talks about cracking open Tate Modern. Her new work Shibboleth is a long snaking fissure that runs the vast length of the Turbine Hall, as if striking to the very foundations of the museum.Something similar might be said of the concept that underpins the piece. The word ‘shibboleth’ refers back to an incident in the Bible, which describes how the Ephraimites, attempting to flee across the river Jordan, were stopped by their enemies, the Gileadites. As their dialect did not include a ‘sh’ sound, those who could not say the word ‘shibboleth’ were captured and executed. A shibboleth is therefore a token of power: the power to judge, reject and kill. What might it mean to refer to such violence in a museum of modern art? For Salcedo, the crack represents a history of racism, running parallel to the history of modernity; a stand off between rich and poor, northern and southern hemispheres. She invites us to look down into it, and to confront discomforting truths about our world.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30482009" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_salcedo.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2695","Doris Salcedo","tateshots","issue 8","the unilever series","shibboleth","100010"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:06</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-doris-salcedo</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Turner Prize Retrospective]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-retrospective</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This year’s Turner Prize exhibition opens later this month at Tate Liverpool. Meanwhile Tate Britain is mounting a retrospective of all the previous winners since the prize began in 1984. Journalist and former Turner-Prize judge Louisa Buck offers her highlights.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This year’s Turner Prize exhibition opens later this month at Tate Liverpool. Meanwhile Tate Britain is mounting a retrospective of all the previous winners since the prize began in 1984. Journalist and former Turner-Prize judge Louisa Buck offers her highlights.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="32276534" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_buck.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","turner prize retrospective","tateshots","issue 8","turner prize","tp"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-retrospective</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Grayson Perry]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-grayson-perry</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grayson Perry was the surprise winner of the Turner Prize in 2003. Accepting his award dressed as his alter-ego Claire he commented: ‘I think the art world had more trouble coming to terms with me being a potter than my choice of frocks…’ In this interview he talks about his love of pots as a medium, the significance of his caustic imagery, and his thoughts on the prize in general.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grayson Perry was the surprise winner of the Turner Prize in 2003. Accepting his award dressed as his alter-ego Claire he commented: ‘I think the art world had more trouble coming to terms with me being a potter than my choice of frocks…’ In this interview he talks about his love of pots as a medium, the significance of his caustic imagery, and his thoughts on the prize in general.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="32124210" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_perry.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","4657","Grayson Perry","turner prize retrospective","tateshots","issue 8"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-grayson-perry</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Keith Tyson]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-keith-tyson</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Keith Tyson won the Turner Prize in 2002, the year the then culture minister Kim Howells caused a media storm by describing the entries as ‘cold, mechanical, conceptual, bullshit’. Tyson talks about the effect winning had on him, and discusses the works he’s currently showing in the Turner Prize Retrospective, including The Thinker (After Rodin), a black hexagonal column containing a bank of computers that emit a constant hum, first shown in the 2002 exhibition]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Keith Tyson won the Turner Prize in 2002, the year the then culture minister Kim Howells caused a media storm by describing the entries as ‘cold, mechanical, conceptual, bullshit’. Tyson talks about the effect winning had on him, and discusses the works he’s currently showing in the Turner Prize Retrospective, including The Thinker (After Rodin), a black hexagonal column containing a bank of computers that emit a constant hum, first shown in the 2002 exhibition]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="25531430" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_tyson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","4918","Keith Tyson","turner prize retrospective","tateshots","issue 8"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:24</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-keith-tyson</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Mika Rottenberg]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-mika-rottenberg</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mika Rottenberg’s mesmerising video installations are humorous and surrealistic. In Mary’s Cherries (2005) three female wrestlers take part in a bizarre production line, turning red painted fingernails into maraschino cherries. The video is showing as part of TheIrresistible Force, in Tate Modern’s Level 2 Gallery, a dedicated space for emerging international artists. Rottenberg talks about her ideas and the process of making the video.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mika Rottenberg’s mesmerising video installations are humorous and surrealistic. In Mary’s Cherries (2005) three female wrestlers take part in a bizarre production line, turning red painted fingernails into maraschino cherries. The video is showing as part of TheIrresistible Force, in Tate Modern’s Level 2 Gallery, a dedicated space for emerging international artists. Rottenberg talks about her ideas and the process of making the video.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="20541167" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_rottenberg.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","the irresistible force","level 2","11095","Mika Rottenberg","tateshots","issue 8"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:35</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-mika-rottenberg</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Matei Bejenaru]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-matei-bejenaru</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Matei Bejenaru put out a call to fellow Romanian nationals, asking them to gather as a crowd outside Tate Modern to take part in a public performance. Here he introduces his own film of the event, Together (2007). Bejenaru is one of the artists in the exhibition The Irresistible Force, at Tate Modern, where he is showing a work called Travelling Guide (2005), an unofficial guide for Romanians seeking to enter and work in the United Kingdom illegally.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Matei Bejenaru put out a call to fellow Romanian nationals, asking them to gather as a crowd outside Tate Modern to take part in a public performance. Here he introduces his own film of the event, Together (2007). Bejenaru is one of the artists in the exhibition The Irresistible Force, at Tate Modern, where he is showing a work called Travelling Guide (2005), an unofficial guide for Romanians seeking to enter and work in the United Kingdom illegally.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 30 Sep 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="21329800" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue8/tateshots_issue8_together.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 8","11092","Matei Bejenaru","level 2","the irresistible force"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-matei-bejenaru</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Antony Gormley]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-antony-gormley</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Antony Gormley takes us on a tour of his studio. Designed in collaboration with the architect David Chipperfield, this converted warehouse just north of King Cross manages to accommodate hanger-like rooms, where teams of assistants work on large-scale sculptures, with more intimate, personal spaces.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Antony Gormley takes us on a tour of his studio. Designed in collaboration with the architect David Chipperfield, this converted warehouse just north of King Cross manages to accommodate hanger-like rooms, where teams of assistants work on large-scale sculptures, with more intimate, personal spaces.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 31 Aug 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="35654936" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue7/tateshots_issue7_gormley.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","1192","Antony Gormley","tateshots","issue 7","sculpture"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-antony-gormley</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Peter Blake & Tracey Emin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-peter-blake-tracey-emin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tracey Emin interviews Peter Blake and finds out how you get offered a knighthood, why Blake turned down dinner with Andy Warhol, and what he really thinks about that Sgt. Pepper cover. Watch the full-length interview here.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tracey Emin interviews Peter Blake and finds out how you get offered a knighthood, why Blake turned down dinner with Andy Warhol, and what he really thinks about that Sgt. Pepper cover. Watch the full-length interview here.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 31 Aug 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42536981" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue7/tateshots_issue7_eminblake.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","763","Peter Blake","2590","Tracey Emin","tateshots","issue 7"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:43</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-peter-blake-tracey-emin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Ellsworth Kelly]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/ellsworth-kelly</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Alex James, Blur’s bassist, on the relationship between Ellsworth Kelly, a good Pop song and Albert Einstein. James's book, Bit of a Blur,about his life with the band, is out now.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Alex James, Blur’s bassist, on the relationship between Ellsworth Kelly, a good Pop song and Albert Einstein. James's book, Bit of a Blur,about his life with the band, is out now.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 31 Aug 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="20269207" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue7/tateshots_issue7_alexjames.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","1391","Ellsworth Kelly","White Curve 1974","tateshots","issue 7","7890"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:38</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/ellsworth-kelly</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Frame: Clouds]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/frame-clouds</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gavin Pretor-Pinney is founder of the Cloud Appreciation Society and author of The Cloudspotter’s Guide. Applying his spotter’s eye to the Tate Collection he extols the joys of clouds in art, from Constable and his strata cumulus to Turner the storm-chaser.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gavin Pretor-Pinney is founder of the Cloud Appreciation Society and author of The Cloudspotter’s Guide. Applying his spotter’s eye to the Tate Collection he extols the joys of clouds in art, from Constable and his strata cumulus to Turner the storm-chaser.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 31 Aug 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43336608" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue7/tateshots_issue7_clouds.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","clouds","tateshots","issue 7"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:52</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/frame-clouds</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Global Cities]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-global-cities</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bourbon biscuits, Liquorice Allsorts and golf balls are some of the unlikely materials from which architect Nigel Coates conjures a vision of London’s future. Coates was invited to make a piece of work for Global Cities, Tate Modern’s exhibition about the changing face of ten international cities. The architectural model he created focuses on the Thames Gateway, an area of land targeted for regeneration that stretches eastwards from Canary Wharf along the river Thames. He talks about why British architecture is in need of an injection of artistic spirit.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bourbon biscuits, Liquorice Allsorts and golf balls are some of the unlikely materials from which architect Nigel Coates conjures a vision of London’s future. Coates was invited to make a piece of work for Global Cities, Tate Modern’s exhibition about the changing face of ten international cities. The architectural model he created focuses on the Thames Gateway, an area of land targeted for regeneration that stretches eastwards from Canary Wharf along the river Thames. He talks about why British architecture is in need of an injection of artistic spirit.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="29157150" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_globalcities.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","global cities","nigel coates","tateshots","issue 6"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:37</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-global-cities</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[ Peter Blake: A retrospective]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/peter-blake-retrospective</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Blake takes us around his retrospective at Tate Liverpool. Blake is often described as the godfather of British Pop art, and at the core of his work is an ever-present fascination with the world of popular culture and entertainment. Yet Blake’s work goes far beyond this. Here he discusses the evolution of his style, from the early days at the Royal College of Art, to the paintings that he’s working on right now.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Blake takes us around his retrospective at Tate Liverpool. Blake is often described as the godfather of British Pop art, and at the core of his work is an ever-present fascination with the world of popular culture and entertainment. Yet Blake’s work goes far beyond this. Here he discusses the evolution of his style, from the early days at the Royal College of Art, to the paintings that he’s working on right now.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="48477820" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_blake.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","763","Peter Blake","tateshots","issue 6","tate liverpool"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:52</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/peter-blake-retrospective</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Work in Focus: Pauline Boty]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/work-focus-pauline-boty</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Pauline Boty is little known outside the art world but in the early sixties she was one of the hottest talents on the London Pop art scene, a contemporary of David Hockney and Peter Blake. She died from cancer in 1966 at the age of just 28, and her work was stored away in a barn and largely forgotten. In the last decade her paintings have begun to be shown again, and in 1999 Tate bought The Only Blonde in the World, her portrait of Marilyn Monroe. Michael Bracewell discusses the life and work of Britain’s first female Pop artist.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Pauline Boty is little known outside the art world but in the early sixties she was one of the hottest talents on the London Pop art scene, a contemporary of David Hockney and Peter Blake. She died from cancer in 1966 at the age of just 28, and her work was stored away in a barn and largely forgotten. In the last decade her paintings have begun to be shown again, and in 1999 Tate bought The Only Blonde in the World, her portrait of Marilyn Monroe. Michael Bracewell discusses the life and work of Britain’s first female Pop artist.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="35152039" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_paulineboty.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","2684","Pauline Boty"," the only blonde in the world","tateshots","issue 6","26506"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/work-focus-pauline-boty</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Fight]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/fight</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Fight’, a boxing, music and dance performance, was conceived by Panamanian-born artist, Humberto Vélez. More than 100 amateur boxers from South London boxing clubs took over Tate Modern’s Turbine Hall for a series of bouts in the ring, with music by MC Mic Assassin and choreography by street dance company Flawless.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Fight’, a boxing, music and dance performance, was conceived by Panamanian-born artist, Humberto Vélez. More than 100 amateur boxers from South London boxing clubs took over Tate Modern’s Turbine Hall for a series of bouts in the ring, with music by MC Mic Assassin and choreography by street dance company Flawless.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26218757" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_thefight.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<guid>http://www.tate.org.uk/context-comment/video/fight</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Rafael Lozano-Hemmer]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-rafael-lozano-hemmer</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Surveillance technology, robotics and computers all feature in the work of Mexican-Canadian artist Rafael Lozano-Hemmer. As you enter the exhibition space, overhead cameras track your movements, triggering a reaction – in one room rows of white chairs rise and fall in waves as you pass by, in another, projected images emerge from the floor in response to where you stand. Lozano-Hemmer’s interactive approach is summed up most spectacularly in an installation called Pulse Room, one hundred incandescent light bulbs controlled by the heartbeat of the public. He takes us on a tour of his show at the Mexican Pavilion.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Surveillance technology, robotics and computers all feature in the work of Mexican-Canadian artist Rafael Lozano-Hemmer. As you enter the exhibition space, overhead cameras track your movements, triggering a reaction – in one room rows of white chairs rise and fall in waves as you pass by, in another, projected images emerge from the floor in response to where you stand. Lozano-Hemmer’s interactive approach is summed up most spectacularly in an installation called Pulse Room, one hundred incandescent light bulbs controlled by the heartbeat of the public. He takes us on a tour of his show at the Mexican Pavilion.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-rafael-lozano-hemmer</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: A new work by Bill Viola]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-new-work-bill-viola</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bill Viola's latest video installation, Ocean Without a Shore, is presented in the atmospheric setting of the church of San Gallo, Venice. Monitors positioned on three stone altars in the church show a succession of individuals slowly approaching out of darkness and moving into the light, as if encountered at the intersection between death and life. Viola talks about his artistic intentions and the technical challenges of the piece.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bill Viola's latest video installation, Ocean Without a Shore, is presented in the atmospheric setting of the church of San Gallo, Venice. Monitors positioned on three stone altars in the church show a succession of individuals slowly approaching out of darkness and moving into the light, as if encountered at the intersection between death and life. Viola talks about his artistic intentions and the technical challenges of the piece.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","2333","Bill Viola","ocean without a shore","tateshots","issue 5","venice biennale"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:03</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-new-work-bill-viola</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Sophie Calle]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-sophie-calle</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When a boyfriend broke-up with her by email, French artist Sophie Calle asked 107 women to read the letter and to analyse it according to their professional interest. It was set to music, re-ordered by a crossword-setter, performed by an actress, and probed by a forensic psychiatrist, amongst others. The resulting artwork called Take care of yourself (after the boyfriend's parting words) fills the French Pavilion at the Biennale. Another example of Calle's ability to create art from the intimate and painful details of her life is also being shown in Venice. It takes the form of a film recording the dying moments of her mother, while in an adjacent space a statement on the wall explains that on the day that Calle was invited to represent France at the Biennale, she learned that her mother was terminally ill.Calle spoke to TateShots about her work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When a boyfriend broke-up with her by email, French artist Sophie Calle asked 107 women to read the letter and to analyse it according to their professional interest. It was set to music, re-ordered by a crossword-setter, performed by an actress, and probed by a forensic psychiatrist, amongst others. The resulting artwork called Take care of yourself (after the boyfriend's parting words) fills the French Pavilion at the Biennale. Another example of Calle's ability to create art from the intimate and painful details of her life is also being shown in Venice. It takes the form of a film recording the dying moments of her mother, while in an adjacent space a statement on the wall explains that on the day that Calle was invited to represent France at the Biennale, she learned that her mother was terminally ill.Calle spoke to TateShots about her work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-sophie-calle</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Richard Wentworth]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-richard-wentworth</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[British artist Richard Wentworth climbs a skyscraper to pay tribute to London’s skyline, and explains why he finds inspiration in city life. Wentworth’s art has taken the diverse forms of photography, sculpture, installation, walks and talks. For Tate Modern’s exhibition Global Cities he has made a series of films that show people painting road markings, a kind of urban street art that normally goes unnoticed.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[British artist Richard Wentworth climbs a skyscraper to pay tribute to London’s skyline, and explains why he finds inspiration in city life. Wentworth’s art has taken the diverse forms of photography, sculpture, installation, walks and talks. For Tate Modern’s exhibition Global Cities he has made a series of films that show people painting road markings, a kind of urban street art that normally goes unnoticed.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="32367278" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_wentworth.mp4"/>
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<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:49</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-richard-wentworth</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Work in Focus: Francis Bacon]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/work-focus-francis-bacon</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Toby Litt offers a personal view of Francis Bacon’s painting Figure in Movement 1985. Litt is a London-based writer, whose books include Corpsing, deadkidsongs , Exhibitionism, Finding Myself, and most recently Hospital, described by one critic as ‘an extraordinarily vivid comic nightmare, an apocalyptic vision for our own weird times’. Credits: Francis Bacon Figure in Movement 1985 Tate © Estate of Francis Bacon. All Rights Reserved, DACS 2002 Seated Figure 1961 Tate © Estate of Francis Bacon. All Rights Reserved, DACS 2007]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Toby Litt offers a personal view of Francis Bacon’s painting Figure in Movement 1985. Litt is a London-based writer, whose books include Corpsing, deadkidsongs , Exhibitionism, Finding Myself, and most recently Hospital, described by one critic as ‘an extraordinarily vivid comic nightmare, an apocalyptic vision for our own weird times’. Credits: Francis Bacon Figure in Movement 1985 Tate © Estate of Francis Bacon. All Rights Reserved, DACS 2002 Seated Figure 1961 Tate © Estate of Francis Bacon. All Rights Reserved, DACS 2007]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 29 Apr 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31367039" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue3/tateshots_issue3_litt.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","682","Francis Bacon","tateshots","issue 3","27260","679"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:33</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/work-focus-francis-bacon</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Actions and Interruptions]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/actions-and-interruptions</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[What happens when a group of performance artists go undercover at Tate Modern? Ordinary activities like standing in a queue, travelling on an escalator or listening to a gallery tour -guide takes on strange new dimensions. Artists Dora García, Jiří Kovanda, Roman Ondák, Mario Garcia Torres, Nina Jan Beier and Marie Jan Lund explore the way visitors behave in a museum, subtly intervening to disrupt the usual codes of conduct.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[What happens when a group of performance artists go undercover at Tate Modern? Ordinary activities like standing in a queue, travelling on an escalator or listening to a gallery tour -guide takes on strange new dimensions. Artists Dora García, Jiří Kovanda, Roman Ondák, Mario Garcia Torres, Nina Jan Beier and Marie Jan Lund explore the way visitors behave in a museum, subtly intervening to disrupt the usual codes of conduct.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41280302" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue3/tateshots_issue3_actions.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 3","Dora GarcÃ­a","JiÅÃ­ Kovanda","Roman OndÃ¡k","10370","Mario Garcia Torres","Nina Jan Beier","Marie Jan Lund","7622","Roman Ondak","10668","Jiri Kovanda"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:33</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/actions-and-interruptions</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Francis Alÿs]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-francis-alys</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Belgian artist Francis Alÿs talks about his work The Last Clown (1995-2000), an installation that comprises animation, drawings and paintings all depicting the same incident: a man tripping over a dog in a park. Alÿs explains how this absurd, real life event can be read as a metaphor for the predicament of the artist. The Last Clown is currently on show at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Belgian artist Francis Alÿs talks about his work The Last Clown (1995-2000), an installation that comprises animation, drawings and paintings all depicting the same incident: a man tripping over a dog in a park. Alÿs explains how this absurd, real life event can be read as a metaphor for the predicament of the artist. The Last Clown is currently on show at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 29 Apr 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39485211" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue3/tateshots_issue3_alys.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Francis AlÃ¿s","tateshots","issue 3","4427","70287"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-francis-alys</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Yangjiang Group]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-yangjiang-group</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[To mark the opening of Tate Liverpool’s exhibition of contemporary Chinese art, the Yangjiang Group staged a ‘fireworks battle’ in the docks. The work is called If I Knew the Danger Ahead I'd Have Stayed Well Clear and involved £50,000 of fireworks being launched from two opposing barges, filling the sky like exotic tracer fire.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[To mark the opening of Tate Liverpool’s exhibition of contemporary Chinese art, the Yangjiang Group staged a ‘fireworks battle’ in the docks. The work is called If I Knew the Danger Ahead I'd Have Stayed Well Clear and involved £50,000 of fireworks being launched from two opposing barges, filling the sky like exotic tracer fire.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 29 Apr 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43159796" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue3/tateshots_issue3_fireworks.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-yangjiang-group</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Martin Parr, studio visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-martin-parr-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Since the 1970s, Martin Parr has photographed aspects of British life, documenting and dissecting the way we live with a witty, unblinking eye. On the eve of Tate Britain’s exhibition ‘How We Are: Photographing Britain’ Parr met us at his London studio to talk about his work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Since the 1970s, Martin Parr has photographed aspects of British life, documenting and dissecting the way we live with a witty, unblinking eye. On the eve of Tate Britain’s exhibition ‘How We Are: Photographing Britain’ Parr met us at his London studio to talk about his work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 29 Apr 2007 20:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/tateshots-martin-parr-studio-visit</guid>
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<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Dan Graham: Artist’s Talk]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/dan-graham-artists-talk</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Dan Graham declares his passion for the work of nineteenth-century painter John Martin. He explains why Martin could be considered a science-fiction painter, and why his apocalyptic visions have particular resonance for American society today. John Martin's paintings are currently on display at Tate Britain.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Dan Graham declares his passion for the work of nineteenth-century painter John Martin. He explains why Martin could be considered a science-fiction painter, and why his apocalyptic visions have particular resonance for American society today. John Martin's paintings are currently on display at Tate Britain.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Mar 2007 20:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/dan-graham-artists-talk</guid>
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<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Matt Mullican]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-matt-mullican</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Matt Mullican gives a performance while in a state of hypnosis. His work explores the way in which hypnosis alters behaviour and seems to expose what lies behind the façade of identity. The symbols and shapes that he paints during the performance are a visual counterpoint to this inner journey, and point to the strong relationship between the unconscious mind and creativity.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Matt Mullican gives a performance while in a state of hypnosis. His work explores the way in which hypnosis alters behaviour and seems to expose what lies behind the façade of identity. The symbols and shapes that he paints during the performance are a visual counterpoint to this inner journey, and point to the strong relationship between the unconscious mind and creativity.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 26 Jan 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39495002" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue2/tateshots_issue2_mullican.mp4"/>
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<guid>http://www.tate.org.uk/context-comment/video/performance-matt-mullican</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Cartoonist Martin Rowson talks about Hogarth's London]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/cartoonist-martin-rowson-talks-about-hogarths-london</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Hogarth was filthy and he was fun' says Guardian cartoonist Martin Rowson. In the final weeks of Tate Britain's popular Hogarth exhibition, Rowson takes to the streets of London in pursuit of the artist's satiric genius.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Hogarth was filthy and he was fun' says Guardian cartoonist Martin Rowson. In the final weeks of Tate Britain's popular Hogarth exhibition, Rowson takes to the streets of London in pursuit of the artist's satiric genius.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Mar 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="54501687" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue2/tateshots_issue2_hogarth.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:01</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/cartoonist-martin-rowson-talks-about-hogarths-london</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Amrita Sher-Gil]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-amrita-sher-gil</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A new exhibition at Tate Modern looks at the paintings of Amrita Sher-Gil (1913-1941), who's been called India's Frida Kahlo. Sher-Gil was just 28 when she died but was already recognised as one of India's most important artists. In this film Sher-Gil's nephew Vivan Sundaram, an artist in his own right, talks about her legacy.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A new exhibition at Tate Modern looks at the paintings of Amrita Sher-Gil (1913-1941), who's been called India's Frida Kahlo. Sher-Gil was just 28 when she died but was already recognised as one of India's most important artists. In this film Sher-Gil's nephew Vivan Sundaram, an artist in his own right, talks about her legacy.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 27 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38955075" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue2/tateshots_issue2_shergil.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","Amrita Sher-Gil","tateshots","issue 2"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-amrita-sher-gil</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Thomas Hirschhorn]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-thomas-hirschhorn</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Swiss artist Thomas Hirschhorn discusses what it means to be an artist, and why art is a tool to confront the times in which we're living. Hirschhorn is represented in Tate's Collection by Drift Topography 2003, a sculpture in which cardboard cutouts of US soldiers surround a ramshackle city whose streets are lined with petrol cans, raising the spectre of the Iraq war. We filmed Hirschhorn at the Stephen Friedman gallery, London, where his latest installation extends the theme.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Swiss artist Thomas Hirschhorn discusses what it means to be an artist, and why art is a tool to confront the times in which we're living. Hirschhorn is represented in Tate's Collection by Drift Topography 2003, a sculpture in which cardboard cutouts of US soldiers surround a ramshackle city whose streets are lined with petrol cans, raising the spectre of the Iraq war. We filmed Hirschhorn at the Stephen Friedman gallery, London, where his latest installation extends the theme.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Mar 2007 20:00:00 +0000</pubDate>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","6254","Thomas Hirschhorn","tateshots","issue 2","82955"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:41</itunes:duration>
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<guid>http://www.tate.org.uk/context-comment/video/meet-artist-thomas-hirschhorn</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Martin Creed]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-martin-creed</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize winner, Martin Creed takes to the stage with his inimitable band for a sell-out performance as part of UBS Openings: Saturday Live. This video shows highlights of the gig along with an interview with Creed. Words and music have always been an important part of Creed's art. For this performance at Tate Modern in November 2006, he combined talking, choreography and music played with his band. Creed has said, 'It is a talk about trying to talk'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize winner, Martin Creed takes to the stage with his inimitable band for a sell-out performance as part of UBS Openings: Saturday Live. This video shows highlights of the gig along with an interview with Creed. Words and music have always been an important part of Creed's art. For this performance at Tate Modern in November 2006, he combined talking, choreography and music played with his band. Creed has said, 'It is a talk about trying to talk'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 24 Nov 2006 19:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/performance-martin-creed</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Paul Farley]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-paul-farley</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Poet Paul Farley explores Tate Liverpool's latest exhibition, Centre of the Creative Universe: Liverpool and the Avant-Garde. Farley grew up in Liverpool and has strong memories of many of the places that feature in the artists' work, from the dockside and housing estates to the clubs he used to hang out in. The exhibition looks at how the city has influenced and inspired a diverse range of important post-war artists, and equally, how artists have contributed to the way Liverpool is pictured in the popular imagination. It includes work by Keith Arnatt, Bernd and Hilla Becher, the Boyle Family, Jeremy Deller, Rineke Dijkstra, Adrian Henri, Candida Höfer, John Latham, Yoko Ono, Martin Parr, Bob and Roberta Smith, Sam Walsh and Tom Wood.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Poet Paul Farley explores Tate Liverpool's latest exhibition, Centre of the Creative Universe: Liverpool and the Avant-Garde. Farley grew up in Liverpool and has strong memories of many of the places that feature in the artists' work, from the dockside and housing estates to the clubs he used to hang out in. The exhibition looks at how the city has influenced and inspired a diverse range of important post-war artists, and equally, how artists have contributed to the way Liverpool is pictured in the popular imagination. It includes work by Keith Arnatt, Bernd and Hilla Becher, the Boyle Family, Jeremy Deller, Rineke Dijkstra, Adrian Henri, Candida Höfer, John Latham, Yoko Ono, Martin Parr, Bob and Roberta Smith, Sam Walsh and Tom Wood.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 19 Feb 2007 19:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:20</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-paul-farley</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Work: Mark Wallinger]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/new-work-mark-wallinger</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mark Wallinger talks about his dramatic re-creation of peace campaigner Brian Haw's Parliament Square protest, State Britain, currently on display at Tate Britain, and outlines his own political stance on the Iraq war. State Britain consists of a meticulous reconstruction of over 600 weather-beaten banners, photographs, peace flags and messages from well-wishers that have been amassed by Haw over the past five years. Haw began his protest against the economic sanction in Iraq in June 2001, and has remained opposite the Palace of Westminster ever since. On 23 May 2006, following the passing by Parliament of the Serious Organised Crime and Police Act prohibiting unauthorised demonstrations within a one kilometre radius of Parliament Square, the majority of Haw's protest was removed. Taken literally, the edge of this exclusion zone bisects Tate Britain. Wallinger has marked a line on the floor of the galleries positioning State Britain half inside and half outside the border.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mark Wallinger talks about his dramatic re-creation of peace campaigner Brian Haw's Parliament Square protest, State Britain, currently on display at Tate Britain, and outlines his own political stance on the Iraq war. State Britain consists of a meticulous reconstruction of over 600 weather-beaten banners, photographs, peace flags and messages from well-wishers that have been amassed by Haw over the past five years. Haw began his protest against the economic sanction in Iraq in June 2001, and has remained opposite the Palace of Westminster ever since. On 23 May 2006, following the passing by Parliament of the Serious Organised Crime and Police Act prohibiting unauthorised demonstrations within a one kilometre radius of Parliament Square, the majority of Haw's protest was removed. Taken literally, the edge of this exclusion zone bisects Tate Britain. Wallinger has marked a line on the floor of the galleries positioning State Britain half inside and half outside the border.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 26 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="29753344" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue1/tateshots_issue1_mark-wallinger.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","mark wallinger","tateshots","issue 1","state britain","2378","Mark Wallinger","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/new-work-mark-wallinger</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Gilbert & George]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-gilbert-george</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gilbert and George invite us into their studio to discuss a new group of pictures, Six Bomb Pictures 2006, made specially for their current retrospective at Tate Modern. As well as providing a fascinating insight into their working methods, they reveal why they want to de-shock rather than to shock people.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gilbert and George invite us into their studio to discuss a new group of pictures, Six Bomb Pictures 2006, made specially for their current retrospective at Tate Modern. As well as providing a fascinating insight into their working methods, they reveal why they want to de-shock rather than to shock people.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 14 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37163318" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue1/tateshots_issue1_gilbertandgeorge.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Gilbert & George","tateshots","issue 1","six bomb pictures","1163","Gilbert and George"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:45</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-gilbert-george</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Story of a Masterpiece: Auguste Rodin - The Kiss]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/story-masterpiece-auguste-rodin-kiss</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This video charts the fascinating history of a work once so unloved that it lay hidden in a stable block only to re-emerge many years later as one of the most popular icons in the Tate Collection. Rodin's marble sculpture The Kiss (1900-1904), currently on show at Tate Modern, is one of three versions that exists. It was commissioned by American collector Edward Perry Warren, who lived in Lewes House, Sussex. But while the French public celebrated Rodin and his work, when The Kiss first went on show in Britain in 1914 it met with outrage.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This video charts the fascinating history of a work once so unloved that it lay hidden in a stable block only to re-emerge many years later as one of the most popular icons in the Tate Collection. Rodin's marble sculpture The Kiss (1900-1904), currently on show at Tate Modern, is one of three versions that exists. It was commissioned by American collector Edward Perry Warren, who lived in Lewes House, Sussex. But while the French public celebrated Rodin and his work, when The Kiss first went on show in Britain in 1914 it met with outrage.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 26 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38837025" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue1/tateshots_issue1_rodin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","tateshots","issue 1","the kiss","rodin","1860","Auguste Rodin","1271","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:34</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/story-masterpiece-auguste-rodin-kiss</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Juan Muñoz]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-juan-munoz</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Muñoz described himself as a storyteller, and often arranged his figures and objects in carefully staged configurations that hint at unsettling and ambiguous scenarios. One of the last things he made before his untimely death in 2001 at the age of 48 was a vast stage-set-like installation for Tate Modern’s Turbine Hall. Now Tate Modern is presenting the first major retrospective of his work in the UK. Curator Sheena Wagstaff offers an overview of the exhibition.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Muñoz described himself as a storyteller, and often arranged his figures and objects in carefully staged configurations that hint at unsettling and ambiguous scenarios. One of the last things he made before his untimely death in 2001 at the age of 48 was a vast stage-set-like installation for Tate Modern’s Turbine Hall. Now Tate Modern is presenting the first major retrospective of his work in the UK. Curator Sheena Wagstaff offers an overview of the exhibition.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30730129" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_munoz.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","juan munoz","tateshots","issue 11","2336","Juan MuÃ±oz"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:33</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-juan-munoz</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Story of a Masterpiece: Paul Nash: Totes Meer]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/story-masterpiece-paul-nash-totes-meer</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Paul Nash served as an official artist in the Second World War. His painting Totes Meer, German for ‘dead sea’, was inspired by a graveyard for wrecked aircraft at Cowley in Oxfordshire. Journalist Simon Grant visits the site to explore the origins of this work and discovers that as well as being a compelling memorial to the ravages of war, it may symbolise a more personal history of lost love.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Paul Nash served as an official artist in the Second World War. His painting Totes Meer, German for ‘dead sea’, was inspired by a graveyard for wrecked aircraft at Cowley in Oxfordshire. Journalist Simon Grant visits the site to explore the origins of this work and discovers that as well as being a compelling memorial to the ravages of war, it may symbolise a more personal history of lost love.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26427503" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_nash.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","tateshots","issue 11","1690","Paul Nash","totes meer","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/story-masterpiece-paul-nash-totes-meer</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Niki de Saint Phalle]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-niki-de-saint-phalle</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We preview the first UK exhibition of the French artist Niki de Saint Phalle, which opens this month at Tate Liverpool. Beautiful, flamboyant, daring, provocative and fiercely independent, she emerged in the 1960s as a powerful and original figure in the highly masculine international arts world. The exhibition includes her acclaimed Shooting Pictures, made by firing a .22 rifle into bags of paint strapped to a canvas, as well as her brightly coloured, exuberant sculptures of enormous women, which she christened the ‘Nanas’.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We preview the first UK exhibition of the French artist Niki de Saint Phalle, which opens this month at Tate Liverpool. Beautiful, flamboyant, daring, provocative and fiercely independent, she emerged in the 1960s as a powerful and original figure in the highly masculine international arts world. The exhibition includes her acclaimed Shooting Pictures, made by firing a .22 rifle into bags of paint strapped to a canvas, as well as her brightly coloured, exuberant sculptures of enormous women, which she christened the ‘Nanas’.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="22899978" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_niki.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","1890","Niki de Saint Phalle","tateshots","issue 11","13063","tate liverpool"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:54</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-niki-de-saint-phalle</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Lida Abdul]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-lida-abdul</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Afghan artist Lida Abdul describes the chance encounter that became the basis for her elegiac film Dome. Abdul calls her pieces ‘anti-monuments’, and in Dome we see a small boy dancing alone in the centre of a bombed-out building in Kabul. The boy’s circling movements trace the shape of the roofless dome as he looks up at the sky, then comes the sinister throbbing of whirling rotor blades as a helicopter passes overhead.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Afghan artist Lida Abdul describes the chance encounter that became the basis for her elegiac film Dome. Abdul calls her pieces ‘anti-monuments’, and in Dome we see a small boy dancing alone in the centre of a bombed-out building in Kabul. The boy’s circling movements trace the shape of the roofless dome as he looks up at the sky, then comes the sinister throbbing of whirling rotor blades as a helicopter passes overhead.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="17019782" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_abdul.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","tateshots","issue 11","lida abdul","illuminations","level 2","video","film"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:02</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-lida-abdul</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tania Bruguera]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tania-bruguera</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Recently at Tate Modern, unwitting gallery-goers were confronted by mounted police who rode back and forth, corralling people and controlling their movements. Cuban artist Tania Bruguera talks about her latest performance work and explains why she’s not interested in presenting images that can be viewed at a safe distance, but instead wants people to personally experience the dynamics of power]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Recently at Tate Modern, unwitting gallery-goers were confronted by mounted police who rode back and forth, corralling people and controlling their movements. Cuban artist Tania Bruguera talks about her latest performance work and explains why she’s not interested in presenting images that can be viewed at a safe distance, but instead wants people to personally experience the dynamics of power]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="23238209" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_bruguera.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","Tania Bruguera","tateshots","issue 11","tate modern"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:00</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tania-bruguera</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Sanford Biggers]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-sanford-biggers</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sanford Biggers’ video features the artist and friends taking part in an improvised bell-ringing ceremony at a Zen temple in Japan. As Biggers explains, a number of the metal bells used in the video were fabricated from melted-down hip-hop jewellery. He talks to TateShots about making this work, and the connections he sees between the traditions of African-American hip-hop and Buddhism.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sanford Biggers’ video features the artist and friends taking part in an improvised bell-ringing ceremony at a Zen temple in Japan. As Biggers explains, a number of the metal bells used in the video were fabricated from melted-down hip-hop jewellery. He talks to TateShots about making this work, and the connections he sees between the traditions of African-American hip-hop and Buddhism.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 31 Jan 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26775931" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue11/tateshots_issue11_biggers.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","illuminations","level 2","Sanford Biggers","tateshots","issue 11"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:31</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-sanford-biggers</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gavin Bryars and Juan Muñoz]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/gavin-bryars-and-juan-munoz</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Composer Gavin Bryars introduces A Man in a Room, Gambling, his musical collaboration with the artist Juan Muñoz. The project mixes Bryars’ score with the recorded voice of the artist as he reads texts on strategies for manipulating cards when gambling.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Composer Gavin Bryars introduces A Man in a Room, Gambling, his musical collaboration with the artist Juan Muñoz. The project mixes Bryars’ score with the recorded voice of the artist as he reads texts on strategies for manipulating cards when gambling.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38000208" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_bryars.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 12","Juan MuÃ±oz","gavin bryars","Juan Munoz","2336","Juan MuÃ±oz"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/gavin-bryars-and-juan-munoz</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Peter Doig]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-peter-doig</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Doig’s retrospective at Tate Britain has been called ‘the most enthralling show in town’. He took us behind the scenes as he finalised the hang just before it opened, and showed us his private collection of photographs that provide the starting point for his mesmerising paintings.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Doig’s retrospective at Tate Britain has been called ‘the most enthralling show in town’. He took us behind the scenes as he finalised the hang just before it opened, and showed us his private collection of photographs that provide the starting point for his mesmerising paintings.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45341702" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_doig.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","2361","Peter Doig","tateshots","issue 12"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:46</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-peter-doig</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Cy Twombly]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/cy-twombly</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[John Squire of the Stone Roses is both a musician and an artist. He gets up close to Cy Twombly’s epic canvases ‘The Four Seasons’ to explain why the American painter is one of his all-time heroes. A retrospective of Twombly’s work will be at Tate Modern this summer.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[John Squire of the Stone Roses is both a musician and an artist. He gets up close to Cy Twombly’s epic canvases ‘The Four Seasons’ to explain why the American painter is one of his all-time heroes. A retrospective of Twombly’s work will be at Tate Modern this summer.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="32292436" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_squire.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","tateshots","issue 12","2079","Cy Twombly","the four seasons","Quattro Stagioni","Inverno","Estate","Autunno","234","64","236","235","primavera"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:54</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/cy-twombly</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[John Wood and Paul Harrison]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/john-wood-and-paul-harrison</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bristol-based duo Paul Harrison and John Wood could be described as an art-world equivalent to Laurel and Hardy. Their videos, showing their dead-pan antics as they dangle precariously from a ladder, slide on office chairs around the back of a moving van, and submit themselves to a drenching from dozens of watering cans, are both hilarious and thought provoking. They invited TateShots to meet them at their studio.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bristol-based duo Paul Harrison and John Wood could be described as an art-world equivalent to Laurel and Hardy. Their videos, showing their dead-pan antics as they dangle precariously from a ladder, slide on office chairs around the back of a moving van, and submit themselves to a drenching from dozens of watering cans, are both hilarious and thought provoking. They invited TateShots to meet them at their studio.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30807730" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_harrisonwood.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","7050","John Wood","7049","Paul Harrison","tateshots","issue 12","81824","Twenty-Six (Drawing and Falling Things)","video"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/john-wood-and-paul-harrison</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Stanley Spencer]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-stanley-spencer</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Stanley Spencer (1891–1959) is best known for his huge paintings that treat British village life in the manner of Renaissance frescoes, such as his masterpiece The Resurrection, Cookham, in which the lives (and deaths) of ordinary folk are tenderly offered up to our gaze. Author and Spencer fan Sîan Pattendon visits the current exhibition at Tate Liverpool.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Stanley Spencer (1891–1959) is best known for his huge paintings that treat British village life in the manner of Renaissance frescoes, such as his masterpiece The Resurrection, Cookham, in which the lives (and deaths) of ordinary folk are tenderly offered up to our gaze. Author and Spencer fan Sîan Pattendon visits the current exhibition at Tate Liverpool.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33672086" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_spencer.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","Stanley Spencer","tateshots","issue 12","1977","Sir Stanley Spencer","13675"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:29</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-stanley-spencer</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[David Lamelas]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/david-lamelas</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this performance at Tate Modern, Argentinian artist David Lamelas sets out to capture the essence of time. Though the project was created in 1970, it was only recently acquired for the Tate Collection, one of the first examples of Tate buying a performance in the form of set of instructions explaining how to restage it, rather than a physical object.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this performance at Tate Modern, Argentinian artist David Lamelas sets out to capture the essence of time. Though the project was created in 1970, it was only recently acquired for the Tate Collection, one of the first examples of Tate buying a performance in the form of set of instructions explaining how to restage it, rather than a physical object.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 29 Feb 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="28274925" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue12/tateshots_issue12_lamelas.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 12","8787","David Lamelas"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:30</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/david-lamelas</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Tracks: Roll Deep]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tate-tracks-roll-deep</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate invited East London grime collective Roll Deep to write a track about one of the artworks on show at Tate Modern. They chose Anish Kapoor’s sculpture Ishi’s Light. Two of the group talked to TateShots about their creative process. Roll Deep’s track Searching is part of the 12-month Tate Tracks project launched to match inspirational visual art with inspirational new music. We’re now holding a competition to find one final addition to the project – Your Tate Track. For details visit www.tatetracks.org.uk.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate invited East London grime collective Roll Deep to write a track about one of the artworks on show at Tate Modern. They chose Anish Kapoor’s sculpture Ishi’s Light. Two of the group talked to TateShots about their creative process. Roll Deep’s track Searching is part of the 12-month Tate Tracks project launched to match inspirational visual art with inspirational new music. We’re now holding a competition to find one final addition to the project – Your Tate Track. For details visit www.tatetracks.org.uk.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="27315417" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_rolldeep.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","1384","Anish Kapoor","ishiâs light","roll deep","tateshots","issue 6","79550"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:29</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tate-tracks-roll-deep</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale : A bluffers guide]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-bluffers-guide</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The 52nd Venice Biennale opened earlier this month, and runs until November 2007. So can you tell your Arsenale from your Giardini? We rounded up some Biennale veterans and asked them to sum it up.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The 52nd Venice Biennale opened earlier this month, and runs until November 2007. So can you tell your Arsenale from your Giardini? We rounded up some Biennale veterans and asked them to sum it up.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30698747" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue5/tateshots_issue5_venice.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","venice biennale","tateshots","issue 5"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:13</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-bluffers-guide</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Tracey Emin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-tracey-emin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Representing Britain at the Venice Biennale is a rare accolade. Tracey Emin is only the second British female artist to have a solo exhibition in the British Pavilion, the first was Rachel Whiteread in 1997. So has she pulled it off? We canvassed opinion as the doors opened on her new show and Emin made her grand entrance.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Representing Britain at the Venice Biennale is a rare accolade. Tracey Emin is only the second British female artist to have a solo exhibition in the British Pavilion, the first was Rachel Whiteread in 1997. So has she pulled it off? We canvassed opinion as the doors opened on her new show and Emin made her grand entrance.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30493524" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue5/tateshots_issue5_emin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","venice biennale","tateshots","issue 5","2590","Tracey Emin"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-tracey-emin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Ukrainian Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-ukrainian-pavilion</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This year the Ukrainian Pavilion is Venice takes the unusual step of showing work by artists from other countries. German photographer Juergen Teller, and British artists Sam Taylor-Wood and Mark Titchner were amongst those invited to produce work in response to the question ‘Who are the Ukrainian people?’.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This year the Ukrainian Pavilion is Venice takes the unusual step of showing work by artists from other countries. German photographer Juergen Teller, and British artists Sam Taylor-Wood and Mark Titchner were amongst those invited to produce work in response to the question ‘Who are the Ukrainian people?’.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 28 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33928810" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue5/tateshots_issue5_ukraine.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","venice biennale","tateshots","issue 5"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:02</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-ukrainian-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Mathieu Briand and Prue Lang]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-mathieu-briand-and-prue-lang</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Mathieu Briand and choreographer Prue Lang persuade the public to don masks and lose their inhibitions as they take part in a ‘flash-mob’ style performance for Tate Modern’s Long Weekend.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Mathieu Briand and choreographer Prue Lang persuade the public to don masks and lose their inhibitions as they take part in a ‘flash-mob’ style performance for Tate Modern’s Long Weekend.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="28115779" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_briand.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 4","ubs openings","mathieu briand","prue lang","the long weekend","performance"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:58</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-mathieu-briand-and-prue-lang</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Film: Derek Jarman]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/film-derek-jarman</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The experimental Super-8 films that Derek Jarman began making in the 1970s are rarely shown. James Mackay, who later produced some of Jarman’s feature films including The Garden (1990) and Blue (1993), agreed to open up his archive of these ground-breaking short films for TateShots.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The experimental Super-8 films that Derek Jarman began making in the 1970s are rarely shown. James Mackay, who later produced some of Jarman’s feature films including The Garden (1990) and Blue (1993), agreed to open up his archive of these ground-breaking short films for TateShots.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45940958" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_jarman.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["films by artists","2327","Derek Jarman","tateshots","issue 4","film","video"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:05</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/film-derek-jarman</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Dalí & Film]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-dali-film</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Salvador Dalí declared Walt Disney to be a ‘great American Surrealist’inspired perhaps by the fantastical imagery in animations such as Fantasia. The admiration was mutual, and Disney invited Dalí to collaborate on a short film, which became Destino. Producer Baker Bloodworth takes up the story. Destino is currently showing at Tate Modern in the exhibition Dalí and Film.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Salvador Dalí declared Walt Disney to be a ‘great American Surrealist’inspired perhaps by the fantastical imagery in animations such as Fantasia. The admiration was mutual, and Disney invited Dalí to collaborate on a short film, which became Destino. Producer Baker Bloodworth takes up the story. Destino is currently showing at Tate Modern in the exhibition Dalí and Film.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="103281" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_destino.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","Dali&Film","tateshots","issue 4","dali","971","Salvador DalÃ­"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-dali-film</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Brian Wilson in St Ives]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-brian-wilson-st-ives</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Surf's up at Tate St Ives where the new exhibition is inspired by the life and music of The Beach Boy's Brian Wilson. It includes art from the 1960s to today that seems to parallel or reflect Wilson’s musical development. DJ and major Beach Boys fan Sean Rowley takes us on a tour.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Surf's up at Tate St Ives where the new exhibition is inspired by the life and music of The Beach Boy's Brian Wilson. It includes art from the 1960s to today that seems to parallel or reflect Wilson’s musical development. DJ and major Beach Boys fan Sean Rowley takes us on a tour.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="58226445" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_brianwilson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","Brian Wilson","if everybody had an ocean","tateshots","issue 4"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-brian-wilson-st-ives</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: How We Are]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-how-we-are</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[People have been using photography to capture images of life in Britain since the invention of the medium. This exhibition takes a snapshot of the country over the past 150 years, and includes both forgotten curios and established masterpieces.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[People have been using photography to capture images of life in Britain since the invention of the medium. This exhibition takes a snapshot of the country over the past 150 years, and includes both forgotten curios and established masterpieces.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 19 Jun 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="23380239" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue4/tateshots_issue4_howweare.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","How we are","Photographing Britain","tateshots","issue 4"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:27</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-how-we-are</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Contemporary Art from China]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-contemporary-art-china</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Liverpool’s latest exhibition aims to convey the sheer diversity, confidence and ambition of art being made in China today. These predominantly young artists have chosen to remain in China, unlike many of the generation before them, and the majority of the work on show is seen for the first time outside the country.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Liverpool’s latest exhibition aims to convey the sheer diversity, confidence and ambition of art being made in China today. These predominantly young artists have chosen to remain in China, unlike many of the generation before them, and the majority of the work on show is seen for the first time outside the country.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 29 Apr 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30172664" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue3/tateshots_issue3_china.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2007","the real thing: contemporary art from china","tateshots","issue 3"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:50</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-contemporary-art-china</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Anthony McCall]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-anthony-mccall</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This film captures a recent presentation of Anthony McCall's ground-breaking 1973 work, Line Describing a Cone. Testing the boundaries between cinema and sculpture, the work takes the form of a projected white dot that slowly grows to fill the dark space with a cone of light, immersing audience members in its field, to mesmerising effect.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This film captures a recent presentation of Anthony McCall's ground-breaking 1973 work, Line Describing a Cone. Testing the boundaries between cinema and sculpture, the work takes the form of a projected white dot that slowly grows to fill the dark space with a cone of light, immersing audience members in its field, to mesmerising effect.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="16633511" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue2/tateshots_issue2_mccall.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","Anthony McCall","line describing a cone","tateshots","issue 2","7491","85552"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:01:52</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-anthony-mccall</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Vox Pops: Tate visitors]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/vox-pops-tate-visitors</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We took a camera to Tate Modern and asked people to tell us what they thought of the art they'd seen that day. One of them turned out to be musician Billy Bragg, still reeling from a ride down Carsten Höller's Slides, though he seemed to be enjoying himself. We were pleased to discover that Tate Modern's visitors, including Billy, aren't short of an opinion or two.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We took a camera to Tate Modern and asked people to tell us what they thought of the art they'd seen that day. One of them turned out to be musician Billy Bragg, still reeling from a ride down Carsten Höller's Slides, though he seemed to be enjoying himself. We were pleased to discover that Tate Modern's visitors, including Billy, aren't short of an opinion or two.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 26 Feb 2007 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="15504517" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue1/tateshots_issue1_voxpops20-02-07.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","vox pops","carsten holler","tateshots","issue 1","6253","Carsten HÃ¶ller"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:01:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/vox-pops-tate-visitors</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Santiago Sierra]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-santiago-sierra</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Whether casting sculptures from human excrement or paying junkie prostitutes to have a line tattooed on their backs, Spanish artist Santiago Sierra is a provocateur whose art raise headlines. We filmed his latest performance piece at Tate Modern and asked him about this and other controversial works. Contains some strong language.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Whether casting sculptures from human excrement or paying junkie prostitutes to have a line tattooed on their backs, Spanish artist Santiago Sierra is a provocateur whose art raise headlines. We filmed his latest performance piece at Tate Modern and asked him about this and other controversial works. Contains some strong language.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42274566" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_sierra.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","6878","Santiago Sierra","tateshots","issue 13","tate modern","performance","turbine hall"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:32</itunes:duration>
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<guid>http://www.tate.org.uk/context-comment/video/performance-santiago-sierra</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Michael Craig-Martin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-michael-craig-martin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the early 1970s Michael Craig-Martin created his famous sculpture An Oak Tree. The work consists of a glass of water standing on a shelf. On the wall next to it a text by the artist argues that, despite what your eyes tell you, the glass of water is in fact an oak tree. In the spirit of Duchamp, Craig-Martin provokes questions about what we understand to be art and unpicks the relationship between a real object and its depiction. Looking back over his long career he explains why the same ideas drive him today as when he first started out.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the early 1970s Michael Craig-Martin created his famous sculpture An Oak Tree. The work consists of a glass of water standing on a shelf. On the wall next to it a text by the artist argues that, despite what your eyes tell you, the glass of water is in fact an oak tree. In the spirit of Duchamp, Craig-Martin provokes questions about what we understand to be art and unpicks the relationship between a real object and its depiction. Looking back over his long career he explains why the same ideas drive him today as when he first started out.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33615025" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_mcm.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","955","Michael Craig-Martin","tateshots","issue 13"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:07</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-michael-craig-martin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Fiona Rae]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-fiona-rae</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Fiona Rae invited us into her London studio where she was putting the finishing touches to works for her new exhibition at the Timothy Taylor Gallery. Her abstract canvases are an exuberant collision of painting styles: encrusted surfaces, brushy swathes and watery pools, along with kitsch cartoon elements, which somehow coalesce despite their differences. She talked to TateShots about her enduring passion for paint.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Fiona Rae invited us into her London studio where she was putting the finishing touches to works for her new exhibition at the Timothy Taylor Gallery. Her abstract canvases are an exuberant collision of painting styles: encrusted surfaces, brushy swathes and watery pools, along with kitsch cartoon elements, which somehow coalesce despite their differences. She talked to TateShots about her enduring passion for paint.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37593647" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_rae.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2287","Fiona Rae","tateshots","issue 13","2008","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:41</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-fiona-rae</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Dorothy Cross]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-dorothy-cross</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Irish artist Dorothy Cross explains how she made ‘Virgin Shroud’, by stitching together a cow-hide, complete with udders, and her grandmother's old wedding dress. The extraordinary sculpture that resulted is a favourite in Tate’s Collection and is currently on show at Tate Liverpool.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Irish artist Dorothy Cross explains how she made ‘Virgin Shroud’, by stitching together a cow-hide, complete with udders, and her grandmother's old wedding dress. The extraordinary sculpture that resulted is a favourite in Tate’s Collection and is currently on show at Tate Liverpool.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="23284441" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_cross.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2357","Dorothy Cross","virgin shroud","tateshots","issue 13","sculpture","tate liverpool","21259"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:54</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-dorothy-cross</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Tracks: New Young Pony Club]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tate-tracks-new-young-pony-club</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate invited the band New Young Pony Club to walk around the gallery and find a work of art that would inspire them to write a track. They picked a neon light sculpture by British artist Martin Creed. The band’s founding members Tahita Bulmer and Andy Spence talked to TateShots about turning art into music.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate invited the band New Young Pony Club to walk around the gallery and find a work of art that would inspire them to write a track. They picked a neon light sculpture by British artist Martin Creed. The band’s founding members Tahita Bulmer and Andy Spence talked to TateShots about turning art into music.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="27572483" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_nypc.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","New Young Pony Club","2760","Martin Creed","tate tracks","tateshots","issue 13","66694","tate modern"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tate-tracks-new-young-pony-club</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Bob and Roberta Smith]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-bob-and-roberta-smith</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bob and Roberta Smith is in fact just one person, otherwise known as British artist Patrick Brill. His paintings look like signboards, featuring slogans in brightly coloured lettering. They have the air of revolutionary statements, riffing on life, politics and art, though with a tinge of absurdity that leaves you wondering just what the message really is. He introduces the paintings that the Tate now has in its Collection.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Bob and Roberta Smith is in fact just one person, otherwise known as British artist Patrick Brill. His paintings look like signboards, featuring slogans in brightly coloured lettering. They have the air of revolutionary statements, riffing on life, politics and art, though with a tinge of absurdity that leaves you wondering just what the message really is. He introduces the paintings that the Tate now has in its Collection.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Apr 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="36689175" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue13/tateshots_issue13_smith.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","10029","Bob and Roberta Smith","patrick brill","tateshots","issue 13"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-bob-and-roberta-smith</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Jergen Teller]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-jergen-teller</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Photographer Juergen Teller turned his lens on the fashion industry with his Go-Sees series in 1999. Weary of the hype generated by model agencies desperate to sell him the ‘next big thing’, he decided to take the picture of every girl that came to see him – on the doorstep of his studio. In this interview for TateShots, Teller tells us how the resulting photographs expose the troubling power of the male photographer. He also challenges us to a game of table tennis.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Photographer Juergen Teller turned his lens on the fashion industry with his Go-Sees series in 1999. Weary of the hype generated by model agencies desperate to sell him the ‘next big thing’, he decided to take the picture of every girl that came to see him – on the doorstep of his studio. In this interview for TateShots, Teller tells us how the resulting photographs expose the troubling power of the male photographer. He also challenges us to a game of table tennis.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37302842" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_teller.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","11473","Juergen Teller","tateshots","issue 14","street and studio","photography","tate modern","2008"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-jergen-teller</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Make a Salad]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-make-salad</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Alison Knowles first made a salad in the name of art at London's ICA Gallery in 1962. Make a Salad is what the Flux artists termed an ‘event score’: a written instruction that can be acted out and changed according to the context in which it is performed. In Tate Modern's giant Turbine Hall, Knowles has given the work a mammoth new dimension. TateShots followed her as she went on a huge salad shopping spree then, with the help of a team of chefs, prepared a meal for hundreds of visitors to the gallery's Long Weekend festival.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Alison Knowles first made a salad in the name of art at London's ICA Gallery in 1962. Make a Salad is what the Flux artists termed an ‘event score’: a written instruction that can be acted out and changed according to the context in which it is performed. In Tate Modern's giant Turbine Hall, Knowles has given the work a mammoth new dimension. TateShots followed her as she went on a huge salad shopping spree then, with the help of a team of chefs, prepared a meal for hundreds of visitors to the gallery's Long Weekend festival.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26253378" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_olympiad.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","flux","alison knowles","the long weekend","tateshots","issue 14"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:47</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-make-salad</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Sunil Gupta]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-sunil-gupta</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Indian-born artist Sunil Gupta is showing two photographs from his series Mr Malhotra’s Party at Tate Modern’s Street and Studio exhibition. The pictures depict gay men on the streets of Delhi where homosexuality is still illegal and nightclubs for gay men have to masquerade as private parties, hence the title for these photographs. In this interview, Gupta talks about the politics and theatre behind his work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Indian-born artist Sunil Gupta is showing two photographs from his series Mr Malhotra’s Party at Tate Modern’s Street and Studio exhibition. The pictures depict gay men on the streets of Delhi where homosexuality is still illegal and nightclubs for gay men have to masquerade as private parties, hence the title for these photographs. In this interview, Gupta talks about the politics and theatre behind his work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31550451" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_gupta.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","4953","Sunil Gupta","street and studio","tateshots","issue 14","photography"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:57</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-sunil-gupta</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Street Art]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/street-art-0</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Modern invited a group of Madrid-based street artists to make work in the streets surrounding the gallery. In this film we follow the artists as they respond to the challenge. With inflatable tongues, modified shop signs and photorealistic spray painting, Banksy it isn’t. You can take a walking tour of the project by picking up a map from the gallery, or downloading a pdf. The tour is part of a bigger exhibition of Street Art at Tate Modern this summer.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Modern invited a group of Madrid-based street artists to make work in the streets surrounding the gallery. In this film we follow the artists as they respond to the challenge. With inflatable tongues, modified shop signs and photorealistic spray painting, Banksy it isn’t. You can take a walking tour of the project by picking up a map from the gallery, or downloading a pdf. The tour is part of a bigger exhibition of Street Art at Tate Modern this summer.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42214040" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_streetart.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","street art","tateshots","issue 14","spok","nano 4814","nuria","el tono"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:16</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/street-art-0</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Adam Chodzko]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-adam-chodzko</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Adam Chodzko takes us on a tour of his new show at Tate St Ives. Amongst the pieces on show are a pair of hiker’s walking sticks containing a hidden compartment for vials of ecstasy (bringing new meaning to the notion of nature and the sublime), and a slide-show about one of his poetic interventions into everyday life in which he bought up all the green clothes from a charity shop in his home town in Kent and swapped them for all the red clothes at a thrift store in New York. His work is as much about the imaginative narratives it conjures in the viewer’s mind as it is about physical objects in a gallery space.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Adam Chodzko takes us on a tour of his new show at Tate St Ives. Amongst the pieces on show are a pair of hiker’s walking sticks containing a hidden compartment for vials of ecstasy (bringing new meaning to the notion of nature and the sublime), and a slide-show about one of his poetic interventions into everyday life in which he bought up all the green clothes from a charity shop in his home town in Kent and swapped them for all the red clothes at a thrift store in New York. His work is as much about the imaginative narratives it conjures in the viewer’s mind as it is about physical objects in a gallery space.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="36371194" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_chodzko.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","3151","Adam Chodzko","proxigean tide","tateshots","issue 14","tate st ives","installation"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:35</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-adam-chodzko</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: The Flux Olympiad]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-flux-olympiad</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Football on stilts, the flipper race, invisible hurdling... just some of the sports that took place at Tate's very own Flux Olympiad, part of a three-day festival of art and performance at Tate Modern. The Olympiad was first conceived by founding Fluxus artist George Maciunas in the 1960s, though never realised until now. The aim of the Fluxus group was to instill artistic values into every part of life, and they went about it with a good dose of Dadaistic humour. TateShots asked artist, sportsman and Fluxus expert Tom Russotti to commentate on the day's activities and tell us about the history of the event.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Football on stilts, the flipper race, invisible hurdling... just some of the sports that took place at Tate's very own Flux Olympiad, part of a three-day festival of art and performance at Tate Modern. The Olympiad was first conceived by founding Fluxus artist George Maciunas in the 1960s, though never realised until now. The aim of the Fluxus group was to instill artistic values into every part of life, and they went about it with a good dose of Dadaistic humour. TateShots asked artist, sportsman and Fluxus expert Tom Russotti to commentate on the day's activities and tell us about the history of the event.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jun 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26253378" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue14/tateshots_issue14_olympiad.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 14","Tom Russotti"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-flux-olympiad</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Paula Rego]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-paula-rego</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots was invited to observe Paula Rego and the team at The Curwen Studio in Cambridgeshire as they set about turning one of her drawings into an editioned print. Our film captures Rego at work and she tells us why drawing and printmaking is so important to her practice.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots was invited to observe Paula Rego and the team at The Curwen Studio in Cambridgeshire as they set about turning one of her drawings into an editioned print. Our film captures Rego at work and she tells us why drawing and printmaking is so important to her practice.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39786418" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue15/tateshots_issue15_rego.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","1823","Paula Rego","tateshots","issue 15","printmaking"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:04</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-paula-rego</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Martin Creed]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-martin-creed</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[An old friend of TateShots, we caught up with Martin Creed once again – this time to talk about his new project at Tate Britain. Work No. 850 consists of runners dodging visitors as they sprint through the gallery as fast as they can. It happens every thirty seconds, jolting this normally serene space for an instant. In this interview, Martin tells us about some of the ideas behind the piece, how it makes him laugh, and why art is ‘just a word’.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[An old friend of TateShots, we caught up with Martin Creed once again – this time to talk about his new project at Tate Britain. Work No. 850 consists of runners dodging visitors as they sprint through the gallery as fast as they can. It happens every thirty seconds, jolting this normally serene space for an instant. In this interview, Martin tells us about some of the ideas behind the piece, how it makes him laugh, and why art is ‘just a word’.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38393999" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue15/tateshots_issue15_creed.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","2760","Martin Creed","work 850","tateshots","issue 15","duveen gallery","2008"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:46</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-martin-creed</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Cy Twombly]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-cy-twombly</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate’s Director Nicholas Serota gives us a behind the scenes tour of the Cy Twombly exhibition as he makes the final adjustments to the hang just before opening. A long-standing fan, Serota talks about Twombly’s technique, his relationship to Turner, and how the artist, now in his eighties, is still producing some of the most vital work of his career.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate’s Director Nicholas Serota gives us a behind the scenes tour of the Cy Twombly exhibition as he makes the final adjustments to the hang just before opening. A long-standing fan, Serota talks about Twombly’s technique, his relationship to Turner, and how the artist, now in his eighties, is still producing some of the most vital work of his career.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39245329" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue15/tateshots_issue15_twombly.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","2079","Cy Twombly","cycles and seasons","tateshots","issue 15","2008","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-cy-twombly</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Klimt]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-klimt</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Gustav Klimt exhibition at Tate Liverpool is a highlight of Liverpool’s year as Capital of Culture. We sent art critic Nick Hackworth to see the show, which as well as paintings by Klimt features work by his contemporaries in the Viennese Secession, a progressive group of artists, architects, furniture and fashion designers who shared a common artistic vision.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Gustav Klimt exhibition at Tate Liverpool is a highlight of Liverpool’s year as Capital of Culture. We sent art critic Nick Hackworth to see the show, which as well as paintings by Klimt features work by his contemporaries in the Viennese Secession, a progressive group of artists, architects, furniture and fashion designers who shared a common artistic vision.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45263705" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue15/tateshots_issue15_klimt.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","2610","Gustav Klimt","gustav klimt: painting","design and modern life in vienna 1900","tateshots","issue 15"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-klimt</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Gustav Metzger]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-gustav-metzger</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gustav Metzger’s career has spanned sixty years of art and political activism. He pioneered Auto-Destructive art and famously held an ‘art strike’ between 1977-1980. He was also involved in the radical Fluxus movement. In 1962 his simple idea of displaying all the pages from a popular national newspaper as an art installation was rejected from an exhibition for being too politically charged. This year Tate Modern invited him to restage the piece, and he told us why newspapers should be held up for scrutiny.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gustav Metzger’s career has spanned sixty years of art and political activism. He pioneered Auto-Destructive art and famously held an ‘art strike’ between 1977-1980. He was also involved in the radical Fluxus movement. In 1962 his simple idea of displaying all the pages from a popular national newspaper as an art installation was rejected from an exhibition for being too politically charged. This year Tate Modern invited him to restage the piece, and he told us why newspapers should be held up for scrutiny.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:12</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-gustav-metzger</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Tony Conrad]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-tony-conrad</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Tony Conrad employs a battery of amplified strings, film projectors, electric drills and assorted machinery to create a high-octane sonic assault. Unprojectable: Projection and Perspective is a live performance conceived specially for the Turbine Hall at Tate Modern. The musicians and their unorthodox instruments are visible to the audience only as projections cast onto giant screens. TateShots was there to capture this one-off experience.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Tony Conrad employs a battery of amplified strings, film projectors, electric drills and assorted machinery to create a high-octane sonic assault. Unprojectable: Projection and Perspective is a live performance conceived specially for the Turbine Hall at Tate Modern. The musicians and their unorthodox instruments are visible to the audience only as projections cast onto giant screens. TateShots was there to capture this one-off experience.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jul 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34732327" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue15/tateshots_issue15_conrad.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tony conrad","Unprojectable: Projection and Perspective","tateshots","issue 15","ubs openings","the long weekend","2008"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:29</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-tony-conrad</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Work: Roger Hiorns]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/new-work-roger-hiorns</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A disused bed-sit amongst the housing estates of South East London would not normally figure in the plans of your average art-tripper, but inside one particular dwelling lies a spectacular installation by British artist Roger Hiorns. For this ambitious piece, organised by Artangel, the artist first sealed the flat then poured in thousands of gallons of boiling hot copper sulphate solution, which slowly crystallised over every surface. TateShots went to find out more.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A disused bed-sit amongst the housing estates of South East London would not normally figure in the plans of your average art-tripper, but inside one particular dwelling lies a spectacular installation by British artist Roger Hiorns. For this ambitious piece, organised by Artangel, the artist first sealed the flat then poured in thousands of gallons of boiling hot copper sulphate solution, which slowly crystallised over every surface. TateShots went to find out more.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 08 Oct 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="24409857" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue16/tateshots_issue16_hiorns.mp4"/>
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"]]></itunes:keywords>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/new-work-roger-hiorns</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Turner Prize 08 (Part One)]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-08-part-one</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Every year the four artists nominated for the Turner Prize stage an exhibition, giving the public a chance to see their work and join the debate about the best contemporary art in Britain. In the first of a two-part film, art critic Nick Hackworth reviews sculptural installations by prize contenders Goshka Macuga and Cathy Wilkes.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Every year the four artists nominated for the Turner Prize stage an exhibition, giving the public a chance to see their work and join the debate about the best contemporary art in Britain. In the first of a two-part film, art critic Nick Hackworth reviews sculptural installations by prize contenders Goshka Macuga and Cathy Wilkes.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 08 Oct 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37868056" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue16/tateshots_issue16_turnerone.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","2008","turner prize 2008","11109","Goshka Macuga","12144","Cathy Wilkes","tateshots","issue 16"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-08-part-one</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Turner Prize 08 (Part Two)]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-08-part-two</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In our second Turner Prize programme, art critic Nick Hackworth reviews the art of Runa Islam and Mark Leckey, who both work primarily with film. Islam deconstructs the language of cinema using techniques such as slow motion and robotically controlled cameras. Modern-day flaneur Mark Leckey’s key work is a performance-cum-lecture entitled Cinema-in-the-Round, that critiques the nature of the filmed image in popular culture.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In our second Turner Prize programme, art critic Nick Hackworth reviews the art of Runa Islam and Mark Leckey, who both work primarily with film. Islam deconstructs the language of cinema using techniques such as slow motion and robotically controlled cameras. Modern-day flaneur Mark Leckey’s key work is a performance-cum-lecture entitled Cinema-in-the-Round, that critiques the nature of the filmed image in popular culture.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 08 Oct 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39681139" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue16/tateshots_issue16_turnertwo.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","turner prize 2008","10089","Runa Islam","6877","Mark Leckey","tateshots","issue 16"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:59</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-turner-prize-08-part-two</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Richard Hamilton]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/richard-hamilton</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Saville works as a designer and artist, and is the Creative Director of the City of Manchester. It was in Manchester, while working at Factory Records, that he produced iconic record sleeve designs for bands like Joy Division and New Order. He visited Tate Britain to look at a new display of work by ‘Godfather of Pop art’ Richard Hamilton and told us how one of Hamilton’s works called Toaster became a ‘blueprint’ for his own career.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Peter Saville works as a designer and artist, and is the Creative Director of the City of Manchester. It was in Manchester, while working at Factory Records, that he produced iconic record sleeve designs for bands like Joy Division and New Order. He visited Tate Britain to look at a new display of work by ‘Godfather of Pop art’ Richard Hamilton and told us how one of Hamilton’s works called Toaster became a ‘blueprint’ for his own career.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 08 Oct 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33500768" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue16/tateshots_issue16_saville.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","peter saville","1244","Richard Hamilton","toaster","tateshots","issue 16","5806"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:13</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/richard-hamilton</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Rothko]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-rothko</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This Autumn Tate Modern presents an exhibition of the late works of Mark Rothko. The show’s curator, Achim Borchardrt-Hume, takes us on a tour featuring the iconic Seagram Murals, Black-Form paintings, and the Black on Grey paintings – the last series made before Rothko’s death in 1970. We find out how much importance Rothko placed on the way his work was displayed, and why these mysterious rectangles of layered pigment hold such enduring appeal.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This Autumn Tate Modern presents an exhibition of the late works of Mark Rothko. The show’s curator, Achim Borchardrt-Hume, takes us on a tour featuring the iconic Seagram Murals, Black-Form paintings, and the Black on Grey paintings – the last series made before Rothko’s death in 1970. We find out how much importance Rothko placed on the way his work was displayed, and why these mysterious rectangles of layered pigment hold such enduring appeal.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 08 Oct 2008 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47627124" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue16/tateshots_issue16_rothko.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","1875","Mark Rothko","Achim Borchardrt-Hume","tateshots","issue 16","1875","Mark Rothko","jim aitchison","seagram murals","12969","12966","12968","12970"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-rothko</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Damien Hirst on Francis Bacon]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/damien-hirst-on-francis-bacon</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When Damien Hirst was a kid, he says, ‘All my paintings were like bad Bacons’. We invited Damien to Tate Britain to see the Francis Bacon retrospective. He tells us why he loves the Crucifixion and Head series’: detail that vanishes the closer you get, paint like blood and guts. ‘That’s probably why I love Bacon paintings. When I first saw them they reminded me of places I'd seen in nightmares.’]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When Damien Hirst was a kid, he says, ‘All my paintings were like bad Bacons’. We invited Damien to Tate Britain to see the Francis Bacon retrospective. He tells us why he loves the Crucifixion and Head series’: detail that vanishes the closer you get, paint like blood and guts. ‘That’s probably why I love Bacon paintings. When I first saw them they reminded me of places I'd seen in nightmares.’]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37634930" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue17/tateshots_issue17_hirst.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","Bacon","damien hirst","tateshots","issue 17","2308","Damien Hirst","682","Francis Bacon","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:58</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/damien-hirst-on-francis-bacon</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Julian Schnabel]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-julian-schnabel</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The painter and acclaimed director of The Diving Bell and the Butterfly Julian Schnabel visited Tate Modern recently, where his work Humanity Asleep 1982 forms part of a new display of paintings from the 1980s. We caught up with him as he encountered the display for the first time, and asked him about his experiments with surface (this one’s made of broken crockery), and how it feels to see the work today.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The painter and acclaimed director of The Diving Bell and the Butterfly Julian Schnabel visited Tate Modern recently, where his work Humanity Asleep 1982 forms part of a new display of paintings from the 1980s. We caught up with him as he encountered the display for the first time, and asked him about his experiments with surface (this one’s made of broken crockery), and how it feels to see the work today.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26948897" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue17/tateshots_issue17_schnabel.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","Julian Schnabel","tateshots","issue 17","1905","Julian Schnabel","humanity asleep 1982","13181","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:38</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-julian-schnabel</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Cildo Meireles]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-cildo-meireles</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Brazilian artist Cildo Meireles is currently on show at Tate Modern – the artist’s first UK retrospective. His work is characterised by a high degree of interactivity, as well as recurring motifs of barriers, fencing and mesh. For a special event, Meireles invited members of the public to help create the latest version of his work Meshes of Freedom. He told us about the significance of the work and why art is not just for the eyes.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Brazilian artist Cildo Meireles is currently on show at Tate Modern – the artist’s first UK retrospective. His work is characterised by a high degree of interactivity, as well as recurring motifs of barriers, fencing and mesh. For a special event, Meireles invited members of the public to help create the latest version of his work Meshes of Freedom. He told us about the significance of the work and why art is not just for the eyes.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38233204" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue17/tateshots_issue17_meireles.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","6633","Cildo Meireles","tateshots","issue 17","tate modern","meshes of freedom"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:09</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-cildo-meireles</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Heimo Zobernig]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-heimo-zobernig</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He might not be a household name but the Austrian Heimo Zobernig is regarded as one of the most significant European artists working today. For his new show at Tate St Ives Zobernig not only shows his own work, but is also let loose with the Tate Collection, curating an idiosyncratic selection including works by Pablo Picasso, Barbara Hepworth, Marcel Duchamp and many more. Creative Director of Tate St Ives Martin Clark gave us a tour of the show and explains his choices.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He might not be a household name but the Austrian Heimo Zobernig is regarded as one of the most significant European artists working today. For his new show at Tate St Ives Zobernig not only shows his own work, but is also let loose with the Tate Collection, curating an idiosyncratic selection including works by Pablo Picasso, Barbara Hepworth, Marcel Duchamp and many more. Creative Director of Tate St Ives Martin Clark gave us a tour of the show and explains his choices.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39392075" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue17/tateshots_issue17_zobernig.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","12084","Heimo Zobernig","tateshots","issue 17"]]></itunes:keywords>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-heimo-zobernig</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[ Usher We (Down There)]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/usher-we-down-there</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Laying dormant under the ground adjacent to Tate Modern’s turbine hall, the mammoth Tanks are now a key part of the plans to develop the building over the next five years. As a prelude to the building work, Tate invited artists Bonnie Camplin and Paulina Olowska to create a special tour for a few lucky members of the public. Using light, found objects and their own creations, they give the space a surreal twist, before guiding a group and pointing out their interventions in eerie silence.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Laying dormant under the ground adjacent to Tate Modern’s turbine hall, the mammoth Tanks are now a key part of the plans to develop the building over the next five years. As a prelude to the building work, Tate invited artists Bonnie Camplin and Paulina Olowska to create a special tour for a few lucky members of the public. Using light, found objects and their own creations, they give the space a surreal twist, before guiding a group and pointing out their interventions in eerie silence.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","Usher We (Down There)","10767","Bonnie Camplin","paulina olowska","tateshots","issue 17"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:29</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/usher-we-down-there</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Architect: Jacques Herzog]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-architect-jacques-herzog</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As one half of architecture superstars Herzog and De Meuron, Jacques Herzog has been behind some of the world’s most spectacular buildings – from Beijing’s Olympic Stadium to the original Tate Modern nearly a decade ago. Plans are now afoot for an ambitious new extension to Tate Modern. TateShots was given privileged access to the architects’ studio in Basel, Switzerland, where work is well underway. In our film, Herzog talks about his excitement to be working on the project, and why TM2 (as the new building is currently known) will stand out in London’s busy skyline.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As one half of architecture superstars Herzog and De Meuron, Jacques Herzog has been behind some of the world’s most spectacular buildings – from Beijing’s Olympic Stadium to the original Tate Modern nearly a decade ago. Plans are now afoot for an ambitious new extension to Tate Modern. TateShots was given privileged access to the architects’ studio in Basel, Switzerland, where work is well underway. In our film, Herzog talks about his excitement to be working on the project, and why TM2 (as the new building is currently known) will stand out in London’s busy skyline.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Nov 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="27114063" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue17/tateshots_issue17_herzog.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Herzog and De Meuron","Jacques Herzog","tateshots","issue 17","architecture","tate modern 2"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-architect-jacques-herzog</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Bob and Roberta Smith]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-bob-and-roberta-smith</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Britain invited Bob and Roberta Smith to decorate their Christmas Tree. Smith decided to make a new tree out of recycled material collected from the gallery. Continuing the eco-theme, he invited his friend Tim Siddall from Electric Pedals to engineer a system for powering the Christmas lights - using a selection of second-hand bicycles. We caught up with Bob and Tim in Bob's studio in East London, where they were preparing for the exhibition and sung us a song. Later, we asked enthusiastic bike-peddlers about their best and worst memories of Christmas.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Britain invited Bob and Roberta Smith to decorate their Christmas Tree. Smith decided to make a new tree out of recycled material collected from the gallery. Continuing the eco-theme, he invited his friend Tim Siddall from Electric Pedals to engineer a system for powering the Christmas lights - using a selection of second-hand bicycles. We caught up with Bob and Tim in Bob's studio in East London, where they were preparing for the exhibition and sung us a song. Later, we asked enthusiastic bike-peddlers about their best and worst memories of Christmas.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Dec 2008 19:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","Make your own xmas","bob and roberta smith","tateshots","issue 18","10029","Bob and Roberta Smith","sculpture"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:13</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-bob-and-roberta-smith</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jim Aitchison]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/jim-aitchison</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jim Aitchison is a composer who takes his inspiration directly from visual art. He's currently working on a piece of music in response to Tate Modern's Rothko show. One day in December he brought The Kreutzer Quartet, Michael Thompson and Nicholas Clapton along to the exhibition to improvise amongst Rothko's Seagram Murals. The results will be performed at a special concert to take place in the space in January. We were there to ask him about the challenge of translating paint into sound. Also: https://www.tate.org.uk/modern/exhibitions/markrothko/exclusivevideo.shtm]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jim Aitchison is a composer who takes his inspiration directly from visual art. He's currently working on a piece of music in response to Tate Modern's Rothko show. One day in December he brought The Kreutzer Quartet, Michael Thompson and Nicholas Clapton along to the exhibition to improvise amongst Rothko's Seagram Murals. The results will be performed at a special concert to take place in the space in January. We were there to ask him about the challenge of translating paint into sound. Also: https://www.tate.org.uk/modern/exhibitions/markrothko/exclusivevideo.shtm]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Dec 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43354851" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue18/tateshots_issue18_rothkomusic.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","Jim Aitchison","shadows of light","rothko tateshots","issue 18","sound","music","1875","Mark Rothko"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:30</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/jim-aitchison</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Nicholas Hlobo]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-nicholas-hlobo</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Uhambo is the name of the new show at Tate Modern by South African artist Nicholas Hlobo (the title means 'journey' in Xhosa, his native tongue). Soon after installing the exhibition, Hlobo showed us around. The work contains materials ranging from ribbon to rubber - even iPod earphones - creating pieces that are as appealingly tactile as they are to the eye. "I view the paper as a desert," he says, "it's empty, it's dry, and somehow it needs some life."]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Uhambo is the name of the new show at Tate Modern by South African artist Nicholas Hlobo (the title means 'journey' in Xhosa, his native tongue). Soon after installing the exhibition, Hlobo showed us around. The work contains materials ranging from ribbon to rubber - even iPod earphones - creating pieces that are as appealingly tactile as they are to the eye. "I view the paper as a desert," he says, "it's empty, it's dry, and somehow it needs some life."]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Dec 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26449069" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue18/tateshots_issue18_hlobo.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2008","level 2","12497","Nicholas Hlobo","Uhambo","tateshots","issue 18","tate modern"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:36</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-nicholas-hlobo</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Thomas Demand]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-thomas-demand</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Who lives in a house like this? That's the question posed by Thomas Demand in his latest work, a series of photographs depicting the Oval Office of the White House, Washington D.C. Demand's photographs have never been quite what they seem, and this series continues his preoccupation with blurring boundaries between the real and unreal. The set was meticulously constructed from cardboard, paper and confetti. It is devoid of humanity; and certain details, like the stars of the American flag, are oddly missing, creating an unnerving atmosphere. The work is on show at Sprueth Magers London, whilst at Tate Modern, visitors can see a work from 2006, Tavern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Who lives in a house like this? That's the question posed by Thomas Demand in his latest work, a series of photographs depicting the Oval Office of the White House, Washington D.C. Demand's photographs have never been quite what they seem, and this series continues his preoccupation with blurring boundaries between the real and unreal. The set was meticulously constructed from cardboard, paper and confetti. It is devoid of humanity; and certain details, like the stars of the American flag, are oddly missing, creating an unnerving atmosphere. The work is on show at Sprueth Magers London, whilst at Tate Modern, visitors can see a work from 2006, Tavern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Dec 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="28260549" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue18/tateshots_issue18_demand.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2641","Thomas Demand","tateshots","issue 18","photography"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-thomas-demand</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Trailer: TateShots New York City]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/trailer-tateshots-new-york-city</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Here's a packed preview of what happened when we took TateShots across the pond. Look out for all the episodes, featuring artists such as Jeff Koons, Lawrence Weiner, Marina Abramovic and Marcel Dzama (pictured), in a special edition of TateShots coming in the new year.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Here's a packed preview of what happened when we took TateShots across the pond. Look out for all the episodes, featuring artists such as Jeff Koons, Lawrence Weiner, Marina Abramovic and Marcel Dzama (pictured), in a special edition of TateShots coming in the new year.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Dec 2008 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26774388" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue18/tateshots_issue18_nyc.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Jeff Koons","Lawrence Weiner","Marina Abramovic","Marcel Dzama","Jim Dine","Terry Winters","Cory Arcangel","Byron Kim","tateshots","issue 18"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:46</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/trailer-tateshots-new-york-city</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Jeff Koons]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-jeff-koons</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There are not many places on earth where paintings of Popeye mingle with giant lobsters, or where a team can scheme to hang a full-sized train from a crane. But as this episode of TateShots proves, anything is possible in the studio of Jeff Koons.Fresh from exhibiting his work at the Palace of Versailles (the first time a contemporary artist has been invited to exhibit there), the boundary-breaking artist gave us a whistle-stop tour of his factory-like facility. Later in the year, his work will appear at Tate Modern – first as part of the Artist Rooms collection display, then in the exhibition Sold Out.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There are not many places on earth where paintings of Popeye mingle with giant lobsters, or where a team can scheme to hang a full-sized train from a crane. But as this episode of TateShots proves, anything is possible in the studio of Jeff Koons.Fresh from exhibiting his work at the Palace of Versailles (the first time a contemporary artist has been invited to exhibit there), the boundary-breaking artist gave us a whistle-stop tour of his factory-like facility. Later in the year, his work will appear at Tate Modern – first as part of the Artist Rooms collection display, then in the exhibition Sold Out.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41893189" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_koons.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2368","Jeff Koons","tateshots","issue 19"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:04</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-jeff-koons</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Marcel Dzama]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-marcel-dzama</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Canadian artist Marcel Dzama is known for producing small watercolour and pen and ink drawings, like those represented in the Tate collection. For this reason, TateShots was surprised to find him in a studio lot in Brooklyn, co-directing a big budget music video for the band Department of Eagles. Later, to celebrate the release of his new book, Marcel and his friend, film director and Jackass creator Spike Jonze, signed copies for fans at the David Zwirner gallery. He also invited us back to his studio to reflect on his ‘busy day’, and we witnessed some of the weird and wonderful creations that inhabit his world.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Canadian artist Marcel Dzama is known for producing small watercolour and pen and ink drawings, like those represented in the Tate collection. For this reason, TateShots was surprised to find him in a studio lot in Brooklyn, co-directing a big budget music video for the band Department of Eagles. Later, to celebrate the release of his new book, Marcel and his friend, film director and Jackass creator Spike Jonze, signed copies for fans at the David Zwirner gallery. He also invited us back to his studio to reflect on his ‘busy day’, and we witnessed some of the weird and wonderful creations that inhabit his world.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-marcel-dzama</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Marina Abramovic]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-marina-abramovic</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Marina Abramović is, to many people, the definitive performance artist. Her works test the limits of the human body, and even the endurance of audiences who may witness performances lasting hours, days, or weeks. In this film we join her in her magnificent yet minimal apartment, where she discusses the amount of work that goes into staging one of her ambitious pieces, and why it’s never easy to explain what she does.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Marina Abramović is, to many people, the definitive performance artist. Her works test the limits of the human body, and even the endurance of audiences who may witness performances lasting hours, days, or weeks. In this film we join her in her magnificent yet minimal apartment, where she discusses the amount of work that goes into staging one of her ambitious pieces, and why it’s never easy to explain what she does.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","marina abramovic","tateshots","issue 19","performance"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:09</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-marina-abramovic</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Lawrence Weiner]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-lawrence-weiner</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A New Yorker born and raised, Lawrence Weiner’s mission in life is to get straight to the point. It’s a quality you cannot miss in his artwork, in which big ideas are communicated using the minimum of words. In this film, Weiner tells us why he’s against Helvetica, and how he came to design his own font. He also shows us around his studio and allows us a sneak preview of projects that are still on the drawing board.His work is included in the exhibition Colour Chart, which comes to Tate Liverpool in May 2009.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A New Yorker born and raised, Lawrence Weiner’s mission in life is to get straight to the point. It’s a quality you cannot miss in his artwork, in which big ideas are communicated using the minimum of words. In this film, Weiner tells us why he’s against Helvetica, and how he came to design his own font. He also shows us around his studio and allows us a sneak preview of projects that are still on the drawing board.His work is included in the exhibition Colour Chart, which comes to Tate Liverpool in May 2009.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38266930" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_weiner.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","7743","Lawrence Weiner","tateshots","issue 19"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:43</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-lawrence-weiner</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Cory Arcangel]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-cory-arcangel</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met Cory Arcangel at Team Gallery, New York, where he showed us around his exhibition Adult Contemporary. Arcangel uses the term ‘computer nerd’ hesitantly, but his work certainly appeals to our inner-geek. There’s his modified PlayStation controller, which does nothing but deliver gutter balls during a bowling game, and a film that relies heavily on special effects from a vintage machine bought from eBay. His work will appear at Tate Liverpool in May 2009, as part of the Colour Chart exhibition.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met Cory Arcangel at Team Gallery, New York, where he showed us around his exhibition Adult Contemporary. Arcangel uses the term ‘computer nerd’ hesitantly, but his work certainly appeals to our inner-geek. There’s his modified PlayStation controller, which does nothing but deliver gutter balls during a bowling game, and a film that relies heavily on special effects from a vintage machine bought from eBay. His work will appear at Tate Liverpool in May 2009, as part of the Colour Chart exhibition.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39905611" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_arcangel.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","12604","Cory Arcangel","tateshots","issue 19","video","digital art"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:52</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-cory-arcangel</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Jim Dine]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-jim-dine</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A painter, sculptor, photographer, illustrator, performance artist and poet, Jim Dine is arguably one of the most prolific artists working today. He took TateShots on a tour of his latest exhibition at Pace Wildenstein, New York, a labyrinthine show that touches on nearly every aspect of his life to date. In this film he talks about his his love of Pinocchio, tools, and why he can do nothing else but make art.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A painter, sculptor, photographer, illustrator, performance artist and poet, Jim Dine is arguably one of the most prolific artists working today. He took TateShots on a tour of his latest exhibition at Pace Wildenstein, New York, a labyrinthine show that touches on nearly every aspect of his life to date. In this film he talks about his his love of Pinocchio, tools, and why he can do nothing else but make art.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38196969" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_dine.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","1009","Jim Dine","tateshots","issue 19","sculpture","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:43</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-jim-dine</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Terry Winters]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-terry-winters</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited the Matthew Marks gallery to see Terry Winters’ exhibition, ‘Knotted Graphs’. The energetic, brightly coloured paintings on show at the gallery are in contrast with the quiet resonances and ‘economical’ mark-making that can be seen in work at his Manhattan studio. In this film, Winters tells us how scientific patterns provide the starting point for his explorations in paint.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited the Matthew Marks gallery to see Terry Winters’ exhibition, ‘Knotted Graphs’. The energetic, brightly coloured paintings on show at the gallery are in contrast with the quiet resonances and ‘economical’ mark-making that can be seen in work at his Manhattan studio. In this film, Winters tells us how scientific patterns provide the starting point for his explorations in paint.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="29028186" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_winters.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2155","Terry Winters","tateshots","issue 19","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:49</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-terry-winters</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Byron Kim]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-byron-kim</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Byron Kim is a painter born in California, who lives and works in Brooklyn. He invited us to his studio where he works quietly on a range of paintings primarily concerned with colour. Here he shows us a number of works in progress – patches of sky distilled into tonal blocks; a detailed study of the palms of his hands - and demonstrates Delacroix’s Shadow, a piece that uses a real shadow to represent colour. An example of his celebrated Synecdoche series, which depicts skin tones, will be on show at Tate Liverpool as part of the Colour Chart exhibition from May 2009.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Byron Kim is a painter born in California, who lives and works in Brooklyn. He invited us to his studio where he works quietly on a range of paintings primarily concerned with colour. Here he shows us a number of works in progress – patches of sky distilled into tonal blocks; a detailed study of the palms of his hands - and demonstrates Delacroix’s Shadow, a piece that uses a real shadow to represent colour. An example of his celebrated Synecdoche series, which depicts skin tones, will be on show at Tate Liverpool as part of the Colour Chart exhibition from May 2009.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jan 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42312792" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue19/tateshots_issue19_kim.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","12838","Byron Kim","tateshots","issue 19","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:07</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-byron-kim</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Twitter With... David Hockney]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-twitter-david-hockney</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For a new series, the legendary David Hockney invited us into his studio for a chat. But in a twist, it wasn’t TateShots asking the questions. Instead, we got you, loyal viewers, to do the hard work for us via the medium of Twitter. Is he a geek? Does he like swimming? What does he think of the credit crunch? All will be revealed. Thanks to all who submitted questions (sorry that we couldn’t get through them all), and remember to follow TateShots on Twitter to find out which artist will be next.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For a new series, the legendary David Hockney invited us into his studio for a chat. But in a twist, it wasn’t TateShots asking the questions. Instead, we got you, loyal viewers, to do the hard work for us via the medium of Twitter. Is he a geek? Does he like swimming? What does he think of the credit crunch? All will be revealed. Thanks to all who submitted questions (sorry that we couldn’t get through them all), and remember to follow TateShots on Twitter to find out which artist will be next.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33611446" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue20/tateshots_issue20_hockney.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","1293","David Hockney","tateshots","issue 20","painting"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-twitter-david-hockney</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Special Feature: Angus Fairhurst]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/special-feature-angus-fairhurst</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Angus Fairhurst, who died last year, created art that was funny, quietly complex, and which eschewed a ‘signature style’. A new exhibition at the Arnolfini in Bristol gives the public the chance to see a huge range of work together for the first time, including pieces that show off his renowned sense of humour. One of those, Gallery Connections 1991-6 which is in the Tate collection, involved him simultaneously calling two London galleries before putting the phones together and recording the confusion that ensued. For this film, we asked a number of people who knew Angus, including artists Gavin Turk and Mat Collishaw, to tell us their memories of him. We also speak to his gallerist Sadie Coles, who was on the receiving end of his prank calls…]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Angus Fairhurst, who died last year, created art that was funny, quietly complex, and which eschewed a ‘signature style’. A new exhibition at the Arnolfini in Bristol gives the public the chance to see a huge range of work together for the first time, including pieces that show off his renowned sense of humour. One of those, Gallery Connections 1991-6 which is in the Tate collection, involved him simultaneously calling two London galleries before putting the phones together and recording the confusion that ensued. For this film, we asked a number of people who knew Angus, including artists Gavin Turk and Mat Collishaw, to tell us their memories of him. We also speak to his gallerist Sadie Coles, who was on the receiving end of his prank calls…]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/special-feature-angus-fairhurst</guid>
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<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Marcus Coates]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-marcus-coates</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For this film, we went bird-watching with the artist Marcus Coates. His new video, The Plover's Wing 2008, is on show at Tate Britain during the Tate Triennial, so it seemed apt. Coates knows a lot about birds, he can mimic their calls, interpret their behaviour and, he says, even converse with them... in the spirit world. For his art, he films himself entering a trance like state that he calls ‘becoming animal’, and attempts to solve people’s problems by seeking answers from the animal spirits that he encounters. In this latest work, he visits the mayor of a town in Israel, and answers a question about the crisis there.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For this film, we went bird-watching with the artist Marcus Coates. His new video, The Plover's Wing 2008, is on show at Tate Britain during the Tate Triennial, so it seemed apt. Coates knows a lot about birds, he can mimic their calls, interpret their behaviour and, he says, even converse with them... in the spirit world. For his art, he films himself entering a trance like state that he calls ‘becoming animal’, and attempts to solve people’s problems by seeking answers from the animal spirits that he encounters. In this latest work, he visits the mayor of a town in Israel, and answers a question about the crisis there.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work in focus","tateshots","issue 20","marcus coates","the ploverâs wing","altermodern"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:14</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-marcus-coates</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Altermodern: Tate Triennial 2009]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-altermodern-tate-triennial-2009</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Britain invited jazz MC and saxophonist Soweto Kinch to help them produce a ‘sonic trail’ around works from the Collection and the current exhibition, Altermodern. The result is a mix of rap, spoken word and musical soundscapes which imagine an apocalyptic future. Here, Soweto gives us a preview and tells us how the artwork inspired him.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Britain invited jazz MC and saxophonist Soweto Kinch to help them produce a ‘sonic trail’ around works from the Collection and the current exhibition, Altermodern. The result is a mix of rap, spoken word and musical soundscapes which imagine an apocalyptic future. Here, Soweto gives us a preview and tells us how the artwork inspired him.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31036402" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue20/tateshots_issue20_kinch.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009"," altermodern","soweto kinch","tateshots","issue 20"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:59</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-altermodern-tate-triennial-2009</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Work in Focus: Nigel Cooke]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/work-focus-nigel-cooke</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Accursed Art Club 2007 by Nigel Cooke is a new addition to the Tate Collection. When the artist came in to our conservation department recently, he took time out to show us how the painting was made. By taking photographs at stages throughout its production, Cooke has a visual record of everything that came and went during the process. He describes it as a type of archaeology as buildings, figures and landscapes are erased and compositions reformed along the way.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Accursed Art Club 2007 by Nigel Cooke is a new addition to the Tate Collection. When the artist came in to our conservation department recently, he took time out to show us how the painting was made. By taking photographs at stages throughout its production, Cooke has a visual record of everything that came and went during the process. He describes it as a type of archaeology as buildings, figures and landscapes are erased and compositions reformed along the way.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="29196419" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue20/tateshots_issue20_cooke.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["work","in focus]","tateshots","issue 20","6788","Nigel Cooke","new accursed art club","painting"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:03</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/work-focus-nigel-cooke</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Plouf!]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-plouf</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[On a rare, almost miraculously sunny day in London, TateShots and a group of art lovers boarded a boat and sailed out onto the Thames. We were there to see a work by Jean-Pascal Flavien and Julien Bismuth, the splashily named Plouf!, which was first performed in the sea off Rio de Janeiro. The work consists of Flavien and Bismuth, who are on another, smaller boat, reading through a megaphone, signing semaphore and flashing morse code: a poetic tale of loneliness and loss at sea.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[On a rare, almost miraculously sunny day in London, TateShots and a group of art lovers boarded a boat and sailed out onto the Thames. We were there to see a work by Jean-Pascal Flavien and Julien Bismuth, the splashily named Plouf!, which was first performed in the sea off Rio de Janeiro. The work consists of Flavien and Bismuth, who are on another, smaller boat, reading through a megaphone, signing semaphore and flashing morse code: a poetic tale of loneliness and loss at sea.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 10 Mar 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="35348351" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue20/tateshots_issue20_plouf.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","plouf","Julien Bismuth","Jean Pascal Flavien","ubs openings"," saturday live","tateshots","issue 20"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-plouf</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Unilever Series: Dominique Gonzales-Foerster]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/unilever-series-dominique-gonzales-foerster</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Dominique Gonzales-Foerster’s installation for Tate Modern’s Turbine Hall, TH.2058, the artist imagines Tate Modern 50 years hence. Tate launched a competition, inviting people to respond to her apocalyptic vision of the future by writing a short story. We chose one of the best entries to be turned into a short film, narrated by Dr Who’s Christopher Eccleston. Director Sam Blair comments: "I like how the story invents this secretive, murky, scientific conspiracy of silence that is keeping the population literally in the dark."]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Dominique Gonzales-Foerster’s installation for Tate Modern’s Turbine Hall, TH.2058, the artist imagines Tate Modern 50 years hence. Tate launched a competition, inviting people to respond to her apocalyptic vision of the future by writing a short story. We chose one of the best entries to be turned into a short film, narrated by Dr Who’s Christopher Eccleston. Director Sam Blair comments: "I like how the story invents this secretive, murky, scientific conspiracy of silence that is keeping the population literally in the dark."]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30918115" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue21/tateshots_issue21_dgf.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["films by artists","tateshots","issue 21","th.2058","The Unilever Series","Dominique Gonzales-Foerster","Christopher Eccleston"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:14</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/unilever-series-dominique-gonzales-foerster</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Rodchenko and Popova]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-rodchenko-and-popova</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Modern’s exhibition explores the work of Aleksandr Rodchenko and Liubov Popova, who sparked a revolution in Russian art. The Constructivists challenged the idea of the work of art as a unique commodity, and believed that it could contribute to everyday life through design, architecture, theatre and film. In this interview, one of the show's curators Ben Borthwick looks at how their paintings, however abstract, can still be mapped back to things that exist in the real world.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Modern’s exhibition explores the work of Aleksandr Rodchenko and Liubov Popova, who sparked a revolution in Russian art. The Constructivists challenged the idea of the work of art as a unique commodity, and believed that it could contribute to everyday life through design, architecture, theatre and film. In this interview, one of the show's curators Ben Borthwick looks at how their paintings, however abstract, can still be mapped back to things that exist in the real world.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","Rodchenko and Popova: Defining Constructivism","tateshots","issue 21"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:56</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-rodchenko-and-popova</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Glenn Brown]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-glenn-brown</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The inspiration for Glenn Brown’s extraordinary paintings lies in the art of appropriation. In his hands printed images taken from books or postcards, old masters and science fiction illustrations undergo audacious transition; they become flat, colours shift and the originals become a memory. Brown’s work exaggerates these processes to an extreme degree. In this film, John Myatt, a renowned forger, whose exploits have even landed him a spell in prison, takes a trip to Tate Liverpool to contemplate Brown’s work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The inspiration for Glenn Brown’s extraordinary paintings lies in the art of appropriation. In his hands printed images taken from books or postcards, old masters and science fiction illustrations undergo audacious transition; they become flat, colours shift and the originals become a memory. Brown’s work exaggerates these processes to an extreme degree. In this film, John Myatt, a renowned forger, whose exploits have even landed him a spell in prison, takes a trip to Tate Liverpool to contemplate Brown’s work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","glenn brown","tateshots","issue 21"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-glenn-brown</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Focus: Andy Warhol]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/focus-andy-warhol</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The collector and gallerist Anthony d’Offay talks to TateShots about his memories of working with Andy Warhol. D’offay recently gave 725 works of art to be shared between the Tate and the National Galleries of Scotland. His collection will be shown in a touring exhibition called Artist Rooms.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The collector and gallerist Anthony d’Offay talks to TateShots about his memories of working with Andy Warhol. D’offay recently gave 725 works of art to be shared between the Tate and the National Galleries of Scotland. His collection will be shown in a touring exhibition called Artist Rooms.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
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<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/focus-andy-warhol</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Katie Paterson]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-katie-paterson</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Katie Paterson’s latest work is a map of ‘dead stars’ – 27,000 of them, or all that have so far been observed and recorded. But, as she tells us in this film, if you were going to make a map of all the dead stars it would be the size of the Earth. We follow the artist as she visits an observatory to talk to Professor Ofer Lahav about the mysteries of the universe. Katie Paterson’s work was featured in the Altermodern exhibition at Tate Britain.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Katie Paterson’s latest work is a map of ‘dead stars’ – 27,000 of them, or all that have so far been observed and recorded. But, as she tells us in this film, if you were going to make a map of all the dead stars it would be the size of the Earth. We follow the artist as she visits an observatory to talk to Professor Ofer Lahav about the mysteries of the universe. Katie Paterson’s work was featured in the Altermodern exhibition at Tate Britain.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30370003" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue21/tateshots_issue21_paterson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Katie Paterson","altermodern","tateshots","issue 21"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:15</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-katie-paterson</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A Comic Take: Miriam Elia]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/comic-take-miriam-elia</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We invited comedian Miriam Elia to present a personal take on the Rodchenko and Popova exhibition at Tate Modern. The result is this sketch. As Miriam explains: “Shapes featuring in Russian Constructivist paintings often suffer from anxiety disorders, distress and problems relating to other shapes. This short film is an extract from a longer sequence of therapy sessions, where shapes from Popova’s paintings made a positive decision to try and develop a workable relationship. Their natural asymmetry had led to almost irreconcilable differences, and it was a HUGE step forward to even have them sitting in the same room.” Miriam Elia is a fully qualified AAC (Asymmetrical Abstract–shape Counsellor), who trained at the London College of Varying Degrees. She is also a stand-up comedian, and a contributor to BBC Radio 4’s ‘Arturart’. Contains strong language.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We invited comedian Miriam Elia to present a personal take on the Rodchenko and Popova exhibition at Tate Modern. The result is this sketch. As Miriam explains: “Shapes featuring in Russian Constructivist paintings often suffer from anxiety disorders, distress and problems relating to other shapes. This short film is an extract from a longer sequence of therapy sessions, where shapes from Popova’s paintings made a positive decision to try and develop a workable relationship. Their natural asymmetry had led to almost irreconcilable differences, and it was a HUGE step forward to even have them sitting in the same room.” Miriam Elia is a fully qualified AAC (Asymmetrical Abstract–shape Counsellor), who trained at the London College of Varying Degrees. She is also a stand-up comedian, and a contributor to BBC Radio 4’s ‘Arturart’. Contains strong language.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Apr 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="27769469" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue21/tateshots_issue21_shapes.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","Miriam Elia","rodchenko and popova","tateshots","issue 21"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:42</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/comic-take-miriam-elia</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Parangolés]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-parangoles</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This performance recreates the groundbreaking work of Brazilian artist Hélio Oiticica. Frustrated by the limitations of painting, Oiticica devoted himself to finding ways in which painting could be taken off the gallery walls and out into 3-dimensional space. One result was his ‘Parangolés’ of the mid-1960s. Literally habitable paintings, they were designed to be worn while dancing to the rhythm of samba. They came out of his involvement with the people of Mangueira Hill, a Rio de Janeiro shanty town, and Mangueira's famous samba school. The artist’s nephew, César Oiticica Fihlo, takes up the story.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This performance recreates the groundbreaking work of Brazilian artist Hélio Oiticica. Frustrated by the limitations of painting, Oiticica devoted himself to finding ways in which painting could be taken off the gallery walls and out into 3-dimensional space. One result was his ‘Parangolés’ of the mid-1960s. Literally habitable paintings, they were designed to be worn while dancing to the rhythm of samba. They came out of his involvement with the people of Mangueira Hill, a Rio de Janeiro shanty town, and Mangueira's famous samba school. The artist’s nephew, César Oiticica Fihlo, takes up the story.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 31 Jul 2007 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26819621" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue6/tateshots_issue6_parangoles.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","tateshots","issue 6","helio Oiticica","parangoles","7730","HÃ©lio Oiticica"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-parangoles</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Long Weekend 09: Robert Morris]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/long-weekend-09-robert-morris</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Interactive art was a new concept when the exhibition Bodyspacemotionthings first went on show at the Tate in 1971. Created by the American artist Robert Morris, it consists of a series of beams, weights, platforms, rollers, tunnels and ramps that people can clamber all over. It closed just four days after opening, due to safety concerns over the wildly enthusiastic reaction of the audience. For The Long Weekend 2009 the exhibition has been recreated at Tate Modern using stronger, modern materials. In this film we watch the reaction of today’s visitors, and speak to curators Catherine Wood and Kathy Noble about Morris’s vision and influence.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Interactive art was a new concept when the exhibition Bodyspacemotionthings first went on show at the Tate in 1971. Created by the American artist Robert Morris, it consists of a series of beams, weights, platforms, rollers, tunnels and ramps that people can clamber all over. It closed just four days after opening, due to safety concerns over the wildly enthusiastic reaction of the audience. For The Long Weekend 2009 the exhibition has been recreated at Tate Modern using stronger, modern materials. In this film we watch the reaction of today’s visitors, and speak to curators Catherine Wood and Kathy Noble about Morris’s vision and influence.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 31 May 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="26377871" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue22/tateshots_issue22_morris.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","bodyspacemotionthings","1669","Robert Morris","tate modern","long weekend","ubs openings","tateshots","issue 22"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:31</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/long-weekend-09-robert-morris</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Long Weekend 09: Michelangelo Pistoletto]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/long-weekend-09-michelangelo-pistoletto</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A key artist of the arte povera movement, Michelangelo Pistoletto came to London in May to recreate a seminal 1966 performance in which he rolled a ball of newspapers through the streets of Turin. At Tate Modern he pasted together newspapers to make a two-metre sphere, and accompanied by his wife Maria and a huge crowd, took it out into the city. We follow Pistoletto as he travels over the Millennium Bridge, through the streets, then back to Tate Modern on a boat. The artist also explains the political and personal significance of staging such an action today.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A key artist of the arte povera movement, Michelangelo Pistoletto came to London in May to recreate a seminal 1966 performance in which he rolled a ball of newspapers through the streets of Turin. At Tate Modern he pasted together newspapers to make a two-metre sphere, and accompanied by his wife Maria and a huge crowd, took it out into the city. We follow Pistoletto as he travels over the Millennium Bridge, through the streets, then back to Tate Modern on a boat. The artist also explains the political and personal significance of staging such an action today.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 31 May 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="35300076" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue22/tateshots_issue22_pistoletto.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","ubs openings","long weekend","8669","Michelangelo Pistoletto","tateshots","issue 22"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/long-weekend-09-michelangelo-pistoletto</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale 09: Adrian Searle]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-09-adrian-searle</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It’s that time again, when the international art community packs its bags and heads for Venice. The 53rd Venice Biennale is now open, and in this film, made in collaboration with the Guardian newspaper, art critic Adrian Searle presents his roundup. What’s hot? What’s not? Find out here. Check out the next issue of TateShots for more Venice coverage and artist interviews.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It’s that time again, when the international art community packs its bags and heads for Venice. The 53rd Venice Biennale is now open, and in this film, made in collaboration with the Guardian newspaper, art critic Adrian Searle presents his roundup. What’s hot? What’s not? Find out here. Check out the next issue of TateShots for more Venice coverage and artist interviews.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 31 May 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46117783" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue22/tateshots_issue22_venice.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","venice biennale","2009","tateshots","issue 22","adrian searle"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:24</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-09-adrian-searle</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Long Weekend 09: Paola Pivi]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/long-weekend-09-paola-pivi</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For The Long Weekend 2009 Italian artist Paola Pivi created 1000, a work in which one thousand people descend en masse to the mezzanine bridge at Tate Modern, then scream in ear-splitting unison. The artist, preferring not to appear in this film, asked us to present the event without commentary, purely as if the viewer was there. We let 1000 ‘scream’ for itself.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For The Long Weekend 2009 Italian artist Paola Pivi created 1000, a work in which one thousand people descend en masse to the mezzanine bridge at Tate Modern, then scream in ear-splitting unison. The artist, preferring not to appear in this film, asked us to present the event without commentary, purely as if the viewer was there. We let 1000 ‘scream’ for itself.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 31 May 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="20936712" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue22/tateshots_issue22_pivi.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","2009","ubs openings","long weekend","tateshots","issue 22","Paola Pivi","tate modern","1000"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:49</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/long-weekend-09-paola-pivi</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Long Weekend 09: Jennifer West]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/long-weekend-09-jennifer-west</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The LA-based artist Jennifer West came to Tate Modern to create a new film live in the gallery. Instead of cameras, her process involves manipulating and making marks on the celluloid film itself. For this performance ink-covered film strips were laid out along the ramp of Tate Modern’s turbine hall. A team of skateboarders then traversed the slope, their wheels scraping marks into the celluloid. West then spent the rest of the night splicing the film together, ready to showcase the psychedelic patterns created by the skaters’ movements.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The LA-based artist Jennifer West came to Tate Modern to create a new film live in the gallery. Instead of cameras, her process involves manipulating and making marks on the celluloid film itself. For this performance ink-covered film strips were laid out along the ramp of Tate Modern’s turbine hall. A team of skateboarders then traversed the slope, their wheels scraping marks into the celluloid. West then spent the rest of the night splicing the film together, ready to showcase the psychedelic patterns created by the skaters’ movements.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 31 May 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37667056" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue22/tateshots_issue22_west.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","the long weekend","ubs openings","2009","tateshots","issue 22","10453","Jennifer West","tate modern","skate the sky"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/long-weekend-09-jennifer-west</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Work in Focus: Jean Dubuffet]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/work-focus-jean-dubuffet</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Author and artist Mark Haddon, best known for his novel ‘The Curious Incident of the Dog in the Night-time’, came to Tate Modern to look at one of his favourite paintings: The Busy Life 1953 by Jean Dubuffet. This work belongs to a series that Dubuffet called ‘beaten pastes’ because the main paint layer resembled butter, into which he scratched the graffiti-like figures. In this film, Haddon shares his love for Dubuffet’s technique: a celebration of mark-making and texture.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Author and artist Mark Haddon, best known for his novel ‘The Curious Incident of the Dog in the Night-time’, came to Tate Modern to look at one of his favourite paintings: The Busy Life 1953 by Jean Dubuffet. This work belongs to a series that Dubuffet called ‘beaten pastes’ because the main paint layer resembled butter, into which he scratched the graffiti-like figures. In this film, Haddon shares his love for Dubuffet’s technique: a celebration of mark-making and texture.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 05 Jan 2009 19:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/work-focus-jean-dubuffet</guid>
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<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Twitter With: Marina Abramović]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/twitter-marina-abramovic</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots' army of Twitter friends sent in questions for uncompromising performance artist Marina Abramović. We catch up with her while she’s in the UK preparing for a residency at the Manchester International Festival, where she will present performances by some of her favourite artists.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots' army of Twitter friends sent in questions for uncompromising performance artist Marina Abramović. We catch up with her while she’s in the UK preparing for a residency at the Manchester International Festival, where she will present performances by some of her favourite artists.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="113869117" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_abramovic.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","tateshots","issue 23","marina abramovic","twitter with"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:07:20</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/twitter-marina-abramovic</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Elmgreen & Dragset]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-elmgreen-dragset</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In a first for the Venice Biennale, two national pavilions are collaborating on a single project. The catalysts are Michael Elmgreen (Denmark) and Ingar Dragset (Norway), who have worked together since 1995. For the 2009 Biennale, they have converted the neighbouring pavilions into private residences, each one inhabited by an imaginary art collector and their prized possessions. Visitors to the 'family home' witness clues to an imminent break-up, whilst outside the 'bachelor pad' a swimming pool with a dead body floating in it is proof that all is not well. In our interview the duo talk about the stories unfolding around them, and why working and living together didn't quite work out... The Collectors, Danish and Nordic Pavilions, Giardini, Venice until 22 November 2009]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In a first for the Venice Biennale, two national pavilions are collaborating on a single project. The catalysts are Michael Elmgreen (Denmark) and Ingar Dragset (Norway), who have worked together since 1995. For the 2009 Biennale, they have converted the neighbouring pavilions into private residences, each one inhabited by an imaginary art collector and their prized possessions. Visitors to the 'family home' witness clues to an imminent break-up, whilst outside the 'bachelor pad' a swimming pool with a dead body floating in it is proof that all is not well. In our interview the duo talk about the stories unfolding around them, and why working and living together didn't quite work out... The Collectors, Danish and Nordic Pavilions, Giardini, Venice until 22 November 2009]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="73530547" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_elmgreen.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","venice biennale","2009","tateshots","issue 23","7308","Michael Elmgreen","7309","Ingmar Dragset"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:58</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-elmgreen-dragset</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Francis Upritchard]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-francis-upritchard</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Zealand-born, London-based artist Francis Upritchardis representing her country at this year's Biennale. Taking over three rooms of a palazzo, 'Save Yourself' is an imaginary landscape populated by strange miniature figures, who seem to belong both in the past and the future. In this film, Francis talks us through the exhibition, and explains what motivates her.< Francis Upritchard: Save Yourself, until 22 November 2009, Fondazione Claudio Buziol, Venice.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Zealand-born, London-based artist Francis Upritchardis representing her country at this year's Biennale. Taking over three rooms of a palazzo, 'Save Yourself' is an imaginary landscape populated by strange miniature figures, who seem to belong both in the past and the future. In this film, Francis talks us through the exhibition, and explains what motivates her.< Francis Upritchard: Save Yourself, until 22 November 2009, Fondazione Claudio Buziol, Venice.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="50813564" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_upritchard.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","tateshots","issue 23","venice biennale","7285","Francis Upritchard","2009"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-francis-upritchard</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New Work: Jeremy Deller]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/new-work-jeremy-deller</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Jeremy Deller, who won the Turner Prize in 2004, is getting ready for Procession, a parade he is organising for the Manchester International Festival in July. Comprising over twenty elements from all the boroughs of Greater Manchester, Deller describes the event as a celebration of ‘Northern social surrealism’. Surrealism was certainly the order of the day as TateShots accompanied Deller on a trip to Manchester one sunny afternoon in May. We visited a Scout and Guide marching band that is providing a specially arranged soundtrack, and ended up in a supermarket car park at a clandestine meeting of motoring enthusiasts. Procession leaves from the Liverpool Road end of Deansgate, Manchester, on 5 July at 2pm.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Jeremy Deller, who won the Turner Prize in 2004, is getting ready for Procession, a parade he is organising for the Manchester International Festival in July. Comprising over twenty elements from all the boroughs of Greater Manchester, Deller describes the event as a celebration of ‘Northern social surrealism’. Surrealism was certainly the order of the day as TateShots accompanied Deller on a trip to Manchester one sunny afternoon in May. We visited a Scout and Guide marching band that is providing a specially arranged soundtrack, and ended up in a supermarket car park at a clandestine meeting of motoring enthusiasts. Procession leaves from the Liverpool Road end of Deansgate, Manchester, on 5 July at 2pm.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="76975998" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_deller.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","3034","Jeremy Deller","tateshots","issue 23","procession"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:13</itunes:duration>
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<guid>http://www.tate.org.uk/context-comment/video/new-work-jeremy-deller</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: East-West Divan]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-east-west-divan</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As well as official national pavilions, Venice is home to a number of ‘collateral’ exhibitions and events, often representing people and places that wouldn't normally get a look in. Former Tate curator Jemima Montagu is presenting an exhibition of work by artists from Iran, Afghanistan and Pakistan – famously caricatured by George W. Bush as the ‘Axis of Evil’. She talks about the thriving visual culture of the region.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As well as official national pavilions, Venice is home to a number of ‘collateral’ exhibitions and events, often representing people and places that wouldn't normally get a look in. Former Tate curator Jemima Montagu is presenting an exhibition of work by artists from Iran, Afghanistan and Pakistan – famously caricatured by George W. Bush as the ‘Axis of Evil’. She talks about the thriving visual culture of the region.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="60154988" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_divan.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","venice biennale","east-west divan","Jemima Montagu","tateshots","issue 23"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:59</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-east-west-divan</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Venice Voices]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-venice-voices</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Venice Biennale is attended by tens of thousands of people, and on the first weekend you can't move for artists, curators and journalists. We asked a number of them, including critic Adrian Searle and artists Richard Wentworth, Bob and Roberta Smith and Francis Upritchard, to tell us what Venice means to them.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Venice Biennale is attended by tens of thousands of people, and on the first weekend you can't move for artists, curators and journalists. We asked a number of them, including critic Adrian Searle and artists Richard Wentworth, Bob and Roberta Smith and Francis Upritchard, to tell us what Venice means to them.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Jul 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="52485050" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue23/tateshots_issue23_venice.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","2009","venice biennale","venice voices","vox pops","adrian searle","Richard Wentworth","Bob and Roberta Smith","Francis Upritchard","tateshots","issue 23"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:36</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-venice-voices</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: UAE Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-uae-pavilion</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For an artist of Joan Jonas’s standing, it’s hard to believe that this is her first time exhibiting at the Venice Biennale. In her show at the Arsenale she is presenting a single work entitled Reading Dante, the result of a long-standing fascination with The Divine Comedy. In keeping with her diverse practice, the installation features sculptural elements alongside film, performance and drawings. Here, Jonas talks about how she relishes the freedom to work in any medium.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For an artist of Joan Jonas’s standing, it’s hard to believe that this is her first time exhibiting at the Venice Biennale. In her show at the Arsenale she is presenting a single work entitled Reading Dante, the result of a long-standing fascination with The Divine Comedy. In keeping with her diverse practice, the installation features sculptural elements alongside film, performance and drawings. Here, Jonas talks about how she relishes the freedom to work in any medium.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="63586567" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue24/tateshots_issue24_jonas.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","7726","Joan Jonas","tateshots","issue 24","2009","venice biennale"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:09</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-uae-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Cyprien Gaillard]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-cyprien-gaillard</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Cyprien Gaillard presented his ‘electronic opera’ Desniansky Raion at Tate Modern this July. The triptych of films features some startling images, including battling gangs and a son et lumière building demolition. In this video Gaillard talks about the ideas behind his work and how composer and musician Koudlam provided the film’s extraordinary soundtrack.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Cyprien Gaillard presented his ‘electronic opera’ Desniansky Raion at Tate Modern this July. The triptych of films features some startling images, including battling gangs and a son et lumière building demolition. In this video Gaillard talks about the ideas behind his work and how composer and musician Koudlam provided the film’s extraordinary soundtrack.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/performance-cyprien-gaillard</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: Roman Ondák]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-roman-ondak</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The artist Roman Ondák is known for making artworks so subtle that many people don’t know they are there at all. A piece in the Tate Collection, for example, consists of ordinary people queuing up at various places in the gallery. In Loop, at the Venice Biennale, he turns the Czech and Slovak Pavilion into a botanical environment that merges seamlessly with the Giardini gardens. It’s all the more mischievous for the fact that many pass through the ‘loop’ without even realising it. In this film, Ondák walks us through the installation, and lets us into the secrets of its construction]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The artist Roman Ondák is known for making artworks so subtle that many people don’t know they are there at all. A piece in the Tate Collection, for example, consists of ordinary people queuing up at various places in the gallery. In Loop, at the Venice Biennale, he turns the Czech and Slovak Pavilion into a botanical environment that merges seamlessly with the Giardini gardens. It’s all the more mischievous for the fact that many pass through the ‘loop’ without even realising it. In this film, Ondák walks us through the installation, and lets us into the secrets of its construction]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-roman-ondak</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: David Batchelor]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-david-batchelor</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We joined artist David Batchelor in his studio to ask him about Spectrum of Brick Lane 2007, currently on display at Tate Liverpool. An assemblage of salvaged material transformed into a tower of colourful lightboxes, the sculpture illustrates Batchelor's interest in city colours, rather than those of nature. In this film, he tells us how he takes inspiration from the city, the art of mastering monochromes, and why he needed to escape from 'bloody rectangles'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We joined artist David Batchelor in his studio to ask him about Spectrum of Brick Lane 2007, currently on display at Tate Liverpool. An assemblage of salvaged material transformed into a tower of colourful lightboxes, the sculpture illustrates Batchelor's interest in city colours, rather than those of nature. In this film, he tells us how he takes inspiration from the city, the art of mastering monochromes, and why he needed to escape from 'bloody rectangles'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-david-batchelor</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Jim Lambie]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-jim-lambie</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited Glasgow to meet artist Jim Lambie in his studio. Currently on show at Tate Liverpool’s Colour Chart exhibition is one of Lambie’s best known works, Zobop. In this site-specific installation, coloured vinyl tape is used to trace around the floor of the gallery, creating a dizzying pattern that reflects the architectural particularities of the building. Here he talks about installing the work, and the crossover with his other life as a musician and DJ.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited Glasgow to meet artist Jim Lambie in his studio. Currently on show at Tate Liverpool’s Colour Chart exhibition is one of Lambie’s best known works, Zobop. In this site-specific installation, coloured vinyl tape is used to trace around the floor of the gallery, creating a dizzying pattern that reflects the architectural particularities of the building. Here he talks about installing the work, and the crossover with his other life as a musician and DJ.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-jim-lambie</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Venice Biennale: UAE Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/venice-biennale-uae-pavilion-0</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The 2009 Venice Biennale marks the debut of the United Arab Emirates Pavilion. We talked to commissioner Dr Lamees Hamdan about her hopes for the project, curator Tirdad Zolghadr about the theme of his exhibition, and artist Lamya Gargash about her photographs of ‘one star hotels.’]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The 2009 Venice Biennale marks the debut of the United Arab Emirates Pavilion. We talked to commissioner Dr Lamees Hamdan about her hopes for the project, curator Tirdad Zolghadr about the theme of his exhibition, and artist Lamya Gargash about her photographs of ‘one star hotels.’]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Aug 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="56848655" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/issue24/tateshots_issue24_uae.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","Lamya Gargash","Tirdad Zolghadr","tateshots","issue 24","venice biennale","uae pavilion","photography"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/venice-biennale-uae-pavilion-0</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the Studio: Keith Tyson]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/studio-keith-tyson</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Keith Tyson won the Turner Prize in 2002, with an exhibition of humming machines and large-scale paintings dissecting the mysteries of the universe. Last month he invited us to his studio on the south coast of England, where new work was being prepared for an exhibition at Parasol Unit, London. Amongst them are his ‘Cloud Choreography’ paintings, which explore imagery ranging from the cloud of milk in your coffee to the vapour from an atomic bomb. He also talks about his alchemic ‘Nature Paintings’ which are the result of a chemical reaction; each composition unique and unpredictable. Finally, we take a stroll on the beach to muse on the sources of Keith’s inspiration.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Keith Tyson won the Turner Prize in 2002, with an exhibition of humming machines and large-scale paintings dissecting the mysteries of the universe. Last month he invited us to his studio on the south coast of England, where new work was being prepared for an exhibition at Parasol Unit, London. Amongst them are his ‘Cloud Choreography’ paintings, which explore imagery ranging from the cloud of milk in your coffee to the vapour from an atomic bomb. He also talks about his alchemic ‘Nature Paintings’ which are the result of a chemical reaction; each composition unique and unpredictable. Finally, we take a stroll on the beach to muse on the sources of Keith’s inspiration.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Sep 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="88428315" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2009/tateshots_2009_10_tyson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2009","4918","artist interviews","01.10.2009","TateShots","Art","artist","clouds","exhibition","Painting","sculpture","studio","tateshots"]]></itunes:keywords>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/studio-keith-tyson</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Long Weekend 2009: House of Fairy Tales]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/long-weekend-2009-house-fairy-tales</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The House of Fairy Tales brought their unique blend of contemporary art and family fun to Tate Modern’s Long Weekend festival earlier this year, and TateShots was there to capture the atmosphere. Artist Gavin Turk is one of the co-founders of the group, and he talked to us about their mission, the art of recycling and the best way to pronounce Arte Povera – all the while dressed up as Andy Warhol. We also witnessed a chess tournament with a difference, and a very futuristic Morris Dance performed by a troupe of cardboard-clad robotic dancers.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The House of Fairy Tales brought their unique blend of contemporary art and family fun to Tate Modern’s Long Weekend festival earlier this year, and TateShots was there to capture the atmosphere. Artist Gavin Turk is one of the co-founders of the group, and he talked to us about their mission, the art of recycling and the best way to pronounce Arte Povera – all the while dressed up as Andy Warhol. We also witnessed a chess tournament with a difference, and a very futuristic Morris Dance performed by a troupe of cardboard-clad robotic dancers.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 07 Oct 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="92910015" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/October2009/tateshots_2009_10_hoft.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:14</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/long-weekend-2009-house-fairy-tales</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Exhibition: Jill Magid: Authority to Remove]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/exhibition-jill-magid-authority-remove</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In 2005, American artist Jill Magid was commissioned to produce an artwork for the AIVD – the Dutch Secret Service. At Tate Modern’s Level 2 gallery she presents the culmination of a project that saw her gain unprecedented access to the organisation. The exhibition traces her encounters with real-life secret agents as she worked towards a book – ‘Becoming Tarden’ – about trying to find a face at AIVD’s centre. TateShots met Jill in an anonymous café (around the back of Tate Modern) to find out why for her, surveillance and authority combine to make a strange kind of love story.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In 2005, American artist Jill Magid was commissioned to produce an artwork for the AIVD – the Dutch Secret Service. At Tate Modern’s Level 2 gallery she presents the culmination of a project that saw her gain unprecedented access to the organisation. The exhibition traces her encounters with real-life secret agents as she worked towards a book – ‘Becoming Tarden’ – about trying to find a face at AIVD’s centre. TateShots met Jill in an anonymous café (around the back of Tate Modern) to find out why for her, surveillance and authority combine to make a strange kind of love story.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 15 Oct 2009 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="83390155" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/October2009/tateshots_2009_10_magid.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2009","artist interviews","16.10.2009","TateShots","america","Art","artist","exhibition","holland","installation","neon","tateshots","text"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:40</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/exhibition-jill-magid-authority-remove</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Michael Landy on the Scrap Heap]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/michael-landy-on-scrap-heap</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Currently showing at Tate Liverpool, the exhibition Joyous Machines focuses on the connection between the work of Jean Tinguely (1925-1991), and British artist Michael Landy, who has been significantly influenced by Tinguely and his constructive and destructive tendencies. Tinguely is perhaps most famous for the ambitious and influential 'Homage to New York', an auto-destructive work that failed spectacularly to destroy itself in 1960. In 2001 Michael Landy successfully destroyed all of his worldly possessions for Break Down, a project he presented in an abandoned department store in London’s Oxford Street. For this film, we took Michael, accompanied by Tate Liverpool’s Laurence Sillars, to a waste recycling depot in Camden. Here they talked about the exhibition, the artists’ shared interest in scrap materials, and Landy’s ambition to one day recreate 'Homage to New York'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Currently showing at Tate Liverpool, the exhibition Joyous Machines focuses on the connection between the work of Jean Tinguely (1925-1991), and British artist Michael Landy, who has been significantly influenced by Tinguely and his constructive and destructive tendencies. Tinguely is perhaps most famous for the ambitious and influential 'Homage to New York', an auto-destructive work that failed spectacularly to destroy itself in 1960. In 2001 Michael Landy successfully destroyed all of his worldly possessions for Break Down, a project he presented in an abandoned department store in London’s Oxford Street. For this film, we took Michael, accompanied by Tate Liverpool’s Laurence Sillars, to a waste recycling depot in Camden. Here they talked about the exhibition, the artists’ shared interest in scrap materials, and Landy’s ambition to one day recreate 'Homage to New York'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 02 Nov 2009 19:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2046","2409","artist interviews","03.11.2009","TateShots","Art","artist","britain","british","camden","curator","educational","exhibition","interview","liverpool","London","recycling","scrap","waste"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/michael-landy-on-scrap-heap</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Mat Collishaw]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-mat-collishaw</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots caught up with artist Mat Collishaw at the Freud Museum in Finchley, North London, where visitors are being treated to a series of his elaborate interventions. Set amongst the curiously preserved environment of Sigmund Freud’s former residence and clinic, Collishaw’s artworks muse over the methodology of psychoanalysis. The centrepiece to the exhibition is a large zoetrope showing the mis-adventures of some cheeky, cherubic little boys as they become violent in a Garden of Unearthly Delights. This is located in Anna Freud’s room, where the psychologist would diagnose conditions in misbehaving youngsters. “I don’t really understand that”, Mat tells us, “perhaps little boys are just naughty…”]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots caught up with artist Mat Collishaw at the Freud Museum in Finchley, North London, where visitors are being treated to a series of his elaborate interventions. Set amongst the curiously preserved environment of Sigmund Freud’s former residence and clinic, Collishaw’s artworks muse over the methodology of psychoanalysis. The centrepiece to the exhibition is a large zoetrope showing the mis-adventures of some cheeky, cherubic little boys as they become violent in a Garden of Unearthly Delights. This is located in Anna Freud’s room, where the psychologist would diagnose conditions in misbehaving youngsters. “I don’t really understand that”, Mat tells us, “perhaps little boys are just naughty…”]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Nov 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="55885431" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2009/tateshots_2009_nov_collishaw.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2588","artist interviews","TateShots","british","collishaw","freud","hysteria","London","mat","museum","optical illusion","Zoetrope"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:36</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-mat-collishaw</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Dark Monarch]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/dark-monarch</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Author and exhibition co-curator Michael Bracewell welcomes us to Tate St Ives for ‘The Dark Monarch’, a show that explores the influence of folklore, mysticism, mythology and the occult on art in Britain. In this film, Bracewell introduces the major themes of the exhibition by looking at eerie landscape photographs by Paul Nash, a complex painting by contemporary artist Clare Woods, and a haunting film by Derek Jarman.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Author and exhibition co-curator Michael Bracewell welcomes us to Tate St Ives for ‘The Dark Monarch’, a show that explores the influence of folklore, mysticism, mythology and the occult on art in Britain. In this film, Bracewell introduces the major themes of the exhibition by looking at eerie landscape photographs by Paul Nash, a complex painting by contemporary artist Clare Woods, and a haunting film by Derek Jarman.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 12 Nov 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42013536" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2009/tateshots_2009_nov_bracewell.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2009","1690","exhibitions","13.11.2009","TateShots","Art","Clare Woods","educational","exhibition","Film","jarman","modernism","Modernist","Nash","Painting","paul nash","st ives"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:10</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/dark-monarch</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Bruce McLean]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-bruce-mclean</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited the studio of Scottish performance artist and painter Bruce McLean. His performance 'Pose Work for Plinths', photographs of which are currently on show at Tate Liverpool, is regarded as an iconic artwork, an expression of the rebellion McLean and his contemporaries staged during his time at art school in the 1960s. In this video Bruce explains how he regarded the Pose Work as a 'bit of a joke', and describes why he believes art and artists have the power to change the world. He even shows us his design for an alternative to the Houses of Parliament.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visited the studio of Scottish performance artist and painter Bruce McLean. His performance 'Pose Work for Plinths', photographs of which are currently on show at Tate Liverpool, is regarded as an iconic artwork, an expression of the rebellion McLean and his contemporaries staged during his time at art school in the 1960s. In this video Bruce explains how he regarded the Pose Work as a 'bit of a joke', and describes why he believes art and artists have the power to change the world. He even shows us his design for an alternative to the Houses of Parliament.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 18 Nov 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="53572218" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2009/tateshots_2009_nov_mclean.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","2009","1610","bruce mclean","19.11.2009"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:15</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-bruce-mclean</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Rob Pruitt's Christmas Flea Market]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/rob-pruitts-christmas-flea-market</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Rob Pruitt brought his Holiday Flea Market to Tate Modern in the run up to Christmas. First staged in New York in 1999, the event started as a novel way to curate a group exhibition, with artists selling wares such as prints, home-made objects, bric-a-brac and more. This London incarnation brought together many enterprising young artists, as well as bigger names such as Gavin Turk and Tracey Emin. TateShots was accompanied by curator Kathy Noble to see what was on offer.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[American artist Rob Pruitt brought his Holiday Flea Market to Tate Modern in the run up to Christmas. First staged in New York in 1999, the event started as a novel way to curate a group exhibition, with artists selling wares such as prints, home-made objects, bric-a-brac and more. This London incarnation brought together many enterprising young artists, as well as bigger names such as Gavin Turk and Tracey Emin. TateShots was accompanied by curator Kathy Noble to see what was on offer.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 20 Dec 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47060167" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2009/tateshots_2009_dec_flea.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","21.12.2009","TateShots","Art","artist","christmas","Gavin Turk","happening","interview","jared schiller","kathy noble","Live","London","market","performance","tate modern","Tracey Emin","tateshots","2009","2590","2596"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:47</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/rob-pruitts-christmas-flea-market</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tacita Dean's Christmas Tree]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tacita-deans-christmas-tree</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Berlin-based artist Tacita Dean has created this year’s Tate Britain Christmas Tree. This modest looking tree, domestically scaled and adorned with candles, projects a simple beauty that was inspired by the artist’s experience of Christmas in Germany. At 4pm each day in the run up to Christmas, the beeswax candles are lit and left to burn until the gallery doors are shut. In this film Tacita reflects on her design and we also meet Michael Marchant, the Wax Chandler who made the candles.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Berlin-based artist Tacita Dean has created this year’s Tate Britain Christmas Tree. This modest looking tree, domestically scaled and adorned with candles, projects a simple beauty that was inspired by the artist’s experience of Christmas in Germany. At 4pm each day in the run up to Christmas, the beeswax candles are lit and left to burn until the gallery doors are shut. In this film Tacita reflects on her design and we also meet Michael Marchant, the Wax Chandler who made the candles.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 16 Dec 2009 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31105214" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2009/tateshots_dec09_dean.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2675","artist interviews","17.12.2009","TateShots","Art","artist","berlin","candles","christmas","christmas tree","Germany","interview","light","nature","Tate","tate britain","tree","weihnachtsbaum"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:03</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tacita-deans-christmas-tree</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Keren Cytter / D.I.E. Now]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/keren-cytter-die-now</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[History in the Making or the Secret Diaries of Linda Schultz is a new live theatre piece by Israeli artist Keren Cytter, created in collaboration with D.I.E. Now (Dance International Europe), a theatre group recently formed by Cytter. John Webber, a political activist, and Linda Schultz, a graphic designer, awake one morning to discover they have each been subject to an unexpected and radical sex change. The repercussions of this event have a domino effect on society, sexual politics, and personal identity, ultimately leading to revolution, as Cytter playfully tells the story via film, language, imagery, choreography, performance and light projections. History in the Making takes inspiration from a diverse range of influences, including Pina Bausch, Bat-Sheva dance group, Samuel Beckett, Disney on Ice, Michael Jackson, Yvonne Rainer, and the exotic rhythms of the 1980s dance-floor filler the Lambada, creating a highly stylized theatrical performance, addressing the ideas with insight and humour.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[History in the Making or the Secret Diaries of Linda Schultz is a new live theatre piece by Israeli artist Keren Cytter, created in collaboration with D.I.E. Now (Dance International Europe), a theatre group recently formed by Cytter. John Webber, a political activist, and Linda Schultz, a graphic designer, awake one morning to discover they have each been subject to an unexpected and radical sex change. The repercussions of this event have a domino effect on society, sexual politics, and personal identity, ultimately leading to revolution, as Cytter playfully tells the story via film, language, imagery, choreography, performance and light projections. History in the Making takes inspiration from a diverse range of influences, including Pina Bausch, Bat-Sheva dance group, Samuel Beckett, Disney on Ice, Michael Jackson, Yvonne Rainer, and the exotic rhythms of the 1980s dance-floor filler the Lambada, creating a highly stylized theatrical performance, addressing the ideas with insight and humour.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 06 Jan 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="75643165" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2010/tateshots_10_01_Cytter.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["07.01.2010","TateShots","dance","gender","performance","tate modern","tateshots","2010","performance"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/keren-cytter-die-now</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Jonathan Yeo on Pop and Pornography]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/jonathan-yeo-on-pop-and-pornography</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Portraitist Jonathan Yeo has painted actors, supermodels and politicians, and is perhaps best known for his collage of George W Bush made from pornographic magazines. Here, we get his impressions of three rooms in Tate Modern's Pop Life exhibition, from Andy Warhol's exuberant depiction of his celebrity friends, through Cosey Fanni Tutti's soft-core modelling, and ending up in the high gloss and explicit world of Jeff Koons's 'Made in Heaven'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Portraitist Jonathan Yeo has painted actors, supermodels and politicians, and is perhaps best known for his collage of George W Bush made from pornographic magazines. Here, we get his impressions of three rooms in Tate Modern's Pop Life exhibition, from Andy Warhol's exuberant depiction of his celebrity friends, through Cosey Fanni Tutti's soft-core modelling, and ending up in the high gloss and explicit world of Jeff Koons's 'Made in Heaven'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 14 Jan 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38576369" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2010/tateshots_2010_01_yeo.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2121","2368","8823","artist interviews","15.01.2010","TateShots","Art","Celebrity","Pop life","pornography","Portrait","sex"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/jonathan-yeo-on-pop-and-pornography</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: Cosey Fanni Tutti]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-cosey-fanni-tutti</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Cosey Fanni Tutti is the ideal artist to start our new series on art and music, having worked across the two mediums since 1969. In this film, interspersed with live footage from her bands Throbbing Gristle and Chris and Cosey, she talks about her distaste for decorative art and how her music is all about emotion. She also discusses her work from the 1970s, in which she modeled for glamour magazines as a way to explore the commodification of sex. It would have been hypocritical, she explains, to use images of other people when she could have done it herself.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Cosey Fanni Tutti is the ideal artist to start our new series on art and music, having worked across the two mediums since 1969. In this film, interspersed with live footage from her bands Throbbing Gristle and Chris and Cosey, she talks about her distaste for decorative art and how her music is all about emotion. She also discusses her work from the 1970s, in which she modeled for glamour magazines as a way to explore the commodification of sex. It would have been hypocritical, she explains, to use images of other people when she could have done it herself.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 27 Jan 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="63419330" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2010/tateshots_2010_01_cosey.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","28.01.2010","TateShots","Art","chris and cosey","collage","cosey fanni tutti","happening","music","nicola probert","nudity","performance","Pop life","sex","sound","throbbing gristle","vision"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:27</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-cosey-fanni-tutti</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: Jeffrey Lewis]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-jeffrey-lewis</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this edition of TateShots, part of our Sound and Vision series, we talk to American 'anti-folk' singer Jeffrey Lewis. In his live shows, Lewis often tells stories illustrated by comic books he has drawn himself. This film covers his thoughts on drawing and performing, and includes a clip of his illustrated 'History of Communism' (part 5, North Korea), filmed in Birmingham during his UK tour in 2009.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this edition of TateShots, part of our Sound and Vision series, we talk to American 'anti-folk' singer Jeffrey Lewis. In his live shows, Lewis often tells stories illustrated by comic books he has drawn himself. This film covers his thoughts on drawing and performing, and includes a clip of his illustrated 'History of Communism' (part 5, North Korea), filmed in Birmingham during his UK tour in 2009.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 03 Feb 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="56735241" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2010/tateshots_2010_02_lewis.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","04.02.2010","TateShots","Art","artist","music","singer","sound","vision"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:42</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-jeffrey-lewis</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: David Byrne]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-david-byrne</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In part 3 of Sound and Vision TateShots meets artist, musician and cyclist David Byrne. With his band Talking Heads, solo, or in his collaborations with Brian Eno, Byrne's music inspires huge passion from his fans, thanks in no small part to his artistic sensibilities and the attention he pays to his live performances. In this interview, made at the Camden Roundhouse during his exhibition 'Playing the Building', Byrne talks about making art in muliple media and the role choreography plays in interpreting song.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In part 3 of Sound and Vision TateShots meets artist, musician and cyclist David Byrne. With his band Talking Heads, solo, or in his collaborations with Brian Eno, Byrne's music inspires huge passion from his fans, thanks in no small part to his artistic sensibilities and the attention he pays to his live performances. In this interview, made at the Camden Roundhouse during his exhibition 'Playing the Building', Byrne talks about making art in muliple media and the role choreography plays in interpreting song.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 10 Feb 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="65334368" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2010/tateshots_2010_02_byrne.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","11.02.2010","TateShots","Art","drawing","installation","instrument","music","performance","sound","talking heads","vision"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:45</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-david-byrne</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: Lydia Lunch]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-lydia-lunch</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New York-born Lydia Lunch is a singer, poet, writer, actor, visual artist, and the fourth subject of our Sound and Vision series. From signaling the end of Punk with her first band, Teenage Jesus and the Jerks, to presenting art installations as a reaction to Tracey Emin - "I want you to smell the blood on the sheets..." - Lunch's work is provocative to say the least. In this film, featuring excerpts from her live performances, she talks about how Goya and Marcel Duchamp are amongst her favourite artists.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[New York-born Lydia Lunch is a singer, poet, writer, actor, visual artist, and the fourth subject of our Sound and Vision series. From signaling the end of Punk with her first band, Teenage Jesus and the Jerks, to presenting art installations as a reaction to Tracey Emin - "I want you to smell the blood on the sheets..." - Lunch's work is provocative to say the least. In this film, featuring excerpts from her live performances, she talks about how Goya and Marcel Duchamp are amongst her favourite artists.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Feb 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="69632650" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2010/tateshots_2010_02_lunch.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["1036","artist interviews","18.02.2010","TateShots","artist","Duchamp","goya","music","no-wave","performance","Poet","post-punk","Punk"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:08</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-lydia-lunch</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: Billy Childish]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-billy-childish</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Part 5 of Tate's Sound and Vision series, TateShots went to visit famed Punk rocker and artist Billy Childish at his studio in Kent. He initially trained as an apprentice stonemason in Chatham dockyard before attending St Martins School of Art, from which he was expelled in 1981. Born Steven Hamper, he got the name Billy Childish from a mate when he played in a punk band as a teenager. Since then Childish been as prolific a painter as he is a musician, and in this interview he talks about how his approach to making music art and poetry is often the same: ‘I’m interested in the elemental, not impressing myself and not impressing others. I fail, I often impress myself and I have sometimes impressed others’]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Part 5 of Tate's Sound and Vision series, TateShots went to visit famed Punk rocker and artist Billy Childish at his studio in Kent. He initially trained as an apprentice stonemason in Chatham dockyard before attending St Martins School of Art, from which he was expelled in 1981. Born Steven Hamper, he got the name Billy Childish from a mate when he played in a punk band as a teenager. Since then Childish been as prolific a painter as he is a musician, and in this interview he talks about how his approach to making music art and poetry is often the same: ‘I’m interested in the elemental, not impressing myself and not impressing others. I fail, I often impress myself and I have sometimes impressed others’]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 23 Feb 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="68367521" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2010/tateshots_2010_02_billy.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","performance","21.01.2010","artist interviews","2010","performance","24.02.2010","TateShots","billy childish","paining","sound and vision","stuckist","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:07</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-billy-childish</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Chris Ofili: Tinie Tempah]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/chris-ofili-tinie-tempah</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There’s just too much to see at Tate this week for us to release one Tate Shot, so we asked London Grime musician Tinie Tempah to come and look around the new Chris Ofili exhibition at Tate Britain and share his thoughts. Tickets are £5 on the door if you’re under 26, just bring ID.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There’s just too much to see at Tate this week for us to release one Tate Shot, so we asked London Grime musician Tinie Tempah to come and look around the new Chris Ofili exhibition at Tate Britain and share his thoughts. Tickets are £5 on the door if you’re under 26, just bring ID.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 01 Mar 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="52680321" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2010/tateshots_2010_03_tinie_tempa.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","TateShots","chris ofili","2543","tinie tempah","sound","music","performance","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:57</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/chris-ofili-tinie-tempah</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Chris Ofili: INSA]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/chris-ofili-insa</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Elusive graffiti artist and shoe designer INSA has been commissioned to produce a response to the recent Chris Ofili exhibition on display at Tate Britain. TateShots had a look around his London studio to see what he’d come up with.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Elusive graffiti artist and shoe designer INSA has been commissioned to produce a response to the recent Chris Ofili exhibition on display at Tate Britain. TateShots had a look around his London studio to see what he’d come up with.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 08 Mar 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="54427785" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2010/tateshots_2010_03_insa.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","09.03.2010","TateShots","chris ofili","insa"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:45</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/chris-ofili-insa</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sound & Vision: Mark E Smith]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/sound-vision-mark-e-smith</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the last installment of our Sound and Vision series, English Post-Punk singer Mark E Smith gave us a brief tour of his rise to fame with The Fall and the early influence of angry British Surrealism on his music.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the last installment of our Sound and Vision series, English Post-Punk singer Mark E Smith gave us a brief tour of his rise to fame with The Fall and the early influence of angry British Surrealism on his music.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 09 Mar 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="65769304" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2010/tateshots_2010_03_markesmith.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","10.03.2010","TateShots","mark e smith","music","the fall"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:02</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/sound-vision-mark-e-smith</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Michael Rakowitz]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/michael-rakowitz</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There aren't many artists who have been interviewed both by TateShots and Star Wars Insider Magazine, but that's what happened to Michael Rakowitz as he put the finishing touches to his Tate Modern exhibition. Star Wars fans, it seems, were as eager as us to find out the links between science fiction fantasy and the reality of war, with Darth Vader's iconic helmet playing an unexpected role. Rakowitz's exhibition explores seemingly implausible connections between objects and events. Included in the show are a diverse range of material, from the 'Empire Strikes Back' poster a young Rakowitz adorned on his bedroom wall, to WW2 memorabilia sourced from eBay, and an example of Sadam Hussein's taste in literary cover art. Wrestling scandals, plagiarism claims and the Supergun affair are also thrown into the mix. In this video the artist is our guide around the exhibition. Michael Rakowitz: The worst condition is to pass under a sword which is not one's own, Tate Modern, until 3 May 2010]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[There aren't many artists who have been interviewed both by TateShots and Star Wars Insider Magazine, but that's what happened to Michael Rakowitz as he put the finishing touches to his Tate Modern exhibition. Star Wars fans, it seems, were as eager as us to find out the links between science fiction fantasy and the reality of war, with Darth Vader's iconic helmet playing an unexpected role. Rakowitz's exhibition explores seemingly implausible connections between objects and events. Included in the show are a diverse range of material, from the 'Empire Strikes Back' poster a young Rakowitz adorned on his bedroom wall, to WW2 memorabilia sourced from eBay, and an example of Sadam Hussein's taste in literary cover art. Wrestling scandals, plagiarism claims and the Supergun affair are also thrown into the mix. In this video the artist is our guide around the exhibition. Michael Rakowitz: The worst condition is to pass under a sword which is not one's own, Tate Modern, until 3 May 2010]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 23 Mar 2010 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","24.03.2010","TateShots","exhibition","fiction","gallery","Iraq","level 2","science","star wars","Tate","tate modern","tateshots","War"]]></itunes:keywords>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/michael-rakowitz</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Art Now: Andy Holden]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/art-now-andy-holden</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As a young child, artist Andy Holden stole a rock from from the Great Pyramid of Cheops, Giza. His exhibition at Tate Britain is an attempt to put right this act. It includes a giant representation of the rock knitted from yarn - a sculpture that took over a year to complete - and a video of the artist returning to Giza to try and put the rock back. In this film, Holden explains the events leading up to the exhibition.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As a young child, artist Andy Holden stole a rock from from the Great Pyramid of Cheops, Giza. His exhibition at Tate Britain is an attempt to put right this act. It includes a giant representation of the rock knitted from yarn - a sculpture that took over a year to complete - and a video of the artist returning to Giza to try and put the rock back. In this film, Holden explains the events leading up to the exhibition.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 06 Apr 2010 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","07.04.2010","TateShots","Art","art now","artist","britian","exhibition","installation","knitting","pyramid","sculpture","Tate","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:18</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/art-now-andy-holden</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Meet the Artist: Dexter Dalwood]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/meet-artist-dexter-dalwood</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show. Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show. Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 31 Mar 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="64909604" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2010/tateshots_2010_04_dalwood.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["aid:4611]","artist interviews","01.04.2010","TateShots","Dexter Dalwood","exhibition","historical","landscape","Painting","Tate St Ives"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/meet-artist-dexter-dalwood</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Behind the Scenes: Conserving Chris Ofili]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/behind-scenes-conserving-chris-ofili</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate's Conservation Department work behind the scenes to ensure future generations can enjoy the Tate Collection. It's not just old masters that get their attention; contemporary artists work in such a diverse range of materials that the team undertakes extensive research to help them in their task. In this film, paintings conservator Natasha Walker explains how she went about making replica versions of Chris Ofili's paintings, in order to carry out tests that could never be made on the real works of art. With help from the artist, his assistants, and an elephant at Whipsnade Zoo, Natasha and her team's 'Chris Ofilis' might not be as good as the real thing, but they will help protect them well into the future.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate's Conservation Department work behind the scenes to ensure future generations can enjoy the Tate Collection. It's not just old masters that get their attention; contemporary artists work in such a diverse range of materials that the team undertakes extensive research to help them in their task. In this film, paintings conservator Natasha Walker explains how she went about making replica versions of Chris Ofili's paintings, in order to carry out tests that could never be made on the real works of art. With help from the artist, his assistants, and an elephant at Whipsnade Zoo, Natasha and her team's 'Chris Ofilis' might not be as good as the real thing, but they will help protect them well into the future.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 15 Apr 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47259821" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2010/tateshots_2010_04_ofiliconserv.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2543","exhibitions","work in focus","16.04.2010","TateShots","Behind the Scenes","britain","british","chris ofili","conservation","ofili","Painter","Painting","Tate"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:09</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/behind-scenes-conserving-chris-ofili</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Nicholas Serota in conversation with Simon Schama]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/nicholas-serota-conversation-simon-schama</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As Tate Modern celebrates its 10th Birthday, Jan Dalley of the Financial Times hosts this discussion between Tate Director Nicholas Serota and broadcaster and historian Simon Schama.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As Tate Modern celebrates its 10th Birthday, Jan Dalley of the Financial Times hosts this discussion between Tate Director Nicholas Serota and broadcaster and historian Simon Schama.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Apr 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="132342635" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2010/tateshots_2010_04_ft_serota.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","29.04.2010","TateShots","nicholas serota","simon schama","tm10"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:11:09</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/nicholas-serota-conversation-simon-schama</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Rude Britannia: Spitting Image]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/rude-britannia-spitting-image</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We caught up with Roger Law, half of the creative team behind the show, during a photoshoot in the run up to Britain’s recent general election. The work of Spitting Image appears in Tate Britain’s new exhibition of comic art, Rude Britannia, and in this film Roger shows off an original puppet of Margaret Thatcher, explains how the great British satirist James Gillray landed a cameo role in the show, and tells us why sending up politicians today is far less fun than it used to be.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We caught up with Roger Law, half of the creative team behind the show, during a photoshoot in the run up to Britain’s recent general election. The work of Spitting Image appears in Tate Britain’s new exhibition of comic art, Rude Britannia, and in this film Roger shows off an original puppet of Margaret Thatcher, explains how the great British satirist James Gillray landed a cameo role in the show, and tells us why sending up politicians today is far less fun than it used to be.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 16 May 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="49965916" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2010/tateshots_2010_05_roger_law.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","17.05.2010","TateShots","exhibition","Margaret Thatcher","roger law","rude britannia","Spitting Image","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:24</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/rude-britannia-spitting-image</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[An Afternoon with Viz]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/afternoon-viz</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Started in 1979 from a bedroom in Newcastle-upon-Tyne, the magazine's particular brand of British toilet humour soon became a nationwide hit, selling over a million copies by 1989. It's been in decline ever since... TateShots boarded a train to Newcastle and filmed editors Simon Thorp, Graham Dury and Davey Jones as they finished off some specially made strips for Tate Britain's new exhibition. Featuring Viz stalwarts the Fat Slags ("nice big curves"), Mrs Brady Old Lady ("she's obsessed with her bowels"), and new characters Thomas Rowlandson and James Gillray ("trying to impress a girl"), the cartoons are as childish and crude as they are pointless and purile. They're also very, very funny. The Viz team also discuss what makes the magazine so British, why they gave up trying to be topical, and how "nothing comes out of the comic looking good, least of all ourselves".]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Started in 1979 from a bedroom in Newcastle-upon-Tyne, the magazine's particular brand of British toilet humour soon became a nationwide hit, selling over a million copies by 1989. It's been in decline ever since... TateShots boarded a train to Newcastle and filmed editors Simon Thorp, Graham Dury and Davey Jones as they finished off some specially made strips for Tate Britain's new exhibition. Featuring Viz stalwarts the Fat Slags ("nice big curves"), Mrs Brady Old Lady ("she's obsessed with her bowels"), and new characters Thomas Rowlandson and James Gillray ("trying to impress a girl"), the cartoons are as childish and crude as they are pointless and purile. They're also very, very funny. The Viz team also discuss what makes the magazine so British, why they gave up trying to be topical, and how "nothing comes out of the comic looking good, least of all ourselves".]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 06 Jun 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="62851773" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2010/tateshots_2010_06_viz.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","[channel:explicit]","humour","rude britannia","satire","tate britain","viz","07.06.2010"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">yes</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:27</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/afternoon-viz</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Rude Britannia: Gerald Scarfe]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/rude-britannia-gerald-scarfe</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Sunday Times regular was asked to curate the Political room in Rude Britannia, Tate Britain's extensive examination of the funny side of British art. The centrepiece of his display is a giant caricature based on a work by James Gillray, and we caught up with him as he began painting his updated version on the gallery's wall. Between brush strokes he told us about his affection for Gillray and the importance of modern satire.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Sunday Times regular was asked to curate the Political room in Rude Britannia, Tate Britain's extensive examination of the funny side of British art. The centrepiece of his display is a giant caricature based on a work by James Gillray, and we caught up with him as he began painting his updated version on the gallery's wall. Between brush strokes he told us about his affection for Gillray and the importance of modern satire.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 15 Jun 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47211338" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2010/tateshots_2010_06_scarfe.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","16.06.2010","TateShots","caricature","gerald scarfe","humour","james gillray","rude britannia","satire"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:18</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/rude-britannia-gerald-scarfe</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots Edinburgh: Nathan Coley]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-nathan-coley</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Memory has just been installed at Jupiter Artland, a contemporary sculpture park in the grounds of Bonnington House, just outside Edinburgh. The work takes the form of a graveyard, complete with headstones and flower beds. There are no names on the stones, and they represent different faiths, inviting the viewer to stop and reflect on a scene that is both site-specific and universal. At the Dean Gallery, part of the Scottish National Gallery of Modern Art, There Will Be No Miracles Here is a message spelled out in bright lights against the backdrop of Edinburgh Castle - but who the message is from, and who it is aimed at, is deliberately withheld.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Memory has just been installed at Jupiter Artland, a contemporary sculpture park in the grounds of Bonnington House, just outside Edinburgh. The work takes the form of a graveyard, complete with headstones and flower beds. There are no names on the stones, and they represent different faiths, inviting the viewer to stop and reflect on a scene that is both site-specific and universal. At the Dean Gallery, part of the Scottish National Gallery of Modern Art, There Will Be No Miracles Here is a message spelled out in bright lights against the backdrop of Edinburgh Castle - but who the message is from, and who it is aimed at, is deliberately withheld.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 12 Aug 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="64484458" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2010/tateshots_2010_08_nathan_coley.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","tateshots","13.08.2010","nathan coley","edinburgh","arts festival"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:19</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-nathan-coley</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots Edinburgh: Jupiter Artland]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-jupiter-artland</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[On the outskirts of Edinburgh the grounds of one country estate have been turned into a haven for contemporary art. Jupiter Artland at Bonnington House, Kirknewton, features site-specific work of the scale normally reserved for large art galleries or public spaces. In fact it’s a private collection owned by Robert and Nicky Wilson, who opened it up to the public in 2009. Many artists found in the Tate Collection have made a home for their work here, and this film highlights a few of these: Antony Gormley’s enormous ‘expanded field’ sculpture, Firmament; Laura Ford’s eerie Weeping Girls; Cornelia Parker’s spectacular Landscape with Gun and Tree and Jim Lambie’s A Forest. We spoke to Nicky and Robert about how the artists responded to the site, and filme some gratuitously beautiful Scottish scenery.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[On the outskirts of Edinburgh the grounds of one country estate have been turned into a haven for contemporary art. Jupiter Artland at Bonnington House, Kirknewton, features site-specific work of the scale normally reserved for large art galleries or public spaces. In fact it’s a private collection owned by Robert and Nicky Wilson, who opened it up to the public in 2009. Many artists found in the Tate Collection have made a home for their work here, and this film highlights a few of these: Antony Gormley’s enormous ‘expanded field’ sculpture, Firmament; Laura Ford’s eerie Weeping Girls; Cornelia Parker’s spectacular Landscape with Gun and Tree and Jim Lambie’s A Forest. We spoke to Nicky and Robert about how the artists responded to the site, and filme some gratuitously beautiful Scottish scenery.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 22 Aug 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47181686" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2010/tateshots_2010_08_jupiter.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","jupiter artland","tateshots","23.08.2010","edinburgh","art festival","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:12</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-jupiter-artland</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[No Soul For Sale]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/no-soul-sale</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[First held in New York in 2009, the event gives each group the same amount of space, marked out by red tape on the floor, in which to present examples of their work. In this film we speak to Cecilia Alemani, co-curator, and contributors including Thurston Moore.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[First held in New York in 2009, the event gives each group the same amount of space, marked out by red tape on the floor, in which to present examples of their work. In this film we speak to Cecilia Alemani, co-curator, and contributors including Thurston Moore.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Jun 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="55501845" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2010/tateshots_2010_07_nsfs.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["performance","01.07.2010","TateShots","no soul for sale","tate modern","tateshots","turbine hall"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:05</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/no-soul-sale</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Lily van der Stokker]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/lily-van-der-stokker</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Dutch artist, based in Amsterdam and New York, produces elaborate and decorative wall drawings in a style she terms 'nonshouting feminism'. We see the artist at work and talk to Martin Clark, creative director of Tate St Ives, about the exhibition.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Dutch artist, based in Amsterdam and New York, produces elaborate and decorative wall drawings in a style she terms 'nonshouting feminism'. We see the artist at work and talk to Martin Clark, creative director of Tate St Ives, about the exhibition.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 08 Jul 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46301150" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2010/tateshots_2010_07_no_big_deal.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","09.07.2010","TateShots","lily van der stokker","no big deal thing","st ives"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:13</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/lily-van-der-stokker</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Meet the Artist, Hew Locke]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-meet-artist-hew-locke</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Hew Locke is represented in the Tate Collection by Vita, Veritas, Victoria 2007, a wall-spanning installation made of beads, cord and gaffer tape. We met him at Hales Gallery in East London where he was finishing off another such work, the grand-scale, gallery-filling 'Nameless'. In this film Locke describes how his distinctive style came about - "it was born out of necessity" - and explains his obsession with heraldry and Britishness. Hew Locke: 'The Nameless' is at Hales Gallery until 17 October 2010]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artist Hew Locke is represented in the Tate Collection by Vita, Veritas, Victoria 2007, a wall-spanning installation made of beads, cord and gaffer tape. We met him at Hales Gallery in East London where he was finishing off another such work, the grand-scale, gallery-filling 'Nameless'. In this film Locke describes how his distinctive style came about - "it was born out of necessity" - and explains his obsession with heraldry and Britishness. Hew Locke: 'The Nameless' is at Hales Gallery until 17 October 2010]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 06 Jan 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="345" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/sepetembert2010/tateshots_2010_09_hew_locke.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["07.01.2010","TateShots","hew locke","11946","meet the artist","nameless","installation","2010","artist interviews"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:01</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-meet-artist-hew-locke</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Current Exhibition: Rosa Barba]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/current-exhibition-rosa-barba</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In her work film projectors command the viewer's attention as much as the images they project. They are found hanging loosely from the ceiling, or whirring away noisily in the centre of the gallery. In this interview Barba tells us how works like 'A Private Tableaux' (filmed in Liverpool's ventilation towers) and 'The Long Road (documenting a race track in the Californian desert) are like drawings made with a camera.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In her work film projectors command the viewer's attention as much as the images they project. They are found hanging loosely from the ceiling, or whirring away noisily in the centre of the gallery. In this interview Barba tells us how works like 'A Private Tableaux' (filmed in Liverpool's ventilation towers) and 'The Long Road (documenting a race track in the Californian desert) are like drawings made with a camera.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 07 Oct 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46495632" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2010/tateshots_2010_10_barba.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","14369","artist interviews","08.10.2010","TateShots","Film","level 2","rosa barba","sculpture","tate modern","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:11</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/current-exhibition-rosa-barba</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Performance: Linder - 'Your Actions are my Dreams’]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/performance-linder-your-actions-are-my-dreams</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As Hallowe'en approaches, TateShots looks back to last October when artist Linder presented a new work at Tate St Ives. Coinciding with the Cornish festival of Allantide, 'Your Actions are my Dreams' assembled elaborate costumes, traditional Guise dancers, musicians and a magnificent white horse in a spectacular procession. In this extended TateShots we follow the performance from first rehearsals in a pub in Penzance to it's noisy conclusion in Tate's loggia.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As Hallowe'en approaches, TateShots looks back to last October when artist Linder presented a new work at Tate St Ives. Coinciding with the Cornish festival of Allantide, 'Your Actions are my Dreams' assembled elaborate costumes, traditional Guise dancers, musicians and a magnificent white horse in a spectacular procession. In this extended TateShots we follow the performance from first rehearsals in a pub in Penzance to it's noisy conclusion in Tate's loggia.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Sun, 24 Oct 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="86043945" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2010/tateshots_2010_10_linder.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","10844","performance","25.10.2010","TateShots","linder sterling","performance"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:07:48</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/performance-linder-your-actions-are-my-dreams</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots Edinburgh: Martin Creed]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-martin-creed</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[First off we visit Martin Creed. This former Turner Prize winner is all over Edinburgh this summer, performing in his ballet 'Work No. 1020' at the Traverse Theatre, presenting his new book, 'Works', during the literary festival, and showing a brand new exhibition at The Fruitmarket Gallery, where TateShots met him."Down Over Up" presents a selection of Creed's works that focus on stacking and progression in size, height and tone. A musical staircase plays a different note for every step you take, a lift sings scales as you move from one floor to the other, and a row of prickly green cacti, lined up small to large, confront you in the gallery.In this film we see Martin installing the exhibition, and he explains why repetitive actions help him to make sense of the world.'Down Over Up' is at the Fruitmarket Gallery until 31 October 2010. 'Works', published by Thames and Hudson, is out now.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[First off we visit Martin Creed. This former Turner Prize winner is all over Edinburgh this summer, performing in his ballet 'Work No. 1020' at the Traverse Theatre, presenting his new book, 'Works', during the literary festival, and showing a brand new exhibition at The Fruitmarket Gallery, where TateShots met him."Down Over Up" presents a selection of Creed's works that focus on stacking and progression in size, height and tone. A musical staircase plays a different note for every step you take, a lift sings scales as you move from one floor to the other, and a row of prickly green cacti, lined up small to large, confront you in the gallery.In this film we see Martin installing the exhibition, and he explains why repetitive actions help him to make sense of the world.'Down Over Up' is at the Fruitmarket Gallery until 31 October 2010. 'Works', published by Thames and Hudson, is out now.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 04 Aug 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="65174672" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2010/tateshots_2010_08_creed.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","2760","artist interviews","05.08.2010","TateShots","martin creed","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:20</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-martin-creed</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots Edinburgh: Boyle Family]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-boyle-family</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met up with the Boyle Family as they installed a new work at the Scottish National Gallery of Modern Art. The 'World Series' began life at a party hosted by Mark Boyle and Joan Hills in 1968, where the guests were invited to throw darts at a large map of the world. Since then, the artists have studied the exact parts of the world where the darts landed, resulting in a range of output including sculptures, films and photographs. This exhibition, presenting their observations of a spot of coast in the Outer Hebridean island of Barra, is the result of eighteen years' work and the first of the series to be made in Britain. World Series, Barra is on display at the Scottish National Gallery of Modern Art, Edinburgh.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met up with the Boyle Family as they installed a new work at the Scottish National Gallery of Modern Art. The 'World Series' began life at a party hosted by Mark Boyle and Joan Hills in 1968, where the guests were invited to throw darts at a large map of the world. Since then, the artists have studied the exact parts of the world where the darts landed, resulting in a range of output including sculptures, films and photographs. This exhibition, presenting their observations of a spot of coast in the Outer Hebridean island of Barra, is the result of eighteen years' work and the first of the series to be made in Britain. World Series, Barra is on display at the Scottish National Gallery of Modern Art, Edinburgh.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 15 Sep 2010 20:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:48</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-edinburgh-boyle-family</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Martin Karlsson: London - An Imagery]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/martin-karlsson-london-imagery</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[London – An Imagery 2008–9 takes as its starting point Gustave Doré's gothic etchings published in 1872. In this film Karlsson tells us how his drawings update this portrait of the city and its inhabitants. The project can be seen on the hoardings behind Tate Modern until December 2010.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[London – An Imagery 2008–9 takes as its starting point Gustave Doré's gothic etchings published in 1872. In this film Karlsson tells us how his drawings update this portrait of the city and its inhabitants. The project can be seen on the hoardings behind Tate Modern until December 2010.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Jul 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31890339" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2010/tateshots_2010_07_karlsson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","29.07.2010","TateShots","drawings","Martin Karlsson","tate modern","TTM"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:45</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/martin-karlsson-london-imagery</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mike Nelson: The Coral Reef]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/mike-nelson-coral-reef</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It's a claustrophobic construction of rooms and narrow corridors, each with a hint of life but decaying in front of your eyes. The sprawling work was first shown in 2001 at Matt's Gallery in London, and is now part of Tate's collection. In this interview the artist explains the ideas and ideologies behind the work, and tells us why he wants the spectator to feel 'lost in a world of lost people'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It's a claustrophobic construction of rooms and narrow corridors, each with a hint of life but decaying in front of your eyes. The sprawling work was first shown in 2001 at Matt's Gallery in London, and is now part of Tate's collection. In this interview the artist explains the ideas and ideologies behind the work, and tells us why he wants the spectator to feel 'lost in a world of lost people'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 21 Jul 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="53935065" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2010/tateshots_2010_07_nelson_coralreef.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","4020","artist interviews","work in focus","22.07.2010","TateShots","95723","Mike Nelson","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/mike-nelson-coral-reef</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tate Modern Confessions]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tate-modern-confessions</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It's ten years since Tate Modern opened its doors for the first time. For the film 'Tate Modern Turns 10' we set up a booth in the Turbine Hall and asked visitors to confess their Tate Modern secrets. This special TateShots features some of the confessions that got away, including admissions of love, gallery gripes, flash mobs and mischief-making. Members of the public also recall their favourite exhibitions and turbine hall commissions, and we learn about the sheer variety of people that make up Tate Modern's visitors. Here they included a man dressed as a storm-trooper and a newly-married couple fresh from their ceremony. Here's to the next ten years!]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It's ten years since Tate Modern opened its doors for the first time. For the film 'Tate Modern Turns 10' we set up a booth in the Turbine Hall and asked visitors to confess their Tate Modern secrets. This special TateShots features some of the confessions that got away, including admissions of love, gallery gripes, flash mobs and mischief-making. Members of the public also recall their favourite exhibitions and turbine hall commissions, and we learn about the sheer variety of people that make up Tate Modern's visitors. Here they included a man dressed as a storm-trooper and a newly-married couple fresh from their ceremony. Here's to the next ten years!]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 24 May 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="73586446" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2010/tateshots_tm10confessions.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","exhibitions","25.05.2010","[playlist:tm10]","development","tate modern","tate modern 10","TTM"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:10</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tate-modern-confessions</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Frieze Art Fair]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-frieze-art-fair</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visits the Frieze Art Fair in Regents Park, London. Bringing together artists, curators, collectors and the public all under one roof, the art fair is the centre of an important week in the art world's calender.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visits the Frieze Art Fair in Regents Park, London. Bringing together artists, curators, collectors and the public all under one roof, the art fair is the centre of an important week in the art world's calender.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 27 Oct 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41791259" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2010/tateshots_2010_10_frieze.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","28.10.2010","TateShots","Cornelia Parker","Gabriel Kuri","Gavin Turk","Jonathan Yeo"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:57</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-frieze-art-fair</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Doug Fishbone, Elmina.]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-doug-fishbone-elmina</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Doug Fishbone talks about his new feature-length film Elimina, which finds the white American artist stepping into an otherwise totally Ghanaian production. Through this simple gesture of using a racially and culturally incongruous actor, Fishbone tests our preconceptions of cinema and fiction. Elmina was scripted and filmed by a leading Ghanaian production team, with a cast of major Ghanaian celebrities. The only artistic intervention is the insertion of Fishbone himself. The project continues Fishbone's investigation into the relativity of perception and understanding, pushing what audiences expect as the acceptable limits of role and representation in film. Elmina is on show at Tate Britain until 3rd January 2011.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Doug Fishbone talks about his new feature-length film Elimina, which finds the white American artist stepping into an otherwise totally Ghanaian production. Through this simple gesture of using a racially and culturally incongruous actor, Fishbone tests our preconceptions of cinema and fiction. Elmina was scripted and filmed by a leading Ghanaian production team, with a cast of major Ghanaian celebrities. The only artistic intervention is the insertion of Fishbone himself. The project continues Fishbone's investigation into the relativity of perception and understanding, pushing what audiences expect as the acceptable limits of role and representation in film. Elmina is on show at Tate Britain until 3rd January 2011.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 03 Nov 2010 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47827584" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2010/tateshots_2010_11_fishbone.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","04.11.2010","TateShots","Doug Fishbone","Elmina","tate britain"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:15</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-doug-fishbone-elmina</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Ai Weiwei in NYC]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-ai-weiwei-nyc</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["This weeks TateShots sees Ai Weiwei talking about the time he spent living in New York, when he took over 10,000 photographs. The film was shot and edited by the director Alison Klayman, who has spent the past two years capturing Ai Weiwei's life for AI WEIWEI: NEVER SORRY, the first ever feature-length documentary film on China's leading contemporary artist and most vocal dissident.  Ai Weiwei’s work ‘Sunflower Seeds’ can be seen in the turbine hall at Tate Modern until May 2011 and is part of The Unilever Series. For more information on the film you can click here." www.aiweiweifilm.org]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["This weeks TateShots sees Ai Weiwei talking about the time he spent living in New York, when he took over 10,000 photographs. The film was shot and edited by the director Alison Klayman, who has spent the past two years capturing Ai Weiwei's life for AI WEIWEI: NEVER SORRY, the first ever feature-length documentary film on China's leading contemporary artist and most vocal dissident.  Ai Weiwei’s work ‘Sunflower Seeds’ can be seen in the turbine hall at Tate Modern until May 2011 and is part of The Unilever Series. For more information on the film you can click here." www.aiweiweifilm.org]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 01 Dec 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="50853445" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2010/tateshots_2010_12_ai_weiwei.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","02.12.2010","TateShots","Ai Weiwei","installation","NY","nyc","photography","sculpture","unilever series"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:50</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-ai-weiwei-nyc</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Albert Irvin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-albert-irvin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This week’s TateShots sees the painter Albert Irvin visit the Tate Stores facility, where the artwork in the Tate’s collection that is not currently on show is kept. Here Albert, now in his late eighties, talked to TateShots about three of his paintings; Flodden, St Germain and Empress, pieces that he hadn’t seen since they were last on show at the Tate. Albert explained to us how and why he made the trio, as well as offering up his thoughts on his career as an artist.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This week’s TateShots sees the painter Albert Irvin visit the Tate Stores facility, where the artwork in the Tate’s collection that is not currently on show is kept. Here Albert, now in his late eighties, talked to TateShots about three of his paintings; Flodden, St Germain and Empress, pieces that he hadn’t seen since they were last on show at the Tate. Albert explained to us how and why he made the trio, as well as offering up his thoughts on his career as an artist.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 22 Dec 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43338513" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2010/tateshots_2010_12_albert_irvin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","23.12.2010","TateShots","albert irvin","collection","figurative","Painting","Tate","tate stores","Technique"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:54</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-albert-irvin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots:Tony Oursler]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshotstony-oursler</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met Tony Oursler shortly after the opening of a solo show at Lehmann Maupin Gallery in New York. Tony, who describes his work as a physical embodiment of a thought, took us on a tour of his studio, showing us what inspires him and how this manifests in his work. TateShots was also given a preview of what Tony currently has in development.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met Tony Oursler shortly after the opening of a solo show at Lehmann Maupin Gallery in New York. Tony, who describes his work as a physical embodiment of a thought, took us on a tour of his studio, showing us what inspires him and how this manifests in his work. TateShots was also given a preview of what Tony currently has in development.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 28 Dec 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47999417" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2010/tateshots_2010_12_oursler.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","29.12.2010","TateShots","New York","studio visit","Tate","Tony Oursler","2366"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:19</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshotstony-oursler</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Iain Sinclair on Susan Philipsz's 'Surround Me'.]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-iain-sinclair-on-susan-philipszs-surround-me</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The eerie silence of London's financial district at the weekend inspired Susan Philipsz's first commission in the capital. Her unaccompanied voice singing Elizabethan folk songs resonates through empty streets around the Bank of England, across postwar walkways and medieval alleyways and along the banks of the River Thames. Author Iain Sinclair takes us on a walk through the City of London to discover the songs, placing them in their historical context and explaining the significance of the locations.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The eerie silence of London's financial district at the weekend inspired Susan Philipsz's first commission in the capital. Her unaccompanied voice singing Elizabethan folk songs resonates through empty streets around the Bank of England, across postwar walkways and medieval alleyways and along the banks of the River Thames. Author Iain Sinclair takes us on a walk through the City of London to discover the songs, placing them in their historical context and explaining the significance of the locations.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 07 Jan 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="61232565" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2011/tateshots_2011_01_sinclair.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","work in focus","08.01.2011","TateShots","artangel","city","elizabethan","financial","iain sinclair","London","music","songs","Susan Philipsz","Tate","tate britain","tate modern","thames","turner","Turner Prize"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:44</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-iain-sinclair-on-susan-philipszs-surround-me</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Gauguin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-gauguin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The exhibition focuses on Gauguin as a master storyteller, who created legends around both his life and art, and here Riding uses two works to explain the strategies he employed to achieve this.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The exhibition focuses on Gauguin as a master storyteller, who created legends around both his life and art, and here Riding uses two works to explain the strategies he employed to achieve this.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 13 Jan 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="65152382" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2011/tateshots_2011_01_gauguin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","work in focus","14.01.2011","TateShots","Gauguin","London","Tate","tate britain","tate modern"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-gauguin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Do Ho Suh - Staircase-III]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-do-ho-suh-staircase-iii</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Staircase-III is one of a number of works Suh has made based on his personal memories of architectural spaces, both of his parents’ traditional Korean house in Seoul and his own Western-style apartment in New York. ‘The space I’m interested in is not only a physical one, but an intangible, metaphorical, and psychological one,’ he has said. Do Ho Suh’s work features in Tate Modern’s Collection Displays, 2011.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Staircase-III is one of a number of works Suh has made based on his personal memories of architectural spaces, both of his parents’ traditional Korean house in Seoul and his own Western-style apartment in New York. ‘The space I’m interested in is not only a physical one, but an intangible, metaphorical, and psychological one,’ he has said. Do Ho Suh’s work features in Tate Modern’s Collection Displays, 2011.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 24 Mar 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37214303" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2011/tateshots_2011_03do_ho_suh.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","work in focus","25.03.2011","TateShots","do ho suh","installation","Staircase","tate modern"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-do-ho-suh-staircase-iii</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Abraham Cruzvillegas]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-abraham-cruzvillegas</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the summer of 2008, Cruzvillegas spent several months at Cove Park, on the west coast of Scotland. During that time, he carried out research into the local economy and the materials associated with it. These investigations dovetailed with a longer-standing interest in the improvisatory architecture of his parents’ house in Mexico City. Like many of their neighbours, Cruzvillegas’ parents built their house themselves, adding to it over many decades – a process known as autoconstrucción, or ‘self-building’. These dual influences are the inspiration for his installation 'Autoconstrucción', in which materials drawn from the rural Scottish environment are brought together with the construction techniques of Mexico City.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In the summer of 2008, Cruzvillegas spent several months at Cove Park, on the west coast of Scotland. During that time, he carried out research into the local economy and the materials associated with it. These investigations dovetailed with a longer-standing interest in the improvisatory architecture of his parents’ house in Mexico City. Like many of their neighbours, Cruzvillegas’ parents built their house themselves, adding to it over many decades – a process known as autoconstrucción, or ‘self-building’. These dual influences are the inspiration for his installation 'Autoconstrucción', in which materials drawn from the rural Scottish environment are brought together with the construction techniques of Mexico City.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 16 Mar 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="54445235" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2011/tateshots_2011_03_cruzvillegas.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","13142","artist interviews","work in focus","17.03.2011","TateShots","Abraham Cruzvillegas","autoconstruccion"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:10</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-abraham-cruzvillegas</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Ai Weiwei, one-to-one]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-ai-weiwei-one-one</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Ai Wewei the act of individuals voicing opinions and communicating with one another is of great importance. From October 2010 to May 2011, visitors to his piece Sunflower Seeds, currently on show in the Turbine Hall at Tate Modern, can record a video; either asking him their question or answering one from him. So far, over 11,500 questions have been asked. This film features a select few. Sunflower Seeds is made up of millions of small pieces, each apparently identical, but actually unique. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Ai Wewei the act of individuals voicing opinions and communicating with one another is of great importance. From October 2010 to May 2011, visitors to his piece Sunflower Seeds, currently on show in the Turbine Hall at Tate Modern, can record a video; either asking him their question or answering one from him. So far, over 11,500 questions have been asked. This film features a select few. Sunflower Seeds is made up of millions of small pieces, each apparently identical, but actually unique. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 26 Jan 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46512361" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2011/tateshots_2011_01_aiweiwei_qanda.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","27.01.2011","TateShots","Ai Weiwei","China","installation","sculpture","unilever series"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:00</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-ai-weiwei-one-one</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: An interview with the artist Naum Gabo's daughter, Nina Williams.]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-interview-artist-naum-gabos-daughter-nina-williams</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This week TateShots met Nina Williams, daughter of Naum Gabo, who showed us how to use ‘Constructivist Ballet’, a toy her father made for her during World War II. . The item is a toy created by the sculptor for his only daughter Nina, who was born in the midst of the turbulent years of the World War II. When there were no toys and games available for children to play with Gabo used simple materials from his studio to give his little daughter a precious toy. A plastic semi-spherical dome with some tiny off-cuts of coloured plastic underneath was transformed into miniature theatre stage with ballet-dancers as soon as Gabo rubbed its surface with woollen cloth. The energy of static electricity would make the ‘dancers’, named after chess pieces, jump and move in circles as by magic.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This week TateShots met Nina Williams, daughter of Naum Gabo, who showed us how to use ‘Constructivist Ballet’, a toy her father made for her during World War II. . The item is a toy created by the sculptor for his only daughter Nina, who was born in the midst of the turbulent years of the World War II. When there were no toys and games available for children to play with Gabo used simple materials from his studio to give his little daughter a precious toy. A plastic semi-spherical dome with some tiny off-cuts of coloured plastic underneath was transformed into miniature theatre stage with ballet-dancers as soon as Gabo rubbed its surface with woollen cloth. The energy of static electricity would make the ‘dancers’, named after chess pieces, jump and move in circles as by magic.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 15 Dec 2010 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38382546" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2010/tateshots_2010_12_nina_gabo.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","1137","artist interviews","16.12.2010","TateShots","collection"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:20</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-interview-artist-naum-gabos-daughter-nina-williams</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: John Squire on watercolour]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-john-squire-on-watercolour</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[After hanging up his guitar, John Squire of the Stone Roses, went on to reinvent himself as an artist. In anticipation of a new exhibition 'Watercolour' at Tate Britain, we invited him behind the scenes to talk about a favourite watercolour from Tate's Collection by Patrick Heron, and to show us how he uses watercolour in his own work. Music by 'Ashbourne's Strongest Man'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[After hanging up his guitar, John Squire of the Stone Roses, went on to reinvent himself as an artist. In anticipation of a new exhibition 'Watercolour' at Tate Britain, we invited him behind the scenes to talk about a favourite watercolour from Tate's Collection by Patrick Heron, and to show us how he uses watercolour in his own work. Music by 'Ashbourne's Strongest Man'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 03 Feb 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="61807960" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2011/tateshots_2011_02_john_squire.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","artist interviews","04.02.2011","TateShots","Art","artist","Celebrity","demonstration","Islam","John Squire","music","paint","Painting","seahorses","Stone Roses","Tate","tate britain","tate modern","Tate Studios","Technique","watercolour"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:19</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-john-squire-on-watercolour</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Karla Black]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-karla-black</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Karla Black is one of the contemporary artists featured in Tate Britain's new Watercolour exhibition. But her approach to the medium is unorthodox. Mixing paint with other materials such as nail-varnish, vaseline, and body lotion she creates unique sculptural forms. She talked to TateShots about her process, and showed us her latest work at her studio near Glasgow]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Karla Black is one of the contemporary artists featured in Tate Britain's new Watercolour exhibition. But her approach to the medium is unorthodox. Mixing paint with other materials such as nail-varnish, vaseline, and body lotion she creates unique sculptural forms. She talked to TateShots about her process, and showed us her latest work at her studio near Glasgow]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 02 Mar 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42952604" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2011/tateshots_2011_03_karla_black.mp4"/>
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<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","03.03.2011","TateShots","Art","artist","Karla Black","Painting","sculptor","sculpture","watercolour"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:04</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-karla-black</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Nam June Paik]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-nam-june-paik</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Video artist, performance artist, composer and visionary: Nam June Paik (1932-2006) was one of the most innovative artists of the 20th century. Tate Liverpool, in collaboration with FACT (Foundation for Art and Creative Technology) present the first major retrospective since the artist’s death, and the first exhibition of Paik’s work in the UK since 1988. TateShots takes a tour of the exhibition with curator Sook Kyeung Lee during the final week of the show.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Video artist, performance artist, composer and visionary: Nam June Paik (1932-2006) was one of the most innovative artists of the 20th century. Tate Liverpool, in collaboration with FACT (Foundation for Art and Creative Technology) present the first major retrospective since the artist’s death, and the first exhibition of Paik’s work in the UK since 1988. TateShots takes a tour of the exhibition with curator Sook Kyeung Lee during the final week of the show.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 09 Mar 2011 19:00:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/tateshots-nam-june-paik</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Orozco]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-orozco</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Creative, playful and inventive, Gabriel Orozco creates art in the streets, his apartment or wherever he is inspired. Born in Mexico but working across the globe, Orozco is renowned for his endless experimentation with found objects, which he subtly alters. Orozco's sculptures, often made of everyday things that have interested him, reveal new ways of looking at something familiar. A skull with a geometric pattern carefully drawn onto it, a classic Citroën DS car which the artist sliced into thirds, removing the central part to exaggerate its streamlined design, and a scroll filled with numbers cut out of a phone book are just some of his unique sculptures. 19 January - 25 April 2011, Tate Modern]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Creative, playful and inventive, Gabriel Orozco creates art in the streets, his apartment or wherever he is inspired. Born in Mexico but working across the globe, Orozco is renowned for his endless experimentation with found objects, which he subtly alters. Orozco's sculptures, often made of everyday things that have interested him, reveal new ways of looking at something familiar. A skull with a geometric pattern carefully drawn onto it, a classic Citroën DS car which the artist sliced into thirds, removing the central part to exaggerate its streamlined design, and a scroll filled with numbers cut out of a phone book are just some of his unique sculptures. 19 January - 25 April 2011, Tate Modern]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 20 Jan 2011 19:00:00 +0000</pubDate>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-orozco</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Peter Lanyon]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-peter-lanyon</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visits St Ives to look around the Peter Lanyon exhibition. Lanyon was one of the most innovative figures in twentieth-century British art and saw himself as remaking the tradition of landscape painting, using landscape to express ideas about states of being and the human condition. The exhibition's curator Chris Stephens takes us on a tour of the show, and explores two of Lanyon's most famous works: The Yellow Runner and St Just.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots visits St Ives to look around the Peter Lanyon exhibition. Lanyon was one of the most innovative figures in twentieth-century British art and saw himself as remaking the tradition of landscape painting, using landscape to express ideas about states of being and the human condition. The exhibition's curator Chris Stephens takes us on a tour of the show, and explores two of Lanyon's most famous works: The Yellow Runner and St Just.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 14 Dec 2011 06:11:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43167362" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2010/tateshots_2010_11_lanyon.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:00</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-peter-lanyon</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Richard Wright]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-richard-wright</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[2009 Turner Prize winner Richard Wright talks us through the exhibition he has curated for Tate and the Contemporary Art Society at Tate Britain. Over the last 100 years the Contemporary Art Society has donated over 8,000 works to institutions in Britain. Drawing on this collection, Wright has arranged a display that reflects both his own interests and his thoughts about how contemporary art is received and talked about. In this film he shows us work by William Hogarth, Marcel Duchamp, John Lathamand Ed Ruscha, and describes how the gallery's fixtures and fittings informed his curatorial decisions.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[2009 Turner Prize winner Richard Wright talks us through the exhibition he has curated for Tate and the Contemporary Art Society at Tate Britain. Over the last 100 years the Contemporary Art Society has donated over 8,000 works to institutions in Britain. Drawing on this collection, Wright has arranged a display that reflects both his own interests and his thoughts about how contemporary art is received and talked about. In this film he shows us work by William Hogarth, Marcel Duchamp, John Lathamand Ed Ruscha, and describes how the gallery's fixtures and fittings informed his curatorial decisions.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 14 Dec 2011 13:11:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="57660009" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2010/tateshots_2010_11_richardwright.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:12</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-richard-wright</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Simon Starling at Tate St Ives]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-simon-starling-tate-st-ives</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Simon Starling is best known for chopping up a shed, turning it into a boat, sailing it down the Rhine, and then reassembling it as a shed, a work which helped him to win the Turner Prize in 2005. For his first major exhibition in the UK since then, he has built an art gallery within an art gallery - cramming a full-scale replica of the Pier Art Centre gallery in Orkney inside Tate St Ives. We went to Cornwall to talk to him about the show, which draws together works made in the last five years.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Simon Starling is best known for chopping up a shed, turning it into a boat, sailing it down the Rhine, and then reassembling it as a shed, a work which helped him to win the Turner Prize in 2005. For his first major exhibition in the UK since then, he has built an art gallery within an art gallery - cramming a full-scale replica of the Pier Art Centre gallery in Orkney inside Tate St Ives. We went to Cornwall to talk to him about the show, which draws together works made in the last five years.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 16 Feb 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41030876" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2011/tateshots_2011_02_simonstarling.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","17.02.2011","TateShots","Cornwall","Film","photography","scotland","scuplture","simon starling","Tate","Tate St Ives"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-simon-starling-tate-st-ives</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Toby Ziegler, The Alienation of Objects]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-toby-ziegler-alienation-objects</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Toby Ziegler talks TateShots through his exhibition 'The Alienation of Objects' at the Zabludowicz Collection in London. Toby makes sculptures that refer to historical objects. Although Ziegler's work starts with computer aided design, his process also incorporates hand made models and culminates in large sculptures of aluminium triangles that convey the form in the simplest way possible. The exhibition will also be on view at the New Art Gallery Walsall, 8 April - 19 June 2011.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Toby Ziegler talks TateShots through his exhibition 'The Alienation of Objects' at the Zabludowicz Collection in London. Toby makes sculptures that refer to historical objects. Although Ziegler's work starts with computer aided design, his process also incorporates hand made models and culminates in large sculptures of aluminium triangles that convey the form in the simplest way possible. The exhibition will also be on view at the New Art Gallery Walsall, 8 April - 19 June 2011.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 14 Dec 2011 13:11:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="36296511" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2010/tateshots_2010_11_toby_ziegler.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2010","18.11.10","TateShots","tateshots","Toby Ziegler"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:11</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-toby-ziegler-alienation-objects</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Watercolour]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-watercolour</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots is given a tour of the Watercolour exhibition at Tate Britain by curator Alison Smith. The exhibition charts the history of watercolour as a medium, with works spanning 800 years, ranging from cartographic landscapes to abstract paintings. Here Smith uses three works to explain watercolour’s prominent position in British Art.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots is given a tour of the Watercolour exhibition at Tate Britain by curator Alison Smith. The exhibition charts the history of watercolour as a medium, with works spanning 800 years, ranging from cartographic landscapes to abstract paintings. Here Smith uses three works to explain watercolour’s prominent position in British Art.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 24 Feb 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="54608384" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2011/tateshots_2011_02_alison_watercolour.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","work in focus","25.02.2011","TateShots","anish kapoor","curator","Edward Burra","guide","how to","London","paint","Painter","Painting","Tate","tate britain","tate modern","turner","Victor Hugo","watercolour"]]></itunes:keywords>
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<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-watercolour</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots:Sir Peter Blake and The Museum of Everything]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshotssir-peter-blake-and-museum-everything</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sir Peter Blake has a magpie's eye for collecting curiosities, so when James Brett of the Museum of Everything invited him to curate an exhibition there and to include some of his own unusual objects in the mix, he leapt at the chance. TateShots caught up with Blake and Brett to delve into their treasure trove of music memorabilia, Victorian taxidermy and vintage fairground art. Exhibition #3, Primrose Hill, London, runs until December 24th www.museumofeverything.com]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Sir Peter Blake has a magpie's eye for collecting curiosities, so when James Brett of the Museum of Everything invited him to curate an exhibition there and to include some of his own unusual objects in the mix, he leapt at the chance. TateShots caught up with Blake and Brett to delve into their treasure trove of music memorabilia, Victorian taxidermy and vintage fairground art. Exhibition #3, Primrose Hill, London, runs until December 24th www.museumofeverything.com]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 09 Dec 2010 19:00:00 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshotssir-peter-blake-and-museum-everything</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Alice in Wonderland at Tate Liverpool]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-alice-wonderland-tate-liverpool</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Curators Gavin Delahunty and Christopher Benjamin Schulz takes us around the exhibition.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Curators Gavin Delahunty and Christopher Benjamin Schulz takes us around the exhibition.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 20 Dec 2011 16:17:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39626393" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2011/tateshots_2011_11_alice.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","24.11.2011 alice in wonderland","youtube","Alice in Wonderland","Tate Liverpool","tateshots","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:46</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-alice-wonderland-tate-liverpool</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Andy Goldsworthy studio visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-andy-goldsworthy-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Using materials such as wood, stone and snow, Andy Goldsworthy’s art explores our connection with nature. TateShots visited him at his studio in southwest Scotland and took a walk with him through the landscape that is at the heart of his work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Using materials such as wood, stone and snow, Andy Goldsworthy’s art explores our connection with nature. TateShots visited him at his studio in southwest Scotland and took a walk with him through the landscape that is at the heart of his work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 30 Nov 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46531013" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2011/tateshots_2011_12_goldsworthy.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["artist interviews","01.12.2011","TateShots","youtube","andy goldsworthy","Art","artist","paint","Scaur","Sctoland","water","watercolour"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:25</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-andy-goldsworthy-studio-visit</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Mona Hatoum, studio visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-mona-hatoum-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mona Hatoum shows TateShots around her studio, an old shop in the heart of Berlin. Hatoum explains why she feels the need to make things on a daily basis, continually working to create art that plays with conflict and contradiction, changing the viewer's perception of everyday objects.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Mona Hatoum shows TateShots around her studio, an old shop in the heart of Berlin. Hatoum explains why she feels the need to make things on a daily basis, continually working to create art that plays with conflict and contradiction, changing the viewer's perception of everyday objects.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 28 Sep 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47006150" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2011/tateshots_2011_09_monahatoum.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","2365","29.09.2011","TateShots","youtube","art. sculpture","berlin","Danger","fear","home","MONA HATOUM","studio","Tate","tateshots","wheelchar"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:14</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-mona-hatoum-studio-visit</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Peter Randall-Page on Barry Flanagan]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-peter-randall-page-on-barry-flanagan</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Though best known for his statues of bronze hares, his earlier work, in materials as varied as cloth, plaster, and sand, show how he challenged the very idea of what sculpture could be. Fellow artist Peter Randall-Page shares his memories of his close friend.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Though best known for his statues of bronze hares, his earlier work, in materials as varied as cloth, plaster, and sand, show how he challenged the very idea of what sculpture could be. Fellow artist Peter Randall-Page shares his memories of his close friend.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 05 Oct 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="27228169" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_flanagan.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","exhibitions","06.10.2011","TateShots","youtube","barry","bohemia","draughstman","drawing","flanagan","inspiration","Peter","Randall-Page","sculpture","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:38</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-peter-randall-page-on-barry-flanagan</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Turner Prize 2011, Martin Boyce]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-martin-boyce</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize nominee Martin Boyce’s work explores the visual language of modernist architecture and design. Classic pieces of furniture by Arne Jacobsen, Charles and Ray Eames, and Jean Prouvé among others, have often been the focus of Boyce’s sculptural installations, which he has described as ‘a peculiar landscape’. For the Turner Prize exhibition 2011, Boyce takes as his inspiration four concrete ‘trees’, designed in 1925 by avant-garde sculptors Joël and Jan Martel.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize nominee Martin Boyce’s work explores the visual language of modernist architecture and design. Classic pieces of furniture by Arne Jacobsen, Charles and Ray Eames, and Jean Prouvé among others, have often been the focus of Boyce’s sculptural installations, which he has described as ‘a peculiar landscape’. For the Turner Prize exhibition 2011, Boyce takes as his inspiration four concrete ‘trees’, designed in 1925 by avant-garde sculptors Joël and Jan Martel.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 02 Nov 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42147877" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_martinboyce_tp.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","03.11.2011","TateShots","youtube","Art","award","installation","Martin Boyce","Tate","tateshots","Turner Prize"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:59</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-martin-boyce</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Turner Prize 2011, Hilary Lloyd]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-hilary-lloyd</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize nominee Hilary Lloyd makes films and videos that draw attention to unnoticed details in everyday life. Yet she says she is 'not a filmmaker', and indeed the equipment that she uses for projection and screening is itself part of her work, a sculptural medium which which she challenges and subverts the conventional ways we observe moving images.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Turner Prize nominee Hilary Lloyd makes films and videos that draw attention to unnoticed details in everyday life. Yet she says she is 'not a filmmaker', and indeed the equipment that she uses for projection and screening is itself part of her work, a sculptural medium which which she challenges and subverts the conventional ways we observe moving images.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 09 Nov 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="40002898" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_hilarylloyd_tp.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","10.11.2011","TateShots","youtube","award","Baltic","Film","Hilary Lloyd","projection","Turner Prize"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:47</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-hilary-lloyd</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Turner Prize 2011, George Shaw]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-george-shaw</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Painter George Shaw is one of the nominees for the Turner Prize 2011. For almost two decades his subject matter has been the place in which he grew up, a housing estate in Coventry and the surrounding streets. Every detail is scrupulously captured in Humbrol enamel paint, the kind of paint used by children on Airfix model kits. Shaw’s paintings are full of nostalgia for a lost childhood and exude a sense of time passing. More recently he has focused on the grim urban decay that is slowly infecting the local area. The Turner Prize is a contemporary art award that was set up in 1984 to celebrate new developments in contemporary art. The prize is awarded each year to ‘a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding’.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Painter George Shaw is one of the nominees for the Turner Prize 2011. For almost two decades his subject matter has been the place in which he grew up, a housing estate in Coventry and the surrounding streets. Every detail is scrupulously captured in Humbrol enamel paint, the kind of paint used by children on Airfix model kits. Shaw’s paintings are full of nostalgia for a lost childhood and exude a sense of time passing. More recently he has focused on the grim urban decay that is slowly infecting the local area. The Turner Prize is a contemporary art award that was set up in 1984 to celebrate new developments in contemporary art. The prize is awarded each year to ‘a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding’.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Oct 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31745392" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_georgeshaw_tp.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","20.10.2011","TateShots","youtube","award","Baltic","Coventry","george shaw","Painter","Painting","Turner Prize","watercolour"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:47</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-george-shaw</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Grayson Perry, studio visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-grayson-perry-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grayson Perry afforded us the rare opportunity of a visit to his studio in Walthamstow, north-east London. Describing pottery as his gimmick, Perry goes on to show us his process before explaining why he wants people to be able to just enjoy art, rather than having to interpret it.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Grayson Perry afforded us the rare opportunity of a visit to his studio in Walthamstow, north-east London. Describing pottery as his gimmick, Perry goes on to show us his process before explaining why he wants people to be able to just enjoy art, rather than having to interpret it.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 19 Oct 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="58464870" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_perry.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","4657","artist interviews","20.10.2011","in_the_galleries","TateShots","youtube","Art","clay","Grayson Perry","Grayson Perry. British Museum","kiln","pottery","studio","Tate","Turner Prize"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:33</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-grayson-perry-studio-visit</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Frieze Art Fair 2011]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-frieze-art-fair-2011</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots looks back at the Frieze Art Fair 2011 which took place in Regents Park, London. The annual event attracts thousands of art lovers and artists, acting as the focal point of an important week in the art world's calender. We interviewed some of the artists exhibiting new work at the fair, as well as curators, collectors and the public about Frieze and its place in the art scene.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots looks back at the Frieze Art Fair 2011 which took place in Regents Park, London. The annual event attracts thousands of art lovers and artists, acting as the focal point of an important week in the art world's calender. We interviewed some of the artists exhibiting new work at the fair, as well as curators, collectors and the public about Frieze and its place in the art scene.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 10 Nov 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45234151" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2011/tateshots_2011_11_frieze.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","11.11.2011","TateShots","Amanda Sharp","Bik Van der Pol","ekow eshun","frieze","kiki smith","London","Neha Choksi","Oliver Laric","regents park","what's on"]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:18</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-frieze-art-fair-2011</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Mat Collishaw's Sordid Earth]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-mat-collishaws-sordid-earth</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Giant diseased-infested flowers projected on to a massive 360-degree curtain made up of hanging silicone tendrils feature in Mat Collishaw’s Sordid Earth. Collishaw found inspiration in the work of John Martin whilst constructing this piece, using the power of submersion in both a physical and metaphorical sense, to explore the toxic nature of our interest in bad things.Sordid Earth was shown as part of Ron Arad’s Curtain Call which was on display earlier this year at the Roundhouse.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Giant diseased-infested flowers projected on to a massive 360-degree curtain made up of hanging silicone tendrils feature in Mat Collishaw’s Sordid Earth. Collishaw found inspiration in the work of John Martin whilst constructing this piece, using the power of submersion in both a physical and metaphorical sense, to explore the toxic nature of our interest in bad things.Sordid Earth was shown as part of Ron Arad’s Curtain Call which was on display earlier this year at the Roundhouse.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 16 Nov 2011 19:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38260208" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/november2011/tateshots_2011_11_collishaw.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","17.11.2011","TateShots","youtube","apocalypse","Art","camden","children","curtain","Film","flowers","fun","height","installation","interview","John Martin","London","Mat Collishaw","photography","Ron Arad","Roundhouse","sordid]]></itunes:keywords>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:37</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-mat-collishaws-sordid-earth</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Turner Prize 2011, Karla Black]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-karla-black</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Karla Black’s unorthodox and innovative approach to sculpture has led to a nomination for the Turner Prize 2011. Using established art materials alongside more unusual items such as nail varnish, cellophane and bath salts she creates work whose fragility seems to echo her fascination with pyschological vulnerability. In this interview she talks about what sculpture means to her, and its power to evoke a physical response.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Karla Black’s unorthodox and innovative approach to sculpture has led to a nomination for the Turner Prize 2011. Using established art materials alongside more unusual items such as nail varnish, cellophane and bath salts she creates work whose fragility seems to echo her fascination with pyschological vulnerability. In this interview she talks about what sculpture means to her, and its power to evoke a physical response.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 26 Oct 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="30202400" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/october2011/tateshots_2011_10_karlablack_tp.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","27.10.2011","in_the_galleries","TateShots","youtube","Art","Baltic","Fragile","Gateshead","Karla Black","London","paint","Painter","sculptor","Tate","tateshots","Turner Prize"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:12</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-turner-prize-2011-karla-black</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Roman Ondak, Measuring the Universe]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-roman-ondak-measuring-universe</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 08 Sep 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31090074" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2011/tateshots_2011_09_romanondak.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","exhibitions","09.09.2011","in_the_galleries","TateShots","youtube","Art","children","family","fun","height","installation","martin clark","measuring the universe","museum","participation","Roman Ondak","summer","Tate","Tate St Ives","tateshots"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:57</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-roman-ondak-measuring-universe</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Contested Terrains part 1]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-contested-terrains-part-1</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Contested Terrains is an exhibition by four artists working in Africa. The artists featured subvert assumptions about Africa's past and present, exploring the tensions between tradition and modernity. Kader Attia, Sammy Baloji, Michael MacGarry and Adolphus Opara talk to TateShots about their work.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Contested Terrains is an exhibition by four artists working in Africa. The artists featured subvert assumptions about Africa's past and present, exploring the tensions between tradition and modernity. Kader Attia, Sammy Baloji, Michael MacGarry and Adolphus Opara talk to TateShots about their work.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 09 Aug 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31578737" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2011/tateshots_2011_08_contested1.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["exhibitions","10.08.2011","in_the_galleries","TateShots","youtube","Adolphus Opara","Africa","Art","artists","curators","Exhibitions","Kader Attia","level 2","London","Michael MacGarry","paint","paintings","Sammy Baloji","Tate","tate modern","tour"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:50</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-contested-terrains-part-1</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Storm Thorgerson on Magritte]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-storm-thorgerson-on-magritte</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Storm Thorgerson designed the cover for Pink Floyd's 'Dark Side of the Moon', an album that can be found in the homes of over 40 million people. In a career spanning over 30 years he has produced album graphics for numerous acts including Led Zeppelin, Peter Gabriel, and Muse. Many of his designs are notable for their surrealism, and in his early work he often took inspiration from the paintings of Rene Magritte. To celebrate the opening of Tate Liverpool's Magritte exhibition, we asked Thorgerson what it is about Magritte that hooked him.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Storm Thorgerson designed the cover for Pink Floyd's 'Dark Side of the Moon', an album that can be found in the homes of over 40 million people. In a career spanning over 30 years he has produced album graphics for numerous acts including Led Zeppelin, Peter Gabriel, and Muse. Many of his designs are notable for their surrealism, and in his early work he often took inspiration from the paintings of Rene Magritte. To celebrate the opening of Tate Liverpool's Magritte exhibition, we asked Thorgerson what it is about Magritte that hooked him.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 20 Jul 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="31119367" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2011/tateshots_2011_07_stormthorgerson_onmagritte.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["10cc","2011","artist interviews","exhibitions","21.07.2011","in_the_galleries","TateShots","youtube","album","Art","artist","Belgium","Biffy Clyro","dark side of the moon","Hipgnosis","muse","Painting","Pink Floyd","Rene Magritte","Storm Thorgerson","Ta]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:14</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-storm-thorgerson-on-magritte</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Biddy Peppin on the female Vorticists]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-biddy-peppin-on-female-vorticists</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Vorticist movement had two female members, Helen Saunders and Jessica Dismorr, while Dorothy Shakespear was an unofficial member. Here, Biddy Peppin, art historian and a relative of Helen Saunders, tells us the story of the female Vorticists and the obstacles they faced in being taken seriously as artists.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The Vorticist movement had two female members, Helen Saunders and Jessica Dismorr, while Dorothy Shakespear was an unofficial member. Here, Biddy Peppin, art historian and a relative of Helen Saunders, tells us the story of the female Vorticists and the obstacles they faced in being taken seriously as artists.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 27 Jul 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41854292" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2011/tateshots_2011_07_female_vorticists.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","exhibitions","28.07.2011","in_the_galleries","TateShots","youtube","album","Art","artist","Biddy Peppin","female","Helen Saunders","Jessica Dismorr","sexism"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-biddy-peppin-on-female-vorticists</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Moby at Tate Modern]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-moby-tate-modern</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Moby, king of ambient electronic music, had a childhood fantasy of being left alone in a museum after hours. Tateshots made it reality, with a late night tour of Tate Modern. Moby talks about the impact art has on his music, and picks two of his favourite works, Arshile Gorky's Waterfall, 1943 and Richard Serra's Trip Hammer, 1988. Destroyed, Moby's new album and accompanying book of photography is out now.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Moby, king of ambient electronic music, had a childhood fantasy of being left alone in a museum after hours. Tateshots made it reality, with a late night tour of Tate Modern. Moby talks about the impact art has on his music, and picks two of his favourite works, Arshile Gorky's Waterfall, 1943 and Richard Serra's Trip Hammer, 1988. Destroyed, Moby's new album and accompanying book of photography is out now.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 May 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37999145" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2011/tateshots_2011_05_moby.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","exhibitions","20.05.2011","in_the_galleries","TateShots","youtube","gorky","interactive","London","Moby","music","Richard Serra"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:25</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-moby-tate-modern</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Erdem, Art of Fashion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-erdem-art-fashion</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We invited fashion designer Erdem on a special tour of the new hang at Tate Britain, where he selected some of his favourite paintings and talked about how art inspires him.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We invited fashion designer Erdem on a special tour of the new hang at Tate Britain, where he selected some of his favourite paintings and talked about how art inspires him.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 05 May 2011 20:00:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45910916" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2011/tateshots_2011_05_erdem.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA["2011","artist interviews","06.05.2011","in_the_galleries","TateShots","Art","artist","tate britain","tate modern","Tate Studios"]]></itunes:keywords>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-erdem-art-fashion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Maurice Sendak]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-maurice-sendak</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[His long-time editor, Michael di Capua, told the New York Times the author died in Danbury, Connecticut, after complications from a recent stroke.
Maurice Sendak was a prolific illustrator whose work has been seen by millions of people all over the world but was best-known for his 1963 tale of Max, who became the 'king of all wild things'.
In December 2011, TateShots travelled to the forest in upstate New York where Sendak was based to look back over his literary career, discuss his love for William Blake and hear why he believes that as an artist, ‘you just have to take the dive’.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[His long-time editor, Michael di Capua, told the New York Times the author died in Danbury, Connecticut, after complications from a recent stroke.
Maurice Sendak was a prolific illustrator whose work has been seen by millions of people all over the world but was best-known for his 1963 tale of Max, who became the 'king of all wild things'.
In December 2011, TateShots travelled to the forest in upstate New York where Sendak was based to look back over his literary career, discuss his love for William Blake and hear why he believes that as an artist, ‘you just have to take the dive’.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 16 Jan 2012 10:01:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/tateshots-maurice-sendak</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Luc Tuymans]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-luc-tuymans</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[His paintings are born out of a distrust of imagery in an image saturated world, and a belief that representation can only ever be partial and subjective. Drawing on images from film, television and photography, on subjects ranging from major historical events, such as the Holocaust, or the politics of the Belgian Congo, to something as inconsequential and banal as wallpaper patterns, he creates paintings that explore the inadequacy of collective memory. TateShots visited Tuymans in his home city of Antwerp.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[His paintings are born out of a distrust of imagery in an image saturated world, and a belief that representation can only ever be partial and subjective. Drawing on images from film, television and photography, on subjects ranging from major historical events, such as the Holocaust, or the politics of the Belgian Congo, to something as inconsequential and banal as wallpaper patterns, he creates paintings that explore the inadequacy of collective memory. TateShots visited Tuymans in his home city of Antwerp.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 16 Jan 2012 11:44:00 +0000</pubDate>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:59</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-luc-tuymans</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Tateshots: Pedro Cabrita Reis]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-pedro-cabrita-reis</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He is known for his use of industrial materials, and for highlighting the process of construction, joining elements in a way that can sometimes seem provisional or unfinished. Having started his career as a painter, Cabrita Reis continues to see his work as an extension of painting. 'When I use glass or fluorescent tubes, plaster, wood, steel or poured paint it's still about the vocabulary of painting', he has said. TateShots caught up with him during the installation of three of his pieces at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He is known for his use of industrial materials, and for highlighting the process of construction, joining elements in a way that can sometimes seem provisional or unfinished. Having started his career as a painter, Cabrita Reis continues to see his work as an extension of painting. 'When I use glass or fluorescent tubes, plaster, wood, steel or poured paint it's still about the vocabulary of painting', he has said. TateShots caught up with him during the installation of three of his pieces at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Jan 2012 11:50:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41138728" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2012/tateshots_2012_01_pedrocabritareis.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:42</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-pedro-cabrita-reis</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Ryan Gander, Locked Room Scenario]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-ryan-gander-locked-room-scenario</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When TateShots made an appointment to go along, the exhibition seemed to be temporarily closed. Or maybe the show was over, and the works were waiting to be taken away. But who were those people who followed us home?]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[When TateShots made an appointment to go along, the exhibition seemed to be temporarily closed. Or maybe the show was over, and the works were waiting to be taken away. But who were those people who followed us home?]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 15 Sep 2011 13:07:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45549838" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2011/tateshots_2011_09_ryangander.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:20</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-ryan-gander-locked-room-scenario</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Pat Nevin in conversation with Neville Gabie]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-pat-nevin-conversation-neville-gabie</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Pat Nevin’s 20 year long career as a professional footballer saw him appear for both Chelsea and Everton and earn 28 caps for Scotland. He has since gone on to work as a radio and TV presented for the BBC, write for every national broadsheet and author a book on psychology in sport. TateShots took Nevin to the Olympic Park in East London to talk with the artist in residence Neville Gabie, who’s Playing Away series, a photographic project based on goalposts from all over the world, is in the Tate collection. Nevin and Gabie discussed the sculptural qualities of goalposts and how they become a way of understanding the city, landscape and community they are found in.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Pat Nevin’s 20 year long career as a professional footballer saw him appear for both Chelsea and Everton and earn 28 caps for Scotland. He has since gone on to work as a radio and TV presented for the BBC, write for every national broadsheet and author a book on psychology in sport. TateShots took Nevin to the Olympic Park in East London to talk with the artist in residence Neville Gabie, who’s Playing Away series, a photographic project based on goalposts from all over the world, is in the Tate collection. Nevin and Gabie discussed the sculptural qualities of goalposts and how they become a way of understanding the city, landscape and community they are found in.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 01 Sep 2011 13:31:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39751833" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2011/tateshots_2011_09_nevillegabiepatnevin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:35</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-pat-nevin-conversation-neville-gabie</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Barbara Hepworth]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-barbara-hepworth</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[She lived and worked in Trewyn studios, now the Hepworth Museum, from 1949 until her death in 1975. TateShots travelled to St Ives to explore the studio and its gardens, where Hepworth's sculptures are seen in the environment for which they were created. 'Finding Trewyn Studio was a sort of magic', wrote Hepworth; 'here was a studio, a yard and garden where I could work in open air and space'. The film includes archival footage from an interview with the artist from 1973.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[She lived and worked in Trewyn studios, now the Hepworth Museum, from 1949 until her death in 1975. TateShots travelled to St Ives to explore the studio and its gardens, where Hepworth's sculptures are seen in the environment for which they were created. 'Finding Trewyn Studio was a sort of magic', wrote Hepworth; 'here was a studio, a yard and garden where I could work in open air and space'. The film includes archival footage from an interview with the artist from 1973.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 19 Dec 2011 10:24:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42784973" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2011/tateshots_2011_12_hepworth.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-barbara-hepworth</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Miro]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-miro</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Renowned as one of the greatest Surrealist painters, filling his paintings with luxuriant colour, Miró worked in a rich variety of styles. Two of the curators of the show, Matthew Gale and Marko Daniel, select three works to give us insight into this rare opportunity to enjoy more than 150 paintings, drawings, sculptures and prints from moments across the six decades of Miró's extraordinary career.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Renowned as one of the greatest Surrealist painters, filling his paintings with luxuriant colour, Miró worked in a rich variety of styles. Two of the curators of the show, Matthew Gale and Marko Daniel, select three works to give us insight into this rare opportunity to enjoy more than 150 paintings, drawings, sculptures and prints from moments across the six decades of Miró's extraordinary career.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 04 Aug 2011 12:57:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="53780782" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2011/tateshots_2011_08_miro.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:50</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-miro</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Don McCullin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-don-mccullin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A new display of 47 photographs by the photographer Don McCullin opened at Tate Britain. McCullin is recognised as one of the most important living war photographers. He has covered events of global importance, including the Vietnam and Biafran wars for The Observer, and other publications, since the 1960s. The substantial selection of McCullin's work at Tate Britain was made by Tate's curator of photography, Simon Baker, in collaboration with McCullin, and focuses on three diverse aspects of his practice: his first foreign assignment in divided Berlin in 1961; documentary work on homelessness in East London in the late 60s, and landscape works, both urban, and rural from the 1970s to the present day.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A new display of 47 photographs by the photographer Don McCullin opened at Tate Britain. McCullin is recognised as one of the most important living war photographers. He has covered events of global importance, including the Vietnam and Biafran wars for The Observer, and other publications, since the 1960s. The substantial selection of McCullin's work at Tate Britain was made by Tate's curator of photography, Simon Baker, in collaboration with McCullin, and focuses on three diverse aspects of his practice: his first foreign assignment in divided Berlin in 1961; documentary work on homelessness in East London in the late 60s, and landscape works, both urban, and rural from the 1970s to the present day.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 25 Jan 2012 12:03:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="33767358" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2011/tateshots_2011_08_donmccullin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:16</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-don-mccullin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Ray Harryhausen on John Martin]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-ray-harryhausen-on-john-martin</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots got the rare chance to visit Harryhausen at his home to discuss how the nineteenth-century painter John Martin influenced his work and why he considers Martin to be the father of modern cinema.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots got the rare chance to visit Harryhausen at his home to discuss how the nineteenth-century painter John Martin influenced his work and why he considers Martin to be the father of modern cinema.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 22 Sep 2011 13:12:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34854331" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/september2011/tateshots_2011_09_harryhausen.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-ray-harryhausen-on-john-martin</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: John Martin curatorial walkthrough]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-john-martin-curatorial-walkthrough</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Tate Britain's John Martin exhibition this dramatic, proto-cinematic effect has been enhanced with an astonishing son-et-lumiere display. Curator Martin Myrone explores the exhibition highlights.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Tate Britain's John Martin exhibition this dramatic, proto-cinematic effect has been enhanced with an astonishing son-et-lumiere display. Curator Martin Myrone explores the exhibition highlights.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 25 Jan 2012 12:36:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="43283947" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/december2011/tateshots_2011_12_johnmartin.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:06</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-john-martin-curatorial-walkthrough</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: David Tremlett, the Manton staircase]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-david-tremlett-manton-staircase</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The resulting painting, Drawing for Free Thinking, swathes an interior stairwell at the gallery in broad blocks of colour and line. TateShots climbed the scaffolding to document the process.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The resulting painting, Drawing for Free Thinking, swathes an interior stairwell at the gallery in broad blocks of colour and line. TateShots climbed the scaffolding to document the process.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 25 Jan 2012 12:53:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="345" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/decemberber2011/tateshots_2011_12_tremlett.mp4"/>
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<guid>http://www.tate.org.uk/context-comment/video/tateshots-david-tremlett-manton-staircase</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Manchester Festival]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-manchester-festival</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met up with some of those taking part this year and sampled the highlights.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots met up with some of those taking part this year and sampled the highlights.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 11:08:00 +0000</pubDate>
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<guid>http://www.tate.org.uk/context-comment/video/tateshots-manchester-festival</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Martin Creed at Tate St Ives]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-martin-creed-tate-st-ives</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We met up with artist Martin Creed, whose own playful contribution sees the spectacular sea-facing galleries filled with hundreds of white balloons, and who was there with his band to celebrate the opening. Summer season 2011 at Tate St Ives brings an eclectic mix of modern and contemporary works to the galleries. The displays include a room of beautiful late works by the acclaimed American painter Agnes Martin as well as works by Naum Gabo, Roman Ondak, Fischli and Weiss, Lucio Fontana and Anri Sala.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[We met up with artist Martin Creed, whose own playful contribution sees the spectacular sea-facing galleries filled with hundreds of white balloons, and who was there with his band to celebrate the opening. Summer season 2011 at Tate St Ives brings an eclectic mix of modern and contemporary works to the galleries. The displays include a room of beautiful late works by the acclaimed American painter Agnes Martin as well as works by Naum Gabo, Roman Ondak, Fischli and Weiss, Lucio Fontana and Anri Sala.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 May 2011 12:19:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="50248049" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2011/tateshots_2011_05_martincreed_tatestives.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-martin-creed-tate-st-ives</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Venice Biennale 2011]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011</link>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 11:26:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="36725123" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_summary.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:19</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Taryn Simon]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-taryn-simon</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Simon mixes photography and text in a series works that chart family bloodlines. At the heart of each group of photographic portraits, carefully arranged as 18 horizontal family trees, is a compelling story. One set documents the relatives of an Iraqi man who was a body double for Saddam Hussein's son; another show members of a religious sect in Lebanon who believe in reincarnation; while the exhibition title comes from a work about a living Indian man who was declared dead in official records. From feuding families in Brazil to victims of genocide in Bosnia, Simon forms a collection that maps the relationships between chance, blood and other components of fate.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Simon mixes photography and text in a series works that chart family bloodlines. At the heart of each group of photographic portraits, carefully arranged as 18 horizontal family trees, is a compelling story. One set documents the relatives of an Iraqi man who was a body double for Saddam Hussein's son; another show members of a religious sect in Lebanon who believe in reincarnation; while the exhibition title comes from a work about a living Indian man who was declared dead in official records. From feuding families in Brazil to victims of genocide in Bosnia, Simon forms a collection that maps the relationships between chance, blood and other components of fate.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 11:30:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45106377" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2011/tateshots_2011_05_tarynsimon.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:06:04</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-taryn-simon</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Olafur Eliasson]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-olafur-eliasson</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Olafur Eliasson created man-made waterfalls in New York, and turned the rivers of Tokyo, Stockholm, Los Angeles, Moss and Bremen green. He has now installed a 90-metre smoke-filled tunnel in Copenhagen. TateShots went to meet Eliasson at his studio to find out more.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Olafur Eliasson created man-made waterfalls in New York, and turned the rivers of Tokyo, Stockholm, Los Angeles, Moss and Bremen green. He has now installed a 90-metre smoke-filled tunnel in Copenhagen. TateShots went to meet Eliasson at his studio to find out more.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:08:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34693584" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_olafureliasson.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:41</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-olafur-eliasson</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: 11 Rooms, Manchester Festival]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-11-rooms-manchester-festival</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artists such as John Baldessari, Roman Ondák and Marina Abramović were each given a room and asked to fill it with a new work involving the human body. TateShots went to The Manchester Gallery on the opening day of the festival to see the results.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Artists such as John Baldessari, Roman Ondák and Marina Abramović were each given a room and asked to fill it with a new work involving the human body. TateShots went to The Manchester Gallery on the opening day of the festival to see the results.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:13:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="48647887" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2011/tateshots_2011_07_11rooms.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:23</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-11-rooms-manchester-festival</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Venice Biennale 2011: Markus Schinwald at the Austrian Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-markus-schinwald-austrian-pavilion</link>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:20:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34123602" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_austria.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:05</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-markus-schinwald-austrian-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Venice Biennale 2011: Mike Nelson in The British Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-mike-nelson-british-pavilion</link>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 07 Jun 2011 13:33:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="35072582" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_gb.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:10</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-mike-nelson-british-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Gaudier Brzeska's Sketchbook]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-gaudier-brzeskas-sketchbook</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[One of the movement's stars was Henri Gaudier-Brzeska and in this film Chris Stephens, curator of The Vorticists: Manifesto for a Modern World, looks through one of the artist's sketchbooks. He explains how the sketchbook enhances our understanding of some of Gaudier- Brzeska's most memorable works.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[One of the movement's stars was Henri Gaudier-Brzeska and in this film Chris Stephens, curator of The Vorticists: Manifesto for a Modern World, looks through one of the artist's sketchbooks. He explains how the sketchbook enhances our understanding of some of Gaudier- Brzeska's most memorable works.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:41:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="38797760" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_gaudier.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:48</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-gaudier-brzeskas-sketchbook</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Venice Biennale 2011: Allora and Calzadilla at the American Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-allora-and-calzadilla-american-pavilion</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this short film, they speak about their bold installation and performance work for the American Pavilion at this years Venice Biennale.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In this short film, they speak about their bold installation and performance work for the American Pavilion at this years Venice Biennale.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:45:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37166431" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_america.mp4"/>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-allora-and-calzadilla-american-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots at the Venice Biennale 2011: Thomas Hirschhorn at the Swiss Pavilion]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-thomas-hirschhorn-swiss-pavilion</link>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:50:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34324010" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_swiss.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:06</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-venice-biennale-2011-thomas-hirschhorn-swiss-pavilion</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Vito Acconci]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-vito-acconci</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Seedbed Acconci positioned himself in the confined space under a specially constructed ramp and repeatedly masturbated, using the sound of visitors walking above him to fuel his sexual fantasies. Transference Zone took place in a small room containing photographs of seven people who had an important place in the artist’s life, along with some of their possessions. If a visitor knocked on the door, he would invite them in and respond to them as if he or she were that person. For Supply Room, Acconci stood blindfolded in a corner screened off by netting, while his companion Kathy Dillon sat in the opposite corner. Her voice was audible on a pre-recorded monologue, inviting women entering the space to kidnap Acconci and take him prisoner. The three performances reflect Acconci’s interest in the interplay between the psychological and the social, and the overlapping boundaries of interior and exterior. They are seen as among the most important live artworks of the decade. Vito Acconci was born in the Bronx, New York in 1940. He lives and works in Brooklyn, New York.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In Seedbed Acconci positioned himself in the confined space under a specially constructed ramp and repeatedly masturbated, using the sound of visitors walking above him to fuel his sexual fantasies. Transference Zone took place in a small room containing photographs of seven people who had an important place in the artist’s life, along with some of their possessions. If a visitor knocked on the door, he would invite them in and respond to them as if he or she were that person. For Supply Room, Acconci stood blindfolded in a corner screened off by netting, while his companion Kathy Dillon sat in the opposite corner. Her voice was audible on a pre-recorded monologue, inviting women entering the space to kidnap Acconci and take him prisoner. The three performances reflect Acconci’s interest in the interplay between the psychological and the social, and the overlapping boundaries of interior and exterior. They are seen as among the most important live artworks of the decade. Vito Acconci was born in the Bronx, New York in 1940. He lives and works in Brooklyn, New York.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 12:58:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="48834748" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2011/tateshots_2011_05_acconci.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:38</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-vito-acconci</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Audio Arts]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-audio-arts</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA['Audio Arts' was an innovative sound magazine published on cassettes, established by William Furlong in 1973. Tate recently acquired the magazine's collection of master tapes, including unique recordings of artists, as well as of writers and thinkers - Joseph Beuys, Nam June Paik, James Joyce and Noam Chomsky amongst them. TateShots met up with William Furlong to delve into the Audio Arts archive.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA['Audio Arts' was an innovative sound magazine published on cassettes, established by William Furlong in 1973. Tate recently acquired the magazine's collection of master tapes, including unique recordings of artists, as well as of writers and thinkers - Joseph Beuys, Nam June Paik, James Joyce and Noam Chomsky amongst them. TateShots met up with William Furlong to delve into the Audio Arts archive.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:04:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="55395036" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2011/tateshots_2011_04_audioarts.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:06</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-audio-arts</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Peter Kennard studio visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-peter-kennard-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For the past four decades Peter Kennard has consistently challenged power structures and injustice, from his anti-nuclear works of the 1980s for CND to the powerful images he created in response to the wars in Iraq and Afghanistan. Here, Kennard gives TateShots a tour of his studio in Hackney, London in anticipation of the release of his upcoming book, @earth.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For the past four decades Peter Kennard has consistently challenged power structures and injustice, from his anti-nuclear works of the 1980s for CND to the powerful images he created in response to the wars in Iraq and Afghanistan. Here, Kennard gives TateShots a tour of his studio in Hackney, London in anticipation of the release of his upcoming book, @earth.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:10:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39863777" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2011/tateshots_2011_04_peterkennard.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:47</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-peter-kennard-studio-visit</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Desmond Morris on Joan Miró]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-desmond-morris-on-joan-miro</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He tells TateShots about the time he took Miró on a tour of London Zoo, and of Miró's fascination for Congo the painting chimpanzee.
A major retrospective of Joan Miró is at Tate Modern, 14 April – 11 September 2011.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He tells TateShots about the time he took Miró on a tour of London Zoo, and of Miró's fascination for Congo the painting chimpanzee.
A major retrospective of Joan Miró is at Tate Modern, 14 April – 11 September 2011.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:14:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="39105236" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2011/tateshots_2011_04_desmondmorris.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-desmond-morris-on-joan-miro</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Jon Snow]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-jon-snow</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Snow picks out his favourite works in the show and tells us what he finds so fascinating about the medium.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Snow picks out his favourite works in the show and tells us what he finds so fascinating about the medium.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:28:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="60401385" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2011/tateshots_2011_03_jon_snow.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:27</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-jon-snow</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Cornelia Parker's 'Folkestone Mermaid']]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-cornelia-parkers-folkestone-mermaid</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The work is one of several commissions for this summer's Folkestone Triennial 2011. In this film we follow the process of its creation. When Copenhagen's Little Mermaid was created in 1913, Danish sculptor Edvard Eriksen's wife modelled for the statue, which celebrates the fictional heroine of Hans Christian Andersen's fairy tale. Last autumn, all women in Folkestone were invited to send a picture of themselves to model for Cornelia Parker's version of the statue. Georgina Baker was chosen from 50 applicants and the statue is now installed in Folkestone harbour.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[The work is one of several commissions for this summer's Folkestone Triennial 2011. In this film we follow the process of its creation. When Copenhagen's Little Mermaid was created in 1913, Danish sculptor Edvard Eriksen's wife modelled for the statue, which celebrates the fictional heroine of Hans Christian Andersen's fairy tale. Last autumn, all women in Folkestone were invited to send a picture of themselves to model for Cornelia Parker's version of the statue. Georgina Baker was chosen from 50 applicants and the statue is now installed in Folkestone harbour.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:36:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="50339046" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/june2011/tateshots_2011_06_cornelia_parker.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:32</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-cornelia-parkers-folkestone-mermaid</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Mitch Epstein, American Power]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-mitch-epstein-american-power</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It started with a photographic assignment for the New York Times about a coal-fired power plant in Ohio in 2003. Epstein worked on the series over the next five years, expanding his project to address the environmental implications of power production and consumption across the United States, and including several images taken in the aftermath of Hurricane Katrina. In this film Epstein talks about images from ‘American Power’ that are on show at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[It started with a photographic assignment for the New York Times about a coal-fired power plant in Ohio in 2003. Epstein worked on the series over the next five years, expanding his project to address the environmental implications of power production and consumption across the United States, and including several images taken in the aftermath of Hurricane Katrina. In this film Epstein talks about images from ‘American Power’ that are on show at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 13:40:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42727902" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/july2011/tateshots_2011_07_mitchepstein.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:51</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-mitch-epstein-american-power</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Neville Gabie, Olympic artist in residence]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-neville-gabie-olympic-artist-residence</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He is also the only person to have sat in every one of the stadium's 80,000 seats. His time-lapse film capturing this ridiculously epic endeavour is one of a series of artworks that he has produced for London 2012 in response to the Olympic site. TateShots went to meet him to find out more.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[He is also the only person to have sat in every one of the stadium's 80,000 seats. His time-lapse film capturing this ridiculously epic endeavour is one of a series of artworks that he has produced for London 2012 in response to the Olympic site. TateShots went to meet him to find out more.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 26 Jan 2012 10:27:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="32359611" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/january2012/tateshots_2012_01_gabie.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:02:55</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-neville-gabie-olympic-artist-residence</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Simon Fujiwara]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-simon-fujiwara</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As a child, he lived in Carbis Bay, just a mile from St Ives, and his recent artworks explore his childhood experiences in Cornwall; growing up gay, with an English mother and a Japanese father, in a seaside village. For the exhibition he has taken over the entire gallery, presenting a series of large-scale installations, many of which integrate works by famous St Ives' artists, including Alfred Wallis, Patrick Heron and Barbara Hepworth, and blending them with his own family narratives.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[As a child, he lived in Carbis Bay, just a mile from St Ives, and his recent artworks explore his childhood experiences in Cornwall; growing up gay, with an English mother and a Japanese father, in a seaside village. For the exhibition he has taken over the entire gallery, presenting a series of large-scale installations, many of which integrate works by famous St Ives' artists, including Alfred Wallis, Patrick Heron and Barbara Hepworth, and blending them with his own family narratives.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 02 Feb 2012 11:14:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="42887660" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2012/tateshots_2012_02_fujiwara.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:53</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-simon-fujiwara</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Richard Dadd, The Artist and the Asylum]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-richard-dadd-artist-and-asylum</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Nicholas Tromans, author of The Artist and the Asylum, heads behind the scenes at both the Tate and Cambridge’s Fitzwilliam museum to tell us the tale of The Fairy Feller’s Masterstroke and the rarely seen version Dadd painted in watercolour, Songe de la Fantasie, both of which Dadd painted whilst living inside asylums.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Nicholas Tromans, author of The Artist and the Asylum, heads behind the scenes at both the Tate and Cambridge’s Fitzwilliam museum to tell us the tale of The Fairy Feller’s Masterstroke and the rarely seen version Dadd painted in watercolour, Songe de la Fantasie, both of which Dadd painted whilst living inside asylums.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Mon, 13 Feb 2012 12:33:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="51313279" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2012/tateshots_2012_02_dadd.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:37</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-richard-dadd-artist-and-asylum</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Picasso and Modern British Art]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-picasso-and-modern-british-art</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A fascinating story of Picasso’s lifelong connections to and affection for Britain. Curator Chris Stephens shows us some of the highlights of the show.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[A fascinating story of Picasso’s lifelong connections to and affection for Britain. Curator Chris Stephens shows us some of the highlights of the show.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 16 Feb 2012 12:40:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="34900252" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/february2012/tateshots_2012_02_picasso.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:39</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-picasso-and-modern-british-art</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Mark Titchner, Studio Visit]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-mark-titchner-studio-visit</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Whilst showing us around Titchner also showed us what he is working on at the moment and explained why he is encouraging people to scream into a speaker during his new show.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Whilst showing us around Titchner also showed us what he is working on at the moment and explained why he is encouraging people to scream into a speaker during his new show.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 17 Aug 2011 07:54:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="46751865" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/august2011/tateshots_2011_08_marktitchner.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-mark-titchner-studio-visit</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Gavin and Turk]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-gavin-and-turk</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gavin Turk has long been interested in issues of authorship and identity; his artworks include images of himself disguised as Sid Vicious, Che Guevara and Andy Warhol amongst others.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Gavin Turk has long been interested in issues of authorship and identity; his artworks include images of himself disguised as Sid Vicious, Che Guevara and Andy Warhol amongst others.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 08 Mar 2012 07:31:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="45284296" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2012/tateshots_2012_03_turk.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:56</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-gavin-and-turk</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Alighiero E Boetti]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-alighiero-e-boetti</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Alighiero E Boetti was a key member of the Arte Povera group of young Italian artists in the late 1960s which was working in radically new ways using simple materials. Here, curator Mark Godfrey, walks us around the Boetti exhibition at Tate Modern.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Alighiero E Boetti was a key member of the Arte Povera group of young Italian artists in the late 1960s which was working in radically new ways using simple materials. Here, curator Mark Godfrey, walks us around the Boetti exhibition at Tate Modern.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Fri, 30 Mar 2012 10:10:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="47955944" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/march2012/tateshots_2012_03_boetti.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:10</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-alighiero-e-boetti</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: No Lone Zone]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-no-lone-zone</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[‘No Lone Zone’ is a military term designating an area where, for reasons of safety and security, the presence of just one person is not allowed. The phrase can also be used metaphorically to describe a highly sensitive or unstable place, such as the vulnerable environments that proliferate in the context of postcolonial globalisation. This exhibition presents a range of works by Teresa Margolles, Cinthia Marcelle, David Zink Yi and Tercerunquinto all formally and thematically concerned with the intersection of history, nature and politics.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[‘No Lone Zone’ is a military term designating an area where, for reasons of safety and security, the presence of just one person is not allowed. The phrase can also be used metaphorically to describe a highly sensitive or unstable place, such as the vulnerable environments that proliferate in the context of postcolonial globalisation. This exhibition presents a range of works by Teresa Margolles, Cinthia Marcelle, David Zink Yi and Tercerunquinto all formally and thematically concerned with the intersection of history, nature and politics.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 12 Apr 2012 08:06:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="37282453" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2012/tateshots_2012_04_nolonezone.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:21</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-no-lone-zone</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Frank Bowling]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-frank-bowling</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Here, Bowling looks back over his long career and explains why he made the change. Bowling's 'Poured Paintings' are on show at Tate Britain until 1 March 2013, and other works feature in the Tate exhibition 'Migrations: Journeys Into British Art'.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Here, Bowling looks back over his long career and explains why he made the change. Bowling's 'Poured Paintings' are on show at Tate Britain until 1 March 2013, and other works feature in the Tate exhibition 'Migrations: Journeys Into British Art'.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 19 Apr 2012 06:30:00 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41293182" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2012/tateshots_2012_04_bowling.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:03:35</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-frank-bowling</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Laibach, Monumental Retro-Avant-Garde]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-laibach-monumental-retro-avant-garde</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This film shows highlights of Laibach's sell out concert at Tate Modern, on 14 April 2012, and presents a rare interview with founding band member Ivan Novak. Laibach have divided, outraged and confounded for more than 30 years. The Slovenian avant-garde collective use totalitarian imagery and play with and subvert the confused identities, ambiguities, and potential nightmares and utopias of national identity. Laibach was formed in 1980 shortly after the death of Marshall Josip Broz Tito, the Yugoslavian post-war leader. During the political unrest that followed, Laibach – whose name comes from the historic German name for the Slovene capital – formed their own self-styled ‘totalitarian’ group whose activities provoked strong reactions from the former Yugoslavian authorities as well as in Europe and the States. The group developed a ‘Gesamtkunstwerk’ in the form of a multi-disciplinary art practice including collages, graphics, posters, paintings, videos, installations, concerts and performances.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[This film shows highlights of Laibach's sell out concert at Tate Modern, on 14 April 2012, and presents a rare interview with founding band member Ivan Novak. Laibach have divided, outraged and confounded for more than 30 years. The Slovenian avant-garde collective use totalitarian imagery and play with and subvert the confused identities, ambiguities, and potential nightmares and utopias of national identity. Laibach was formed in 1980 shortly after the death of Marshall Josip Broz Tito, the Yugoslavian post-war leader. During the political unrest that followed, Laibach – whose name comes from the historic German name for the Slovene capital – formed their own self-styled ‘totalitarian’ group whose activities provoked strong reactions from the former Yugoslavian authorities as well as in Europe and the States. The group developed a ‘Gesamtkunstwerk’ in the form of a multi-disciplinary art practice including collages, graphics, posters, paintings, videos, installations, concerts and performances.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 01 May 2012 13:27:38 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="41293182" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/april2012/tateshots_2012_04_bowling.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:05:26</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-laibach-monumental-retro-avant-garde</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Patrick Keiller]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-patrick-keiller</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Tate Britain, Keiller has extended this idea to create an exhibition, The Robinson Institute, in which images of landmarks and locations in the English landscape are employed to illustrate the development of capitalism. The premise for The Robinson Institute is that a team of researchers has revisited Robinson's last known journey, and has presented his findings and film footage as an exhibition, featuring works by artists, writers, historians, geographers, cartographers and geologists; and a variety of other objects.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[For Tate Britain, Keiller has extended this idea to create an exhibition, The Robinson Institute, in which images of landmarks and locations in the English landscape are employed to illustrate the development of capitalism. The premise for The Robinson Institute is that a team of researchers has revisited Robinson's last known journey, and has presented his findings and film footage as an exhibition, featuring works by artists, writers, historians, geographers, cartographers and geologists; and a variety of other objects.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Thu, 03 May 2012 11:02:39 +0000</pubDate>
<enclosure xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" length="142759874" type="application/octet-stream" url="http://static.tate.org.uk/1/tateshots/video/mp4/may2012/tateshots_2012_05_keiller.mp4"/>
<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
<itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">no</itunes:explicit>
<itunes:duration xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">0:04:28</itunes:duration>
<itunesu:category itunesu:code="102101"/>
<guid>http://www.tate.org.uk/context-comment/video/tateshots-patrick-keiller</guid>
</item>
<item>
<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Michael Landy]]></title>
<link xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">http://www.tate.org.uk/context-comment/video/tateshots-michael-landy</link>
<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In his vast, virtually empty studio, in London’s East End, the artist Michael Landy has been hard at work. Seven days a week for the last five months he has obsessively committed himself to drawing portraits of the people around him. Meticulously executed in pencil, these drawings question what it is to capture someone’s likeness. The approach is very different from the large-scale installations that Landy is best known for – such as Scrapheap Services and Semi-Detatched at Tate, or Breakdown, a public performance in which he dramatically destroyed all of his possessions. In this film we follow the progress of a portrait from beginning to end – that of TV presenter Kirsty Wark - and speak to Michael and his various sitters about the motivation behind the project.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In his vast, virtually empty studio, in London’s East End, the artist Michael Landy has been hard at work. Seven days a week for the last five months he has obsessively committed himself to drawing portraits of the people around him. Meticulously executed in pencil, these drawings question what it is to capture someone’s likeness. The approach is very different from the large-scale installations that Landy is best known for – such as Scrapheap Services and Semi-Detatched at Tate, or Breakdown, a public performance in which he dramatically destroyed all of his possessions. In this film we follow the progress of a portrait from beginning to end – that of TV presenter Kirsty Wark - and speak to Michael and his various sitters about the motivation behind the project.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tue, 08 May 2012 10:41:30 +0000</pubDate>
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<itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Tate</itunes:author>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Francesco Clemente on Alighiero Boetti]]></title>
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<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In 1974 Francesco Clemente embarked on a trip to Afghanistan with fellowartist Alighiero Boetti, a journey that would shape both of theircareers, and would see Boetti go on to found his infamous One Hotel inKabul.]]></description>
<itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[In 1974 Francesco Clemente embarked on a trip to Afghanistan with fellowartist Alighiero Boetti, a journey that would shape both of theircareers, and would see Boetti go on to found his infamous One Hotel inKabul.]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 09 May 2012 06:37:12 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Mat Collishaw studio visit]]></title>
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<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 09 May 2012 07:40:27 +0000</pubDate>
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<title xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[TateShots: Kusama's Obliteration Room]]></title>
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<description xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/"><![CDATA[Over the course of a few weeks the room is transformed from a blank canvas into an explosion of colour, with thousands of spots stuck over every available surface. TateShots have produced this timelapse video of The Obliteration Room covering the first few weeks of its presentation at Tate Modern. It was conceived as a project for children, and was first staged at the Queensland Art Gallery in 2002. The Obliteration Room at Tate Modern is free, and is open to the public until 18 March 2012.
Music courtesy of www.worldinwinter.co.uk]]></description>
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Music courtesy of www.worldinwinter.co.uk]]></itunes:summary>
<pubDate xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/">Wed, 09 May 2012 10:46:32 +0000</pubDate>
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