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Showing 2135 of 35 results for Ophelia

Blog

Tate Debate: Does seeing art on screen change the way you see it in real-life?

After the online team's visit to Museums and the Web 2013 conference, this week we ask: does seeing an ...
Blog

Behind the scenes at Tate Etc. magazine

This year, Tate Etc. magazine turns ten years old. To celebrate, its Assistant Editor, Mariko Finch, reveals what goes into ...

Tate Etc

Does beauty still matter in art? Head to Head

JJ Charlesworth finds beauty, along with a sunny view of the future, to be something of the past and Isobel ...
Tate Etc

A family affair Millais

Millais’s early career was closely linked to his friendship with the Lemprière family. The teenage artist’s desire for one of ...

Blog

Archives & Access project: collectors, creators and sharers

Albums is a new user-generated content feature on the Tate website. In this blog post we take a first look ...

Blog

Pre-Raphaelites opens to the public

Today, Pre-Raphaelites: Victorian Avant-Garde finally opens to the public. It has been five years since Tim Barringer, Professor of History ...

Blog

Were the Pre-Raphaelites Britain’s first modern artists?

When did modern art begin in Britain? In a new show, opening at Tate Britain onSeptember 12 2012, I hope ...

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How it's Made: Millais

In the second of our series on artists' techniques and processes, Susan Breen explains how the paintings conservation team breathed ...

Blog

Know your art? Take the colour quiz

Can you recognise an artwork by its colours? We invite you to take our Tate collection colour palette quiz!

Teaching Resource

Ed Ruscha Learning Resource

This resource is designed to aid teachers and educators using the ARTIST ROOMS Ed Ruscha collection with groups of young ...

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Forgotten Faces Essay

Forgotten Faces comprises seventeen portraits or figure paintings and three sculptures ranging between 1896 – a year before the foundation of ...

Tate Paper

The Separateness of Things, Victor Burgin

In 1986 Victor Burgin made a series of photographic works based on Edward Hopper's painting Office at Night 1940 ...

Tate Paper

‘Behold the Buffoon’: Dada, Nietzsche’s Ecce Homo and the Sublime

Parodic humour was integral to Dada, and the influence of Nietzsche on dada is well known. However, the connections between ...

Tate Paper

The Materials Used by British Oil Painters in the Nineteenth Century

This paper reviews existing literature on nineteenth-century British artists’ materials. Sources of information, such as colourmen’s archives, artists’ diaries ...

Tate Paper

Sugar, Salt and Curdled Milk: Millais and the Synthetic Subject

This article examines the sexual imagery of particular paintings by the Pre-Raphaelite painter John Everett Millais. It argues that criticism ...