Showing 3,2613,280 of 3,605 results for Photography

Tate Etc

First Encounters with Rauschenberg: Richard Wentworth

Richard Wentworth relives teenage memories from the early 1960s when he visited an extraordinary exhibition by Robert Rauschenberg in London’s ...

Archive collections online

The Archives & Access project has enabled Tate to digitise a selection of artists’ archives and make these available online ...

May 2015: Marshalling American Art

Abstracts for 'Marshalling American Art: Exhibiting Ideology in the Cold War', a workshop at Tate, investigating exhibitions of American art ...
Tate Paper

Developing Strategies for the Conservation of Installations Incorporating Time-Based Media: Gary Hill’s Between Cinema and a Hard Place

Strategies for the conservation of a complex installation by Gary Hill (born 1951) are discussed with special reference to the ...

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Interview with Rabih Mroué

Chad Elias interviews artist Rabih Mroué as part of a Tate In Focus project.
Archive

Vanessa Bell, recipient: Duncan Grant Letter from Vanessa Bell to Duncan Grant

[c.1914]
Archive

Paul Nash, recipient: Margaret Nash Letter from Paul Nash to Margaret Nash written from Camberley Staff College

23 November 1916
Archive

Paul Nash, recipient: Margaret Nash Letter from Paul Nash to Margaret Nash written from Camberley Staff College

14 December 1916
Tate Paper

‘The Whole Question of Plinths’ in Barbara Hepworth’s 1968 Tate Retrospective

In 1968 Barbara Hepworth was honoured with a significant retrospective at the Tate Gallery. This paper offers a close reading ...

Tate Paper

To the Ends of the Earth: Art and Environment: Art & Environment

Introducing the group of articles devoted to the theme of ‘Art & Environment’ in Tate Papers no.17, this essay ...

Teaching Resource

Vija Celmins: Learning Resource

This resource is designed to aid teachers and students using the ARTIST ROOMS Vija Celmins collection.

Tate Etc

Lives of the artists

Flamboyant. Extravagant. Megalomanic. Alcoholic. Sexually obsessed. Manic-depressive. How important is persona in understanding an artist’s practice? By Alison Gingeras

Tate Paper

Anthony McCall’s Line Describing a Cone

Mark Godfrey and Anthony McCall, Anthony McCall’s Line Describing a Cone; Tate Papers no.8
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Wrinkles in Time

Tate Research publication 'In Focus: Wrinkle 1968 by Liliana Porter' by Sophie Halart, published January 2018
Tate Paper

Constable's Sketch for Hadleigh Castle: A Technical Examination

Constable (1776–1837) made one of his characteristic 'six footer' oil sketches in preparation for Hadleigh Castle which he exhibited ...

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Something's wrong: Melanie McGrath on Tracey Emin

Few artists are subjected to fierce public scrutiny in the British tabloids like Tracey Emin. But is she a great ...

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Political Pop: An Introduction

Curator Jessica Morgan explores the politics of Pop Art in conjunction with the World Goes Pop exhibition at Tate Modern.
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Artistic Responses to the Lebanese Wars

Chad Elias explores artistic responses to the Lebanese Wars for Tate In Focus.
Tate Paper

To Dispel a Great Malady: Robinson in Ruins, the Future of Landscape and the Moving Image: Art & Environment

Patrick Keiller’s film Robinson in Ruins was made as part of an AHRC project, ‘The Future of Landscape and ...

Tate Paper

Coral and Lichen, Brains and Bowels: Jay DeFeo’s Hybrid Abstraction

Situating the US artist Jay DeFeo within a network of West Coast practitioners during the 1950s and 1960s, this essay ...