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Archiving the Uncollectable: Museum Education and Memory Loss

Memory loss, struggles in communicating our work, changes in mood, apathy, confusion, difficulty in building our own storyline, a failing ...


State Violence, Mirrors and the Perspective on Infinity

Tate In Focus research project exploring Waiting for Tear Gas 1999–2000 by Allan Sekula

Inhabiting Collective Guilt and the Inability to Mourn

Tate In Focus research project exploring Heroic Symbols 1969 by Anselm Kiefer, authored by Christian Weikop
Look Closer

Explore From Tarzan to Rambo

Exploring how Sonia Boyce explores her own sense of self in relation to media images of blackness and whiteness in ...

Tate Paper

The Grid as a Checkpoint of Modernity

In Western art history the grid has been positioned as an emblem of modernism. In Russia, however, early constructivist artists ...

Where we begin opening the system, c.1970: Cubes and rooms

Open Systems Rethinking Art c.1970 past exhibition at Tate Modern: Essay from exhibition catalogue - Cubes and rooms

Duncan Grant, recipient: Vanessa Bell Letter from Bear [Duncan Grant] to Vanessa Bell [possibly in London]

[29 November 1920]
Tate Paper

An Unpublished Drawing by Duchamp: Hell in Philadelphia

This paper discusses a hitherto unpublished drawing by Marcel Duchamp (1887–1968) that relates to his masterwork The Bride Stripped ...

Tate Paper

Should We Reproduce the Beauty of Decay? A Museumsleben in the work of Dieter Roth

Heide Skowranek, Should We Reproduce the Beauty of Decay? A Museumsleben in the work of Dieter Roth; Tate Papers no ...
Tate Etc

The unholy trinity: Duchamp, Man Ray, Picabia

To coincide with the first exhibition to explore the inter-relationship between Duchamp, Man Ray and Picabia, to be staged at ...

Tate Etc

More to meet the eye: Contemporary drawings at Tate

Until the 1960s it was seen as a secondary act in the process of art making. Now a new generation ...